NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ C Cabrera D. “Resonating Sound Art and the Aesthetics of Room Resonance”, Convergence 3:4/1997, 108–137. Careri F. “Walkscapes: Walking as an Aesthetic Practice”. Land&Scape series. Editorial Gustavo Gili Barcelona, Spain, 2002 Carlyle A. “Positive Soundscape Project: A re-evaluation of environmental sound”, CRiSAP, London. 2007. Carôt A., Jens H., Kraemer U., Schuller G., Wabnik S., Werner C. “Network Music Performance with ultra-low-delay audio coding under unreliable network conditions”, Proceedings of the 123rd AES Convention, New-York, 2007. Casey M., Smaragdis P. “NetSound”, ICMC96 Paper, Proceedings of the International Computer Music Conference 1996, Hong Kong 1996. Casserley L., “Plus ça change: Journeys, Instruments and Networks, 1966–2000”, Leonardo Music Journal December 2001, Vol. 11: 43–49 Castro M., Druschel P., Kermarrec A-M., Nandi A., Rowstron A., and Singh A. “Splitstream : High-bandwidth multicast in a cooperative environment.” SOSP’03,Lake Bolton, New York, October 2003. Catlow R. “VisitorsStudio: From Passive Audience to Networked Co-producers”, AHRC ICT Methods Network Workshop, Centre for Computing in the Humanities, Kay House, King’s College, 19 March 2007 Chadabe J. “Electric Sound. The Past and Promise of Electronic Music”, Upper Saddle River, NJ, 1997. Chafe C. “Distributed Internet reverberation for audio collaboration”. In AES 24th Intl. Conf. on Multichannel Audio, Banff, 2003. Chafe C., Wilson S., Leistikow R., Chisholm D., Scavone G. “Simplified Approach to High quality Music and Sound over IP.” In Proc. COST-G6 Conf. on Digital Audio Effects (DAFX). 2000. Chafe C., Leistikow R. “Levels of Temporal Resolution in Sonification of Network Performance.” Proceedings of the International Conference on Auditory Display. 2001. Chafe C. “Tapping into the Internet as an Acoustical and Musical Medium”, Proceedings of ICMC’08, SARC Belfast,pp. 544-545, August 24-29, 2008. Chandler A, Neumark N., “At a Distance - Precursors to Art and Activism on the Internet”, MIT Press, 2005. Chew E., Zimmermann R., Sawchuk A., Papadopoulos C., Kyriakakis C. “A Performer-Centered Approach to Design and Latency Issues in Networked Performance Systems”. 2004. Chew E., Zimmermann R., Sawchuk A. A., Kyriakakis C., Papadopoulos C., François A. R. J., Kim G., Rizzo A., Volk A., “Musical Interaction at a Distance: Distributed Immersive Performance”. Proceedings of the 4th Open Workshop of MUSICNETWORK: Integration of Music in Multimedia Applications (MUSICNETWORK 2004 ), Barcelona, Spain, Sep 15-16, 2004. Chew E., Sawchuk A. A., Zimmerman R., the Tosheff Piano Duo (V. Stoyanova and I. Tosheff), Kyriakakis C., Papadopoulos C., François A. R. J., Volk A., “Distributed Immersive Performance.” Proceedings of the 2004 Annual National Association of the Schools of Music (NASM 2004) Meeting, San Diego, CA, November 22, 2004. Chew E., Sawchuk A. A., Tanoue C., Zimmermann R., “Segmental Tempo Analysis of Performances in Performer-Centered Experiments in the Distributed Immersive Performance Project”. Sound and Music Computing '05 International Conference, Salerno, Italy (SMC'05). Chew E., Zimmermann R., Sawchuk A. A., Papadopoulos C., Kyriakakis C., Tanoue C., Desai D., Pawar M., Sinha R., Meyer W., “A Second Report on the User Experiments in the Distributed Immersive Performance Project”. Proceedings of the 5th Open Workshop of MUSICNETWORK: Integration of Music in Multimedia Applications (MUSICNETWORK 2005), July 4-5, 2005, Vienna, Austria Chew E., Sawchuk A. A., Zimmermann R., “Distributed Immersive Performance: Ameliorating the Psychophysical Effects of Network Latency”. R. Proceedings of the Corporation of Education Networks in California (CENIC 2005) Meeting, Marina del Rey, CA, Mar 7-9, 2005. Chittaro L., Burigat S., “Augmenting audio messages with visual directions in mobile guides: an evaluation of three approaches,” in Proceedings of the 7th international conference on Human computer interaction with mobile devices & services (Mobile HCI 05), Salzburg, Austria, September 19-21, 2005. Churchill E.F., Nelson L., Denoue L., Helfman J., Murphy P. “Sharing multimedia content with interactive public displays: a case study.” In DIS ’04: Proc. 2004 Conf. on Designing interactive systems, pages 7–16. ACM Press, 2004. Coady N. “The Electric Circus”. MA thesis, University of Westminster, 2002 Cohen E., Cooperstock J., Zimmermann R., and Kyriakakis C., “The Challenges of Archiving Networked-Based Multimedia Performances (Performance Cryogenics)”, Proceedings of the 144th Meeting of the Acoustical Society of America, Dec. 2-6, 2002. Collins N. “Ubiquitous Electronics - Technology and Live Performance 1966-1996”, Leonardo Music Journal 8/1998, S. 27-32. Cook P. R., “DIN OF AN “IQUITY”: ANALYSIS AND SYNTHESIS OF ENVIRONMENTAL SOUNDS”, 13th International Conference on Auditory Display ICAD, 2007 Cooperstock J. R., Spackman S. P.“The recording studio that spanned a continent.” Proceedings of the International Conference on WEB Delivering of Music pp. 161-167, 2001. Cooperstock J. R., Roston J., Woszczyk W. “Broadband Networked Audio : Entering the Era of Multisensory Data Distribution.” 1!th International Congress on Acoustics, Kyoto, April 4-9, 2004. Cooperstock J.R. “History of Spatially Distributed Performance”, ^http://www.cim.mcgill.ca/sre/projects/rtnm/history.html Cope D. “Facing the Music: Perspectives in Machine-Composed Music”, Leonardo Music Journal 9/1999, S. 79-83. Cordry J., Bouillot N.et Bouzefrane S. “BOSSA et le Concert Virtuel Réparti, intégration et paramétrage souple d'une politique d'ordonnancement spécifique pour une application multimédia distribuée”, InRTS'05 (13th International Conference on Real-Time Systems) Paris 5 Avril, pp. 18-39, 2005 Costa J., Barbosa A. Coimbra D. “Shared Soundscapes: A social environment for collective music creation” – 9th International Conference on Music and Cognition (ICMPC 9); Bologna, Italy, 2006 Costantini F., Toinard C., Chevassus N. et Gaillard F. “Collaborative design using distributed virtual reality over the Internet”. InSPIE Internet Imaging, San José, SPIE, 2001. Conference Proceedings, SPIE Internet Imaging, San José, California, 24-26 January 2001 Crabtree, A., Benford, S., Rodden, T., Greenhalgh, C., Flintham, M. Anastasi, R., Drozd, A., Adams, M., Row-Farr, J., Tandavanitj, N., Steed, A. “Orchestrating a Mixed Reality Game On the Ground”, CHI 2004, 24-29 April, vol. 6, n. 1, pp. 391-398, 2004. Cristofol J. “Prédiction, Variation, Imprévu”, 2007 ^http://temporalites.free.fr/?browse=Prédiction, Variation, Imprévu Csikszentmihalyi M. “Beyond Boredom and Anxiety”, San Francisco 1977. Csikszentmihalyi M. “Flow: The Psychology of Optimal Experience”. Harper Collins. 1991. Cubitt S. “Online Sound and Virtual Architecture” (Contribution to the Geography of Cultural Translation), Leonardo Music Journal 7/1997, S. 43-48.
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