PENDULUM8 - Jerome Joy website

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!!Documents ---- * — '''^[[Colannino, Gomez, Toussaint - Steve Reich's Clapping Music and the Yoruba Bell timeline (pdf)\|http://cgm.cs.mcgill.ca/~godfried/teaching/mir-reading-assignments/Clapping-Music.pdf]^]''' — {small}^[[Download local file (pdf)\|https://jeromejoy.org/files/articles/reich/1972_clapping_paper1.pdf]^]{/small} * — '''^[[Ali Momeni - Analysis of Steve Reich’s Drumming and his use of African polyrhythms (pdf)\|http://alimomeni.net/files/documents/momeni_Reich-African-Polythythms.pdf]^]''' — {small}^[[Download local file (pdf)\|https://jeromejoy.org/files/articles/reich/1972_clapping_paper2.pdf]^]{/small} * * — '''^[[Audio : KFPA-FM radio — Ode to Gravity : Joanna Brouk interviews Steve Reich — Dec. 12, 1973 — (87mn) — (mp3)\|https://archive.org/details/OTG_1973_12_12]^]''' {br}— {small}Steve Reich, noted musician and contemporary composer, plays his music and talks about his sounds and dimensions with Joanna Brouk. The program begins with Reich’s piece “Six Pianos”, and after listening to it he describes how his experience as a percussionist influenced this composition. The next piece played is “Music for Mallet Instruments, Voices, and Organ” which is also in the minimalist style, and features the delicate vocals of three women blended with an instrumental ensemble. Brouk then suggests that much of Reich’s music resembles the percussion patterns found in Balinese Gamelan music, something that Reich agrees to in general principle, although he makes it clear that these pieces were composed before he had studied the music of Indonesia and were written for Western instruments. Reich is also hesitant to accept Brouk’s suggestion that his music comes from his emotions. While Reich admits that he composes based on his own intuition, he insists that is only part of what he brings to bear in his compositions. The program ends with a discussion of Reich’s increasing interest in only producing music for acoustic instruments and the difficulty of touring with delicate electronic organs which often require repair after coming off of the plane. The first two musical selections heard were recorded at the John Weber Gallery, in New York City, in May of 1973. The interview with Reich was recorded during his visit to the San Francisco Bay Area in November 1973 and was broadcast on December 12, 1973.{/small} * * — '''^[[download application Clapping Music for mobile phones\|http://clappingmusicapp.com/]^]''' - ''' http://clappingmusicapp.com/ '''{br}{small}Steve Reich’s Clapping Music is part of a research project led by Queen Mary University of London.{br}Steve Reich’s Clapping Music is a free game that improves your rhythm by challenging you to play Steve Reich’s ground-breaking work – a piece of music performed entirely by clapping. Tap in time with the constantly shifting pattern, and progress through all of the variations. {/small} ---- {br}{br} {br}{br} ----- '''[Lire la suite - neuvième partie / Continue reading - part9 - Documents Sources\|PENDULUM9]''' ---- {br}{br} {br}{br}{br}{br}{br}{br}{br}{br} ---- {br}{br}
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