NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ B Bakhtin M.M. (1981),'' Forms of Time and the Chronotope of the Novel. The Dialogic Imagination'', trans. by Michael Holquist. Austin: University of Texas. Baecker R., Harrison S., Buxton B., Poltrock S. & Churchill E. (2008), ''Media Spaces:Past Visions, Current Realities, Future Promise,'' Proceedings of the 2008 ACM Conference on Human Factors in Computing Systems, CHI'08, pp. 2245-2248. Barbosa, A. and Kaltenbrunner, M. (2002), ''Public Sound Objects: A shared musical space on the web''. 2002. IEEE Computer Society Press. Proceedings of International Conference on Web Delivering of Music (WEDELMUSIC 2002) - Darmstadt, Germany. Barbosa, A., Kaltenbrunner, M. and Geiger, G. (2003), ''Interface Decoupled Applications for Geographically Displaced Collaboration in Music''. 2003. Proceedings of the International Computer Music Conference (ICMC2003). Barbosa A. (2003), ''Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation'', Leonardo Music Journal 13-1, pp. 53-60. Barbosa A., Gresham-Lancaster S., Freeman J., Bencina R. (2005), ''Networked Music Workshop'', ICMC 05 Barcelona. Barbosa, A., Cardoso, J. and Geiger, G. (2005), ''Network Latency Adaptive Tempo in the Public Sound Objects System''. 2005. Proceedings the International Conference on New Interfaces for Musical Expression (NIME 2005); Vancouver, Canada. Barbosa A. (2006), ''Displaced Soundscapes - Computer-Supported Cooperative Work for Music Applications'' – PhD Thesis - Music technology Group; Pompeu Fabra University, Barcelona. Barbosa A. (2008), ''Ten-Hand Piano: A Networked Music Installation'', Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2008); Genova. Barbosa A. (2008), ''Displaced Soundscapes - Computer Supported Cooperative Work for Music Applications'', VDM Verlag. Barger R., Church S., Fukada A., Grunke J., Keisler D., Moses B., Novak B., Pennycook B., Settel Z., Strawn J., Wiser P., and Woszczyk W. (1998), ''Networking Audio and Music Using Internet2 and Next Generation Internet Capabilities'', AES White Paper, New York: Audio Engineering Society. Bargar R., Dechelle F., Choi I., Betts A., Goudeseune C., Schnell N., and Warusfel O. (2000), ''Coney Island: Combining jMax, Spat and VSS for acoustic integration of spatial and temporal models in a virtual reality installation, ''Proceedings of the International Computer Music Conference. Berlin, Germany: ICMA 2000, pp. 149-53. Barthelmes B., Osterwold M. (1996), ''Musik Performance Kunst'', Akademie der Künste (Hg.): “Klangkunst”, München, pp. 233–239. Bässler H. (2000), ''Musik im Netz. Impuls für oder Abwehr durch die Musikpädagogik?'', Musikforum 36:92/2000, pp. 26–34. Bastien D., Hostager T. (1988), ''Jazz as a Process of Organizational Innovation,'' Communication Research, 15, 5 (1988) pp. 582-602.23. Baumgärtel T. (2001), ''On History of Artistic Work with Telecommunications Media'', In net_condition: art and global media. ed.by Peter Weibel and TimothyDruckerey. Cambridge: The MIT Press pp.152-160. Baumgärtel T. (2001), ''Net Art. On the History of Artistic Work with Telecommunications Media'',Peter Weibel, Timothy Druckrey (Hg.): net_condition. art and global media, Cambridge 2001, pp. 152–161. Baus J., Wasinger R., Aslan I., Krüger A., Maier A., and Schwartz T. (2007), ''Auditory Perceptible Landmarks in Mobile Navigation'', in Proceedings of IUI’07, January 28–31, 2007, Honolulu, Hawaii. Benford S., Greenhalgh C., Reynard G., Brown C., Koleva B. (?), ''Understanding and constructing shared spaces with mixed-reality boundaries''”, ACM Trans. on Computer-Human Interaction, 5: pp.185–223 Benford S. (2005), ''Future Location-Based Experienced'', JISC Report, 2005. ^http://www.jisc.ac.uk/uploaded_documents/jisctsw_05_01.pdf Benford S. (2005), ''Pushing the Boundaries of Interaction in Public'', Interactions, July-August, 57-8, 2005. Benford S. (ed.) (2006), ''WP12: City as Theatre Deliverable D12.4 Evaluation of the first City as Theatre Public Performance,'' Contributors: