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NMSAT — Networked Music & Sound Art Timeline

A Panoramic View of Practices & Techniques Related to Sound Transmission and Distance :

Archeology, Genealogy and Sound Anthropology of the Internet Auditoriums and the Distance Listening

A Locus Sonus project (2008-2012) — Access to the database : (not yet complete) http://locusonus.org/nmsat/

NMSAT Vol. 5 - Bibliographical References(Edit)

(more than 500 references)

_______________________________________________________________________ A (Edit)

Adams M. (Blast Theory and IPerG) and Giannachi G. (2007), Between the Public: Blast Theory’s Day of the Figurines, keynote conference presentation, Paradoxes of the Public, Duisburger Akzente, Diusberg, Germany, 24-5 May, 2007.
Adrian R. (1999), The World in 24 Hours, Timothy Druckrey (Hg.): Ars Electronica. Facing the Future, Cambridge 1999, pp. 346-351.
Aether (cont.), Art & Telematics Timeline, http://societyofalgorithm.org/networktime/
Alty J., Rigas D.I. (1998), Communicating graphical information to blind users using music: the role of context, In CHI’98: Proceedings of the SIGCHI conference on Human factors in computing systems, New York, NY, USA, 1998. ACM Press/Addison-Wesley Publishing Co. “audio data by means of the talking tactile tablet”. In I. Oakley, pp. 574–581.
Agamanolis S., Westner A. and Bove V.M. (1997), Reflection of Presence: Toward More Natural and Responsive Telecollaboration, Proc. SPIE Multimedia Networks, 3228A.
Amatriain, X. and Herrera, P. (2002), Transmitting Audio Content as Sound Objects. 15-6-2002. Proceedings of the AES22 International Conference on Virtual, Synthetic and Entertainment Audio.
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Arnheim, R. (1978), Space as an Image of Time, Images of Romanticism, ed. Kroeber and Walling. New Haven: Yale Univ. Press, 1978.
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Ascott R. (1998), Art and Telematics: towards the construction of new aesthetics, trans. ErimiFujiwara. Tokyo: NTT Shuppan.
Ascott R. (2003), Telematic Embrace: visionary theories of art, technology, and consciousness, Berkeley/Los Angeles/ London: University of California Press.
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Auinger S., Huber R. (1997), Berliner Theorie. Musik und Internet, Positionen 31/Mai 1997, pp. 23–26.
Auslander P. (1999), Liveness: Performance in a Mediatized Culture, London: Routledge.

