PubliLocus2009.fr - Jerome Joy website

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!!! RÉFÉRENCES # {small}Gallet B. ''Les noms de l’espace sonore ou comment composer avec l’incomposable'', Sound Art Seminar, Aix en Provence, 2008. Composer des étendues – l’art de l’installation sonore. ESBA Geneva, 2005.{/small} # {small}Barbosa A. ''Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation'', Leonardo Music Journal 13, pp 53-60, 2003.{/small} # {small}Carlyle A., ''Positive Soundscape Project: A re-evaluation of environmental sound'', CRiSAP, London, 2007.{/small} # {small}Joy J. ''Networked Music and Sound Art Timeline – an overview -'', 2008, http://jeromejoy.org/ {/small} # {small}Joy J. ''Une Époque Circuitée'', Proceedings of the Metamedia Symposium, Québec, 2007.{/small} # {small}Lib_ (Joy J., Argüello S.), ''Logs''. Éd. È®e, Paris, 2005.{/small} # {small}Moore S., Place T. ''KromoZone: A Platform for Networked Multimedia Performance'', Proceedings of the International Conference “Music without Walls? Music Without Instruments?”, De Montfort University, Leicester, 2001.{/small} # {small}Renaud A., Rebelo P. ''Network Performance : Strategies and Applications'', NIME 06, SARC Belfast, 2006.{/small} # {small}Sinclair P. ''Locus Sonus'', In "Autumn Leaves – Sound and the Environment in Artistic Practice”, Edited by Angus Carlyle, CRiSAP, Double Entendre Publishing, 2007.{/small} # {small}Tanaka A., Tokui N., Momeni A. ''Facilitating Collective Musical Creativity'', Sony CSL Paris, MM’05, Singapore, 2005.{/small} # {small}Thibaud J-P., ''Towards a praxiology of sound environment'', CRESSON Grenoble. {/small} # {small}Cristofol J., ''Prédiction, Variation, Imprévu'', 2005-2008, http://plotseme.net/ {/small} {br}{br}{br}{br}{br}{br}{br}{br} ---- {plugin:FOOT_NOTES} {br}{br}
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