M. Capra, S. Benford, M. Flintham, A. Drozd, A. Crabtree, M. Räsänen, E. Tallyn, N. Tandavanitj, M. Adams, J. Row Farr, L. Opperman, E. Kanjo, J. Fischer Version2 Release date: 10th February 2006. ^http://www.pervasive-gaming.org/index_swf.html Benford S., Giannachi G. (2008), ''Temporal Trajectories in Shared Interactive Narratives'', CHI (Computer Human Interaction), April 5-10, 2008, Florence. Bennett J. BMB con. (1999), ''Collaborative Experiences with Sound, Image and Space'', Leonardo Music Journal 9/1999, pp. 29-34. Berry R. (2000), ''In Search of Vital Presence - Evolving Virtual Musics'', Virtual Worlds 2000: pp. 185-191. Berry R. (2001), ''Inhabited Musics'', ICME 2001 Berry R., Tadenuma M. (2002), ''Augmented Reality for Music''. Proceedings of 2002 ICMC, 2002. Berry R., Poupyrev I., Tadenuma M., Tetsutani N. “Inside the score: music and augmented reality”, IWEC 2002: 423-429 Berry R., Makino M., Hikawa N., Suzuki M. “The Augmented Composer Project: The Music Table”. ISMAR 2003: 338-339 Berry R., Makino M., Hikawa N., Suzuki M. “The Bush Telegraph: Networked Cooperative Music-Making”, ICEC 2004: 120-123 Berry R., Makino M., Hikawa N., Suzuki M., Inoue N. “Tunes on the table”, Multimedia Syst. 11(3): 280-289 Beyst S. “Bill Fontana's musical sculptures - the shadows of John Cage”, 2004 Biocca F. “The Cyborg’s Dilemma: Progressive Embodiment in Virtual Environments”, in: Journal of Computer-Mediated Communication, Volume 3, No. 2, 1997 ^http://jcmc.indiana.edu/vol3/issue2/biocca2.html Bischoff J., Gold R., and Horton J., “Microcomputer Network Music.” Computer Music Journal 2(3):24–29, 1978. Bischoff J., Gold R., Horton J.. “Music for an interactive network of microcomputers”. Computer Music Journal, 2:24–29, 1978. Music Journal, 1:103–105, 1991. Bischoff J., Brown C., Perkis T. “Bringing Digital Music to Life”, Computer Music Journal 20:2/Summer 1996, 28-32. Black A. “Userradio”, MM'04, October 10-16, 2004, New York, New York, USA. 2004. Blaine T., Perkis T., “The Jam-O-Drum interactive music system: a study in interaction design”, Proceedings of the DIS ’00 conference on Designing Interactive Systems: processes, practices, methods, and techniques, p.165-173, August 17-19, 2000, New York City, New York, United States Blaine T., Forlines C. “JAM-O-WORLD: Evolution of the Jam-O-Drum Multi-player Musical Controller into Jam-O-Whirl Gaming Interface”.17-22. Conference onNew Interfaces for Musical Expression (NIME). 2002. Blaine T., and Fels S. “Contexts of Collaborative Musical Experiences”. In Proc. of the 2003 Conference on New Interfaces for Musical Expression (NIME-03) (Montreal, Canada, 2003), 129-134. Blauert J., Braasch J. “Acoustical communication: the Precedence Effect”, Proc. Forum Acusticum Budapest 2005, HU-Budapest, 2005. Blesser B., Salter L.R., “Spaces Speak, Are You Listening? Experiencing Aural Architecture”, MIT Press, 2007, ^http://www.blesser.net/spacesSpeak.html Bly S., Irwin, S. “Media Spaces: Bringing people together in a video, audio and computing environment.” Comm. ACM 36,1, 28-47, 1993. Boehner K., DePaula R., Dourish P., and Sengers P. , “Affect: from information to interaction.” In Proceedings of the 4th Decennial Conference on Critical Computing: between Sense and Sensibility, Aarhus, Denmark, August 20 - 24, 2005 Bolleter R., Hammond R., “Improvising with synchronistic experiences”, New Music Articles 9, 1991, pp31-40, ^http://www.rainerlinz.net/NMA/repr/Synchronistic.html Bonafous R., Bouillot N., Locher H.-N., Berthelin J., Dechelle F.et Gressier-Soudan E. “The Distributed Virtual Orchestra Project”. Rapport scientifique CEDRIC, 2003. Bongers B. “An interview with Sensorband.” Computer Music Journal 22, 13-24, 1998. Borchers J. ''WorldBeat: Designing a baton-based interface for an interactive music exhibit'', in Proc. CHI'97, ACM press, 1997 Bosma J. “Net-Radio”, 1997, ^http://giardini.sm/radio/net-radio.htm Bosma J. “From net.art to net.radio and back again. 