_______________________________________________________________________ B (Edit)

Bakhtin M.M. (1981), Forms of Time and the Chronotope of the Novel. The Dialogic Imagination, trans. by Michael Holquist. Austin: University of Texas.
Baecker R., Harrison S., Buxton B., Poltrock S. & Churchill E. (2008), Media Spaces:Past Visions, Current Realities, Future Promise, Proceedings of the 2008 ACM Conference on Human Factors in Computing Systems, CHI'08, pp. 2245-2248.
Barbosa, A. and Kaltenbrunner, M. (2002), Public Sound Objects: A shared musical space on the web. 2002. IEEE Computer Society Press. Proceedings of International Conference on Web Delivering of Music (WEDELMUSIC 2002) - Darmstadt, Germany.
Barbosa, A., Kaltenbrunner, M. and Geiger, G. (2003), Interface Decoupled Applications for Geographically Displaced Collaboration in Music. 2003. Proceedings of the International Computer Music Conference (ICMC2003).
Barbosa A. (2003), Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation, Leonardo Music Journal 13-1, pp. 53-60.
Barbosa A., Gresham-Lancaster S., Freeman J., Bencina R. (2005), Networked Music Workshop, ICMC 05 Barcelona.
Barbosa, A., Cardoso, J. and Geiger, G. (2005), Network Latency Adaptive Tempo in the Public Sound Objects System. 2005. Proceedings the International Conference on New Interfaces for Musical Expression (NIME 2005); Vancouver, Canada.
Barbosa A. (2006), Displaced Soundscapes - Computer-Supported Cooperative Work for Music Applications – PhD Thesis - Music technology Group; Pompeu Fabra University, Barcelona.
Barbosa A. (2008), Ten-Hand Piano: A Networked Music Installation, Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2008); Genova.
Barbosa A. (2008), Displaced Soundscapes - Computer Supported Cooperative Work for Music Applications, VDM Verlag.
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Baumgärtel T. (2001), Net Art. On the History of Artistic Work with Telecommunications Media,Peter Weibel, Timothy Druckrey (Hg.): net_condition. art and global media, Cambridge 2001, pp. 152–161.
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Braasch J. “A loudspeaker-based 3D sound projection using Virtual Microphone Control (ViMiC)”, Convention of the Audio Eng. Soc. 118, pp. 968–979, 2005.
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Braasch J., Tranby N. “A sound-source tracking device to track multiple talkers from microphone array and lavalier microphone data”, 19th International Congress on Acoustics, Madrid, Sept 2-7, paper ELE-03-009, 2007.
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Braasch J. “Telematic Music - Restrictions and Advantages compared to traditional one-site music events”, Proceedings of ICMC’08 SARC Belfast, pp. 538–539, 2008.
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Bryan-Kinns N. “Daisyphone: The Design and Impact of a Novel Environment for Remote Group Music Improvisation.” In Proceedings of DIS 2004 Conference on Designing Interactive Systems, Boston, USA, pp. 135-144. 2004.
Bryan-Kinns N., Healey P. G. T., “Daisyphone: Support for Remote Music Collaboration.” In Proceedings of NIME 2004, Hamamatsu, Japan, pp. 27-30. 2004.
Bryan-Kinns N. “Mobile group music improvisation.” In Proceedings of Engagability and Design 2004, Birmingham, UK. 2004.
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Bryan-Kinns N., Healey, P. G. T., “Decay in Collaborative Music Making.” In Proceedings of NIME 2006, Paris, France, pp. 114-117. 2006.
Bryan-Kinns N., Healey P. G. T., Leach J., Brooker A. “Mutual Engagement in Collaboration.” Presented at About-Face Workshop, CHI 2006, Montreal, Canada. 2006.
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Cabrera D. “Resonating Sound Art and the Aesthetics of Room Resonance”, Convergence 3:4/1997, 108–137.
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Carôt A., Jens H., Kraemer U., Schuller G., Wabnik S., Werner C. “Network Music Performance with ultra-low-delay audio coding under unreliable network conditions”, Proceedings of the 123rd AES Convention, New-York, 2007.
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Castro M., Druschel P., Kermarrec A-M., Nandi A., Rowstron A., and Singh A. “Splitstream : High-bandwidth multicast in a cooperative environment.” SOSP’03,Lake Bolton, New York, October 2003.
Catlow R. “VisitorsStudio: From Passive Audience to Networked Co-producers”, AHRC ICT Methods Network Workshop, Centre for Computing in the Humanities, Kay House, King’s College, 19 March 2007
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Chafe C. “Distributed Internet reverberation for audio collaboration”. In AES 24th Intl. Conf. on Multichannel Audio, Banff, 2003.
Chafe C., Wilson S., Leistikow R., Chisholm D., Scavone G. “Simplified Approach to High quality Music and Sound over IP.” In Proc. COST-G6 Conf. on Digital Audio Effects (DAFX). 2000.
Chafe C., Leistikow R. “Levels of Temporal Resolution in Sonification of Network Performance.” Proceedings of the International Conference on Auditory Display. 2001.
Chafe C. “Tapping into the Internet as an Acoustical and Musical Medium”, Proceedings of ICMC’08, SARC Belfast,pp. 544-545, August 24-29, 2008.
Chandler A, Neumark N., “At a Distance - Precursors to Art and Activism on the Internet”, MIT Press, 2005.
Chew E., Zimmermann R., Sawchuk A., Papadopoulos C., Kyriakakis C. “A Performer-Centered Approach to Design and Latency Issues in Networked Performance Systems”. 2004.
Chew E., Zimmermann R., Sawchuk A. A., Kyriakakis C., Papadopoulos C., François A. R. J., Kim G., Rizzo A., Volk A., “Musical Interaction at a Distance: Distributed Immersive Performance”. Proceedings of the 4th Open Workshop of MUSICNETWORK: Integration of Music in Multimedia Applications (MUSICNETWORK 2004 ), Barcelona, Spain, Sep 15-16, 2004.
Chew E., Sawchuk A. A., Zimmerman R., the Tosheff Piano Duo (V. Stoyanova and I. Tosheff), Kyriakakis C., Papadopoulos C., François A. R. J., Volk A., “Distributed Immersive Performance.” Proceedings of the 2004 Annual National Association of the Schools of Music (NASM 2004) Meeting, San Diego, CA, November 22, 2004.
Chew E., Sawchuk A. A., Tanoue C., Zimmermann R., “Segmental Tempo Analysis of Performances in Performer-Centered Experiments in the Distributed Immersive Performance Project”. Sound and Music Computing '05 International Conference, Salerno, Italy (SMC'05).
Chew E., Zimmermann R., Sawchuk A. A., Papadopoulos C., Kyriakakis C., Tanoue C., Desai D., Pawar M., Sinha R., Meyer W., “A Second Report on the User Experiments in the Distributed Immersive Performance Project”. Proceedings of the 5th Open Workshop of MUSICNETWORK: Integration of Music in Multimedia Applications (MUSICNETWORK 2005), July 4-5, 2005, Vienna, Austria
Chew E., Sawchuk A. A., Zimmermann R., “Distributed Immersive Performance: Ameliorating the Psychophysical Effects of Network Latency”. R. Proceedings of the Corporation of Education Networks in California (CENIC 2005) Meeting, Marina del Rey, CA, Mar 7-9, 2005.
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