NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ G Gajewska M. “Speakerson.net, Sonic-inspired Language of the World Wide Web”, Research and Development Report, MA Scheme Media and Arts, London South Bank University, 2007 ^http://www.speakerson.net Gallet B. “Composer des étendues – l’art de l’installation sonore”. ESBA Geneva, 2005. Gang D., Chockler V., Anker T., Kremer A., Winkler T. “TransMIDI: A System for MIDI Sessions Over the Network Using Transis”. Proceedings of the International Computer Music Conference (ICMC 1997). Gardner M.B, “Some Single and Multiple-Source Localization Effects”, JAES 21.6, 430-437, 1973 Garton A., “Theatre as Suspended Space, Centre for Animation and Interactive Media”, Royal Melbourne Institute of Technology, Institut für Theaterwissenschaft University of Vienna, 1997 Garton A. “Towards ... 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An ecological approach to auditory source perception” in: Ecological Psychology 5, pp. 1-29, 1993 Gaye L., Holmquist L-E., Behrendt F., Tanaka A. “Mobile Music Technology: Report on an Emerging Community”. Proceedings of New Interfaces for Musical Expression (NIME06),2006.IRCAM Gemeinboeck P., Tanaka A., and Dong A. “Instant Archaeologies: Digital Lenses to Probe and to Perforate the Urban Fabric”. Proc. ACM Multimedia,Santa Barbara,2006. Gerlach T. “Musiker im Netz - Breakdown oder Added Value für ausübende Künstler?”, Musikforum 36:92/2000, 44-48. Giannachi G. Kaye N. “Presence”, Performance Research 11:3 Lexicon, pp101-3. Issue to be exhibited at Documenta 12, Kassel, June-September, 2007 ^http://presence.stanford.edu:3455/Collaboratory/9 Gibbs S., Arapis C., Breiteneder C., Lalioti V., Mostafawy S., Speier J. “Virtual Studios: The State of the Art”, Eurographics'96 STAR Reports. Gilfix M., Couch A. “Peep (the network auralizer): monitoring your network with sound”. Proceedings of the 14th Systems Administration Conference. New Orleans, LA: USENIX, 2000 Giuli, D., Pirri, F., Bussotti, P. “Orchestra ! : a distributed platform for virtual musical groups and music distance learning over the Internet in JavaTMtechnology”, Multimedia Computing and Systems, 1999. IEEE International Conference on Volume 2, Issue , Jul 1999 Page(s):987 - 988 vol.2 Glesner J. “Internet Performances as Site-Specific Art”, in Body, Space, Technology Journal, Volume 3, No. 1, Brunel University, 2002 ^http://williamlmoore.com/images/advanced/internet performances as site-specific art.pdf Goffman E. “Behavior in Public Spaces: Notes on the social organization of gathering”. New York: The Free Press. 1963. Gonot A., Château N., Emerit M. “Evaluation de l’ergonomie d’un dispositif audio 3D pour l’assistance à la navigation dans un environnement virtuel complexe”. InCFA, Congrès Français d'Acoustique, Tours, 24-27 avril, 2006 Gonot A., Natkin S., Emerit M., Château N. “An Experiment in the Perception of Space through Sound in Virtual World and Games”. InCGAMES 2006, Dublin, November 21-24, 2006 Gonot A., Château N., Emerit M. “Usability of 3D-Sound for Navigation in a Constrained Virtual Environment”. In120th AES Convention, Paris, May 20–23, 2006 Gonot A., Natkin S., Emerit M., Château N. “The roles of spatial auditory perception and cognition in accessibility of game map with a first person view”. IJIGS, International Journal of Intellig, 4(2), N.E. Gough and Q.H. Mehdi, 2007 Goto M., Neyama R., and Muraoka Y. “RMCP: Remote Music Control Protocol – design and applications”. Proc. ofthe 1997 Int. Computer Music Conf., pp. 446–9. September, 1997 Grainger P. A. “Free Music”, Leonardo Music Journal 6/1996, 109. Greenman B. “Net Music”, New York 1995. Gresham-Lancaster S. “The aesthetics and history of The Hub: The effects of changing technology on network computer music”. Leonardo Music Journal, 8:39–44, 1998. Greuel, C., Bolas M., Bolas N., and McDowall J. “Sculpting 3D worlds with music; advanced texturing techniques”. Proceedings of the SPIE—The International Society for Optical Engineering 2653: 306-15. San Jose, CA: SPIE. Griffith N. “Musical Networks. Parallel Distributed Perception and Performance”, Cambridge 1999. Gröhn M. “Application of Spatial Sound Reproduction in Virtual Environments Experiments in Localization, Navigation, and Orientation”. PhD thesis, Department of Computer Science and Engineering, Helsinki University of Technology, 2006. Grundmann H. “Art + Telecommunication”. Vancouver: Western Front, 1984. Grundmann H. “But is it Radio?”, Xchange - Net Audio Network (Hg.): AcousticSpace3. Net Audio Issue, Riga 2000, 32-34. Grundmann H. ''Wiencouver, zur Entwicklung der Radiokunst in den Vergangenen 25 Jahren'', Medienkunst, Beiträge zur Elektronischen Musik (12), pp. 31-45, Institut für Elektronische Musik und Akustik Graz, 2004 Gu X., L. Wolf: Scalability in IP-based Multimedia - A Survey On Media Delivery Techniques, Frankfurt, Germany, GCI, October 2003 Gu X., L. Wolf: Explicit Delay Control for IP-based Multimedia, in Proceedings of the CAAG Conference, Hamburg, Germany, CAAG, October 2004 Gu X., M. Dick, U. Noyer and L. Wolf: NMP - A New Networked Music Performance System, in Proceedings of the 1st IEEE International Workshop on Networking Issues in Multimedia Entertainment (NIME'04), Dallas, USA, IEEE, November 2004 ^http://www.ibr.cs.tu-bs.de/projects/nmp/paper/nime04_nmp_talk.pdf Gu X., Dick M., Kurtisi Z., Noyer U., Wolf L. “Network-centric music performance: Practice and experiments”. IEEE Communications, Vol.43, No. 6, :86–93, 2005. Gu X., D. Markwardt and L. Wolf: Promote the Use of Explicit Delay Control, in Journal of Communications (JCM), Academy Publisher, Vol. 1, No. 3, pages 41-52, June 2006 Gu X., D. Markwardt, X. Fu and L. Wolf: Principles and Experiments of Explicit Delay Control, in Proceedings of IEEE Consumer Communications and Networking Conference(CCNC'06), Las Vegas, USA, pages 531-537, January 2006 Gumpert G., Cathcart R., eds. “INTER/MEDIA: Interpersonal Communication in a Media World”. New York: Oxford University Press. 1979. Gurevich M., Chafe C., Leslie G., Tyan S., “Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble Accuracy.” Proceedings of the 2004 International Computer Music Conference, Miami, USA. 2004. Gurevich M. “'JamSpace: Designing A Collaborative Networked Music Space for Novices'”, Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, 2006 Gurevich M. “JamSpace: a networked real-time collaborative music environment”. CHI Extended Abstracts 2006: 821-826 *Gurevich M., Treviño J. “Expression and its Discontent: Toward an Ecology of Musical Creation.” Proceedings of the Conference on New Interfaces for Musical Expression (NIME-07), New York, USA. 2007.
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