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Tom Corby, Routledge, 2006. ^http://laudanum.net/cgi-bin/media.cgi?action=display&id=1142851121 Bosser A-G. “Réplications Distribuées pour la Définition des Interactions de Jeux Massivement Multi-Joueurs.” PhD thesis, université Paris 7 - Denis Diderot, 2005. Bouillot N. “Une architecture pour le jeu musical virtuel réparti avec jMax et RTP.” InMajecstic'03 Manifestation des Jeunes Chercheurs STIC. Marseille, Octobre, pp. 71, 2003 ^http://cedric.cnam.fr/ Bouillot N. “Un algorithme d’auto synchronisation distribuée de flux audio dans le concert virtuel réparti.” In Proc. of The Conférence Française sur les Systemes d’Exploitation (CFSE’3), La Colle sur Loup, France, October 2003. ^http://rainbow.essi.fr/events/cfse3/papier/Sa-1.zip Bouillot N. “The auditory consistency in distributed music performance: a conductor based synchronization.” ISDM (Info et com Sciences for Decision, 13(0): 129-137, Pr. H.Dou, Pr. Ph.Dumas, Dr Y., 2004. ^http://isdm.univ-tln.fr/PDF/isdm13/isdm13a123_bouillot.pdf Bouillot N. “Fast event ordering and perceptive consistency in time sensitive distributed multiplayer games.” In CGAMES’2005 7th International Conference on Computer Games, pages p.146–152, Angouleme, Nov. 2005. Bouillot N. “Le Modèle de Cohérence Perceptive pour les Applications Multimédia Interactive et Distribuées.” InJournées Francophones sur la Cohérence des Données en Univers Réparti, Paris - CNAM, Novembre, pp. 15-20, 2005. Bouillot N. “La cohérence dans les applications multimédia interactives : du concert réparti sur Internet aux jeux multi-joueurs en réseau.” Thèse CEDRIC, pp. 210, 2006. Bouillot N. “nJam User Experiments: Enabling Remote Musical Interaction from Milliseconds to Seconds.” InNew Interface for Musical Expression (NIME'2007). New York. Juin., 2007. Bowers J. "The Work to Make a Network Work: Studying CSCW in Action." Proceedings of CSCW '94, pp. 287-298, 1994. Braasch J. “A loudspeaker-based 3D sound projection using Virtual Microphone Control (ViMiC)”, Convention of the Audio Eng. Soc. 118, pp. 968–979, 2005. Braasch J., Woszczyk W. “An immersive audio environment with source positioning based on virtual microphone control”, 119th AES Convention, Oct. 7–10, 2005, New York, NY, USA, Preprint 6546. Braasch J., Woszczyk W. “A “Tonmeister” approach to the positioning of sound sources in a multichannel audio system”, in: 2005 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA 05), Mohonk Mountain House, New Paltz, New York, October 16–19, 2005. Braasch J., Tranby N. “A sound-source tracking device to track multiple talkers from microphone array and lavalier microphone data”, 19th International Congress on Acoustics, Madrid, Sept 2-7, paper ELE-03-009, 2007. Braasch J., Valente D., Peters N. “Sharing Acoustic Spaces over Telepresence using Virtual Microphone Control”, Convention of the Audio Eng. Soc., October 5-8, 2007, New York. Braasch J. “Limited Connectivity for Small Co-Located Ensemble and Live Electronics”, ISIM’07, December 14-16, Northwestern University, Evanston, Illinois USA, 2007. Braasch J. “Telematic Music - Restrictions and Advantages compared to traditional one-site music events”, Proceedings of ICMC’08 SARC Belfast, pp. 538–539, 2008. Bregman Albert S. “Auditory Scene Analysis: The Perceptual Organization of sound.” Cambridge, Massachusetts: The MIT Press. 1990 Breiteneder C., Gibbs S. and Arapis C., “TELEPORT - An Augmented Reality Tele-conferencing Environment”, 3rd Eurographics Workshop on Virtual Environments, Monte Carlo, Monaco, February 1996. Breitsameter S. “Instrument Internet.” Audiovisionen im Netz-Zeitalter, Neue Zeitschrift für Musik 4/2000, 53–55. Broeckmann A. “Are You Online? Presence and Participation in Network Art”, Timothy Druckrey (Hg.): Ars Electronica. Facing the Future, Cambridge, MA, 1999, 438-441. Brown C. “Talking Drum: A Local Area Network Music Installation”, Leonardo Music Journal 9/1999, 23–28. Brown C., Bischoff J. “Eternal Network Music”, 2003 ^http://crossfade.walkerart.org/brownbischoff2/eternal/ Bryan-Kinns N., Healey P., Thirlwell M., Leach, J., “Designing for Group Creativity.” In Supplementary Proceedings of HCI International 2003. 