On extended, boundless, vibratory and in-the-now sympathy music
http://jeromejoy.org/
|| NEWS
|| BIO
| SHOWS
| CATALOG
|| PROJE
(C)
TS
| MP3s
| CDs
| VIDEOS
|| BIBLIO
| STUDIES
| DOCUMENTATION
| PH.D.
| EDU
| COLLECTIVE JUKEBOX
| NOCINEMA.ORG
| CONCERTS FILMS
|| AUDITO
| QWAT?
|| home
| contact
|
| 🔎
|
Last changed - French time: 2012/06/08 04:00
>
Recent changes
B
I
U
S
link
image
code
HTML
list
Show page
Syntax
!!_______________________________________________________________________ H *Hall G. “Bands Without Borders”, Electronic Musician Magazine, October 2002, 72-86. *Handke S. “Eine kleine Netzmusik. Bemerkungen zur Musik im Internet”, 1997, ^http://bird.musik.uni-osnabrueck.de/seminar/referate/netz-mus.htm *Harris Y. “Taking Soundings – Investigating Coastal Navigations and Orientations in Sound”, Proceedings of 4th International Mobile Music Workshop Amsterdam, p.45-50, 2007. *Harrison S., Dourish P. “Re-place-ing space: the roles of place and space in collaborative systems”. In CSCW ’96: Proceedings of the 1996 ACM conference on Computer supported cooperative work, pages 135–144. ACM Press, 1996. *Harrison J. “Sound, space, sculpture: some thoughts on the ‘what’, ‘how’ and ‘why’ of sound diffusion.” In Organised Sound, 3:2. Cambridge: Cambridge University Press, 1998 *Harrison J. “Imaginary Space: Spaces in the Imagination.” In Proceedings of the Australasian Computer Music Conference 1999. Wellington: Victoria University of Wellington, 1999 *Haus G., Longari M. and Pollastri E. “A Score-driven Approach to Music Information Retrieval.” Forthcoming in Journal of the American Society for Information Science and Technology (JASIST), Perspectives issue on Sound Music Information Retrieval. *Hayward P. “Mapping the Music Net”, Convergence 2:2/1996, 134-139. *Healey P., Bryan-Kinns N. “Analysing Asynchronous Collaboration”. In proceedings of HCI 2000, Sunderland, UK, pp. 239-245. 2000. *Heeter C. “Being there: The subjective experience of presence”.Presence: Teleoperators and Virtual Environments, 1 (2), 262-271, 1992 *Heibach C. “Literatur im Internet. Theorie und Praxis einer kooperativen Ästhetik” (Abstract einer Dissertation über digitale Ästhetik), 2000, ^http://www.dichtung-digital.com/2000/Heibach/10-Feb/ *Helmuth M. “Sound exchange and performance on Internet2”. Proceedings of the 2000 International Computer Music Conference.San Francisco, California: International Computer Music Association, pp.121–124, 2000 *Hindus D., Ackerman M., Mainwaring S., and Starr B. “Thunderwire: A Field Study of an Audio-Only Media Space”. CSCW 1996. *Hollan J., Stornetta S. “Beyond Being There”. Proceedings of CHI 1992. *Hope P. “MMidi: the MBone MIDI Tool”. Multimedia Networks Group, University of Virginia, ^http://www.cs.virginia.edu/mn-group/projects/mmidi/, 1996. *Horton D., Wohl, R. R. “Mass communication and para-social interaction: Observation on intimacy at a distance”. In G. Gumpert and R. Cathcart (Eds.), Inter/Media: Interpersonal Communication in a Media World (pp.32-55). New York: Oxford University Press, 1979 *Hsiu Hsu S., Le Prado C., Liard C. et Natkin S. “New type of auditory progress bar: exploration, design and evaluation”. InHuman Computer Interaction (HCI 2007), Beijing, July, Spriger Verlag, 2007 *Hughes J. A.,Randall D. and Shapiro D. “From Ethnographic Record to System Design: Some experiences from the field.” Computer Supported Cooperative Work ,1, pp.123-141, 199
Password
Summary of changes
↓
↑
العربية
Čeština
Deutsch
Schweizerdeutsch
English
Esperanto
Español
Suomi
Français
עברית
Hrvatski
Magyar
Italiano
Nederlands
Português
Português brasileiro
Slovenština
臺灣國語
downloads
> Download mp3s
> Download videos
> Download texts
> Academia.edu
[
Edit
] [
History
]
[UP]
[
List of all pages
] [
Create page
] [
Erase cookies
]
1995/2020 — Powered by
LionWiki 3.1.1
— Thanks to Adam Zivner — webmaster & webdesign : Jérôme Joy — Author : Jérôme Joy — Any material is under copyleft
©
with in-line & in-text attributions —
http://jeromejoy.org/
— Hosted by
nujus.net
NYC since 2007, and by
The Thing
NYC (between 1995-2007 — Thanks to
Wolfgang Staehle and the Thing team
).