PENDULUM8 - Jerome Joy website

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!!Interviews ---- !!! — 1970 - KPFA-FM - UC Berkeley University Museum {html} <iframe src="https://archive.org/embed/AM_1970_11_06" width="500" height="70" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe><br><small>RADIO programme — <A HREF="https://fr.wikipedia.org/wiki/KPFA" target="_blank">KPFA-FM, Berkeley, CA</A> ---- (<A HREF="https://en.wikipedia.org/wiki/KPFA" target="_blank">KPFA english version</A>).<br>Interview Steve Reich and John Gibson <br> Part 1 lasts 48mn and Part 2 62mn, the player automatically skips from Part 1 to Part 2.</small> {/html} ---- \|t \|t \|t {small}{cap}Information Transmission, Modulation and Noise : Steve Reich and John Gibson {br}November 6, 1970{br}{br}Steve Reich and Jon Gibson stopped off at the KPFA studio after a rehearsal for a performance scheduled for the next day at the UC Berkeley’s Art Museum. The discussion centers around Reich’s very unusual music and you will hear an East Coast performance of his ''Four Organs'' as well as an exciting recording of Ghanian drumming which Reich recorded in Ghana. They also introduce the music of Philip Glass, playing a tape of his Music in Similar Motion. The program ends with a discussion about the influence of world music and environmental soundscapes on contemporary composers. {br}{br}— ^[[Source\|https://archive.org/details/AM_1970_11_06]^]{/cap}{/small}\| \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t ---- {small}{cap}Steve Reich et Jon Gibson s’arrêtent au studio de la radio KPFA en sortant des répétitions pour le concert annoncé le lendemain au UC Berkeley’s Art Museum. La discussion autour du micro a tourné autour de la musique étonnante de Steve Reich et vous écouterez l’enregistrement d’une interprétation de son œuvre ''Four Organs'', fait sur la Côte Est, et aussi un enregistrement fait par Steve Reich lors de son séjour au Ghana d’un percussionniste ghanéen. Les deux musiciens parleront aussi de la musique de Philip Glass au travers d’un enregistrement de ''[Music in Similar Motion\|http://brahms.ircam.fr/works/work/8808/]'' (1969). Le programme se termine sur une discussion autour de l’influence des musiques du monde et de l’environnement sonore (soundscapes) sur les compositeurs contemporains.{/cap}{/small}\| ---- {br}{br} {br}{br} ----
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