2003. Bryan-Kinns N., Healey P., Thirlwell M., “Gudar – A Novel Group Music Instrument.” In Supplementary Proceedings of INTERACT 2003. 2003. Bryan-Kinns N., Healey P., Thirlwell M., “Graphical Representation for Musical Improvisation.” In Proceedings of 2nd International Workshop on Interactive Graphical Communication 2003. 2003. Bryan-Kinns N. “Striking a Collaborative Chord.” Interfaces, No. 61, pp. 19-20. 2004. Bryan-Kinns N. “Daisyphone: The Design and Impact of a Novel Environment for Remote Group Music Improvisation.” In Proceedings of DIS 2004 Conference on Designing Interactive Systems, Boston, USA, pp. 135-144. 2004. Bryan-Kinns N., Healey P. G. T., “Daisyphone: Support for Remote Music Collaboration.” In Proceedings of NIME 2004, Hamamatsu, Japan, pp. 27-30. 2004. Bryan-Kinns N. “Mobile group music improvisation.” In Proceedings of Engagability and Design 2004, Birmingham, UK. 2004. Bryan-Kinns N., Healey P. G. T., Lee, J. “Persistence in web based collaborations.” In Proc. of International World Wide Web Conference 2005, Chiba, Japan. 2005. Bryan-Kinns N., Healey, P. G. T., “Decay in Collaborative Music Making.” In Proceedings of NIME 2006, Paris, France, pp. 114-117. 2006. Bryan-Kinns N., Healey P. G. T., Leach J., Brooker A. “Mutual Engagement in Collaboration.” Presented at About-Face Workshop, CHI 2006, Montreal, Canada. 2006. Bryan-Kinns N., Healey P. G. T., “Exploring Mutual Engagement in Creative Collaborations.” In Proceedings of Creativity and Cognition 2007, Washington, USA, pp. 223 - 232. 2007. Bryan-Kinns N., Healey P. G. T., Papworth D., Vaduuva, A., “Cues to Mutual Knowledge.” In Proceedings of ECSCW 07 , Limmerick, 2007. Bull M. ''Sound connections: an aural epistemology of proximity and distance in urban culture'', Environment & Planning D: Society & Space, 22(1), 103-116, 2004 Bull M. ''Sounding out the City: Personal Stereos and the Management of Everyday Life”. Publisher: Berg. Place of Publication: Oxford, England, 2000 Bunz M. “Kulturrevolution im Internet. Auf einer Tagung im Wiener Musikinstitut Mica wurden umfassend die verschiedenen Aspekte von MP3 und Musik im Netz diskutiert”, 21.4.2000, ^http://www.heise.de/tp/deutsch/inhalt/konf/3515/1.html Burk P., “Jammin' on the web – a new client/server architecture for multi-user performance.” Proceedings of the International Music Conference (Berlin, Germany). International Computer Music Association, ICMC 2000, 117-120. Buscher M., Hughes J., O'Brien J., Rodden T. “Presence and Representation in Multimedia Art and Electronic Landscapes”, eSCAPE -D1.1 Deliverable, 1998 ^http://www.comp.lancs.ac.uk/computing/research/cseg/DIGITAL-LIBRARY/Escape/Escape-D1.1.pdf Buxton W. “Masters and slaves versus democracy: MIDI and local area networks”, Proceedings of the 5th International Conference on Music and Digital Technology, Audio Engineering Society, Anaheim, CA, May 1-3, 207-219, 1987 ^http://www.billbuxton.com/papers.html Buxton W. “Telepresence: Integrating shared task and person spaces.” In Proc. Conf. on Graphics Interface ’92, pages 123–129, 1992. Buxton W. “Ubiquitous Media and the Active Office.” Published in Japanese (only) as, Buxton, W. (1995). Ubiquitous Video, Nikkei Electronics, 3.27 (no. 632), 187-195, 1995 Buxton W. “Integrating the Periphery and Context: A New Model of Telematics”, Proceedings of Graphics Interface '95, 239-246, 1995 Buxton W. “Absorbing and Squeezing Out: On Sponges and Ubiquitous Computing”, Proceedings of the International Broadcasting Symposium, November 13-16, Tokyo, 91-96, 1996 Buxton W. “Living in Augmented Reality: Ubiquitous Media and Reactive Environments.” In K. Finn, A. Sellen & S. Wilber (Eds.). Video Mediated Communication. Hillsdale, N.J.: Erlbaum, 363-384, 1997 Buxton W. “Space-Function Integration and Ubiquitous Media.” In M. Shamiyeh (Ed.). Towards and Interactive and Integrative Design Process.Linz, Austria:DOM Publications, 248-271, 2006
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