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!! 17/ Wiki pages ref. {br}{br} ---- !!! WELLES & TARKOVSKI * Orson Welles, "'''Macbeth'''" (1948) et Andreï Tarkovski, "'''[Stalker|http://www.cinemancie.com/index.php?title=Stalker]'''" (1978){br}{br}La construction de points de vue, notamment dans '''''[L'Ultime|1984ULTIME]''''' avec les arches occultées et celles ouvertes déterminant les places du public, comme dans tous les projets et performances que nous avons construits, était nécessaire pour créer des proximités et des éloignements, c'est-à-dire des échelles de distances au travers de l'espace de la présentation. Celui-ci était en premier lieu, et dans quasiment tous nos projets, un espace de diffusion et de projection, utopique, onirique, inconnu et en même temps très physique, à l'image d'un volume continuellement modulable et possédant de multiples profondeurs et dimensions – donc un espace (in)-défini à l'inverse d'une « scène » et d'une salle d'exposition –. |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_1p.jpg|../files/doc/1983_scenarios/scenar_macbeth_1.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_1p.jpg|../files/doc/1983_scenarios/scenar_stalker_1.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_2p.jpg|../files/doc/1983_scenarios/scenar_macbeth_2.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_2p.jpg|../files/doc/1983_scenarios/scenar_stalker_2.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_3p.jpg|../files/doc/1983_scenarios/scenar_macbeth_3.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_2bp.jpg|../files/doc/1983_scenarios/scenar_stalker_2b.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_4p.jpg|../files/doc/1983_scenarios/scenar_macbeth_4.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_3p.jpg|../files/doc/1983_scenarios/scenar_stalker_3.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_5p.jpg|../files/doc/1983_scenarios/scenar_macbeth_5.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_3bp.jpg|../files/doc/1983_scenarios/scenar_stalker_3b.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_6p.jpg|../files/doc/1983_scenarios/scenar_macbeth_6.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_4p.jpg|../files/doc/1983_scenarios/scenar_stalker_4.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_7p.jpg|../files/doc/1983_scenarios/scenar_macbeth_7.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_4bp.jpg|../files/doc/1983_scenarios/scenar_stalker_4b.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_8p.jpg|../files/doc/1983_scenarios/scenar_macbeth_8.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_5p.jpg|../files/doc/1983_scenarios/scenar_stalker_5.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_9p.jpg|../files/doc/1983_scenarios/scenar_macbeth_9.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_6p.jpg|../files/doc/1983_scenarios/scenar_stalker_6.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_10p.jpg|../files/doc/1983_scenarios/scenar_macbeth_10.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_8p.jpg|../files/doc/1983_scenarios/scenar_stalker_8.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_11p.jpg|../files/doc/1983_scenarios/scenar_macbeth_11.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_9p.jpg|../files/doc/1983_scenarios/scenar_stalker_9.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_12p.jpg|../files/doc/1983_scenarios/scenar_macbeth_12.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_9bp.jpg|../files/doc/1983_scenarios/scenar_stalker_9b.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_13p.jpg|../files/doc/1983_scenarios/scenar_macbeth_13.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_10p.jpg|../files/doc/1983_scenarios/scenar_stalker_10.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_14p.jpg|../files/doc/1983_scenarios/scenar_macbeth_14.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_11p.jpg|../files/doc/1983_scenarios/scenar_stalker_11.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_15p.jpg|../files/doc/1983_scenarios/scenar_macbeth_15.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_11bp.jpg|../files/doc/1983_scenarios/scenar_stalker_11b.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_16p.jpg|../files/doc/1983_scenarios/scenar_macbeth_16.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_12p.jpg|../files/doc/1983_scenarios/scenar_stalker_12.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_17p.jpg|../files/doc/1983_scenarios/scenar_macbeth_17.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_19p.jpg|../files/doc/1983_scenarios/scenar_stalker_19.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_18p.jpg|../files/doc/1983_scenarios/scenar_macbeth_18.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_20p.jpg|../files/doc/1983_scenarios/scenar_stalker_20.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_19p.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_21p.jpg|../files/doc/1983_scenarios/scenar_stalker_21.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_macbeth_19p.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_stalker_22p.jpg|../files/doc/1983_scenarios/scenar_stalker_22.jpg]| {html} <p style="clear: both;"> {/html} {br}{br} ---- {include:DOCLMYmorris} {br}{br} ---- !!! DENNIS OPPENHEIM ''« Pourquoi ne pas inverser le procédé et permettre à la pensée de s'insérer après que la forme ait été mise en place ? »'' (In Dennis Oppenheim, catalogue ARC Paris, Musée d'Art Moderne de la Ville de Paris, 15 décembre / 20 janvier 1980, p. 2). {br}{br} ---- !!! BOBBY SANDS |t |t |t |t |t |t |t |t Bobby Sands, "One Day in my Life / Un Jour dans ma Vie"{br}http://www.bboykonsian.com/attachment/183347/ {br}http://collections.mun.ca/PDFs/radical/TheWritingsofBobbySands.pdf {br}http://www.indymedia.ie/attachments/apr2011/dont_let_irish_hunger_strikers_die.pdf |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_ira_5p.jpg|../files/doc/1983_scenarios/scenar_ira_5.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_ira_1p.jpg|../files/doc/1983_scenarios/scenar_ira_1.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_ira_2p.jpg|../files/doc/1983_scenarios/scenar_ira_2.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_ira_3p.jpg|../files/doc/1983_scenarios/scenar_ira_3.jpg]| |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_ira_4p.jpg|../files/doc/1983_scenarios/scenar_ira_4.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_ira_6p.jpg|../files/doc/1983_scenarios/scenar_ira_6.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_ira_7p.jpg|../files/doc/1983_scenarios/scenar_ira_7.jpg]| {html} <p style="clear: both;"> {/html} {br}{br} ---- !!! BURUNDI - TEST DPT |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_burundi2p.jpg|../files/doc/1983_scenarios/scenar_burundi2.jpg]|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_testdeptp.jpg|../files/doc/1983_scenarios/scenar_testdept.jpg]| {html} <p style="clear: both;"> {/html} {br}{br} ---- !!! AFRICA |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_africa_1p.jpg|../files/doc/1983_scenarios/scenar_africa_1.jpg]{br}{small}{cap}Yaie, Burkina Faso{/cap}{/small}|t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [../files/doc/1983_scenarios/scenar_africa_2p.jpg|../files/doc/1983_scenarios/scenar_africa2p.jpg]{br}{small}{cap}Surma Donga Ethiopie{/cap}{/small}| {html} <p style="clear: both;"> {/html} {br}{br}{br}{br} ---- ----{br}
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