NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ W Waag Labs. “Manual for the beta test version of the KeyStroke software”. (distributed in HTML format). 2001. Walker B.N., Kramer G. “Mappings and metaphors in auditory displays: An experimental assessment”. ACM Trans. Appl. Percept., 2(4):407–412, 2005. Walker G., Bowskill J., Hollier M., McGrath, A. “Telepresence: Understanding people as content”. Presence: Teleoperators and Virtual Environments, 9(2), 119-136, 2000. Waterworth J. Waterworth E. “The Core of Presence: Presence as Perceptual Illusion”, Presence Connect, 2003 ^http://presence.cs.ucl.ac.uk/presenceconnect/index.html Waters S. “Beyond the Acousmatic: Hybrid Tendencies in Electroacoustic Music”, In Music, Electronic Media and Culture, ed. Simon Emmerson, 56-83. Aldershot: Ashgate, 2000. Weinberg G., Lackner T., and Jay J. “The Musical Fireflies - Learning About Mathematical Patterns in Music Through Expression and Play”. Proc. of XII Colloquium on Musical Informatics 2000 (A'quila Italy). Weinberg G., Gan S. “The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument.” Computer Music Journal25(2):37–45, 2001 Weinberg G. “Interconnected Musical Networks - Bringing Expression and Thoughtfulness to Collaborative Music Making”. Massachusetts Institute of Technology Media Laboratory, Cambridge, MA, 2002 ^http://web.media.mit.edu/~gili/publications/Phd_proposal - IMN Final.pdf Weinberg G. “The Aesthetics, History, and Future Challenges of Interconnected Music Networks”, MIT Media Laboratory, 2002 Weinberg G., Aimi R., and Jennings K. “The Beatbug Network: A Rhythmic System for Interdependent Group Collaboration.” Proceedings of the 2002 Conference on New Interfaces for Musical Expression. Dublin, pp.107–111, 2002 Weinberg G. “Interconnected Musical Networks – Bringing Expression and Thoughtfulness to Collaborative Music Making”. Ph.D. Thesis, Massachusetts Institute of Technology, Massachusetts – USA, 2003 Weinberg G., “Voice Networks: Exploring the Human Voice as a Creative Medium for Musical Collaboration.” Proceedings of the 2004 International Computer Music Conference.San Francisco, California: International Computer Music Association, pp.623–626, 2004 Weinberg G., Driscoll S. “Robot-Human Interaction with an Anthropomorphic Percussionist” In Proc. of the International Conference of Human Computer Interaction (CHI 06). Montréal Canada. 2005. Weinberg G., Driscoll S. “Iltur – Connecting Novice and Experts Through Collaborative Improvisation” Proc. of Conference on New Interfaces for Musical Expression (NIME 2005) Vancouver, Canada, pp. 17-22. 2005. Weinberg G. “Interconnected Musical Networks: Toward a Theoretical Framework”, Computer Music Journal, Vol. 29, Issue 2, pp.23-29, 2005 Weinberg G., Freeman J., Chordia P., Clark F., Moore C., Driscoll S., Thatcher T., Georgia Tech Music Technology Group – Studio Report, Proceedings of the International Computer Music Conference (New Orleans), 2006 Welzl M. “NetMusic: Real time concepts and systems for telecooperative exchange of musical informatik” (in German). Diploma Thesis, University of Linz: Teleco-operation, 1997. Welzl M. “NetMusic: Echtzeitfähige Konzepte und Systeme für den telekooperativen Austausch musikalischer Information”, German diploma thesis (Diplomarbeit), University of Linz, Austria 1998. ^http://www.welzl.at/research/publications/index.html Welzl M., Cihal A., Mühlhäuser M. “An Approach to Flexible QoS Routing With Active Networks”, Proceedings of of AMS 2002 (Fourth Annual International Workshop on Active Middleware Services), Edinburgh, Scotland, 22-24 July 2002, pp. 75-82, IEEE Computer Society. Welzl M., Mühlhäuser M., Borchers J. "MINI - Making MIDI fit for Real-time Musical Interaction over the Internet", IEEE International Workshop on Advances in Multimedia (AIM-07), co-located with IEEE ISM-07, 10-12 December 2007, Taichung, Taiwan, IEEE CS press. Wenzel E. M. “Localization in virtual acoustic displays”. Presence: Teleoperators and Virtual Environments, 1 (1), 80-107, 1992. Westerkamp, H. 1994. The soundscape on radio. In D. Augaitis & D. Lander (eds.) Radio Rethink. Banff, Alberta: Walter Phillips Gallery. Whalley I. “Adding Machine Cognition to Web-Based Interactive Composition.” Proceedings of the 2004 International Computer Music Conference.San Francisco, California: International Computer Music Association, pp.196–200, 2004 Wicke P. “Vom Song zur Soundfile. Das Internet als musikalische Interaktionsplattform”, Musikforum 36:92/2000, 22-25. Williams M. “Enregistrement et Reproduction de l’Environnement Sonore Naturel”, Proceedings of the Rencontres Musicales Pluridisciplinaires Informatique et Musique - Le Son & l’Espace, Ed. GRAME, March 31 - April 1, 1995, Lyon, France. Wilson S. “Information Arts: Intersections of Art, Science, and Technology”, Cambridge, Massachusetts: The MIT Press, 2002. Windsor W. l. “A perceptual approach to the description and analysis of acousmatic music”, (Thesis) Sheffield, City University, 1995 ^http://www.personal.leeds.ac.uk/muswlw/pubs/lwthesis.html Wöhrmann R., Ballet G. “Design and Architecture of Distributed Sound Processing Systems for Web-Based Computer Music Applications”. Computer Music Journal 23, 73-84 (2002). World Soundscape Project. The Music of the Environment Series, R. M. Schafer, ed. Vancouver: A.R.C. Publications. (1973) No. 1, The Music of the Environment. (1978a) No. 2, The Vancouver Soundscape. (1977a) No. 3, European Sound Diary. (1977b) No. 4, Five Village Soundscapes. (1978b) No. 5, Handbook for Acoustic Ecology, Barry Truax (ed.) Wood J. (ed.) “The Virtual Embodied: Presence, Practice, Technology”, London and New York: Routledge, 1998. Wozniewski M., Settel Z., Cooperstock J.R. “A framework for immersive spatial audio performance”, in New Interfaces for Musical Expression (NIME), Paris, 2006, pp. 144–149. Wozniewski M., Settel Z., Cooperstock J.R. “A paradigm for physical interaction with sound in 3-D audio space”, in International Computer Music Conference, 2006. Wozniewski M., Settel Z., Cooperstock J.R., “USER-SPECIFIC AUDIO RENDERING AND STEERABLE SOUND FOR DISTRIBUTED VIRTUAL ENVIRONMENTS”, 13th International Conference on Auditory Display ICAD, 2007 Wright M., Freed, A. “Open sound control: a new protocol for communicating with sound synthesizers”. Proc. of the Int. Computer Music Conf, pp. 101-4. Thessaloniki, Hellas: ICMA. 1997.
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