NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ T Tanaka A. ^http://www.csl.sony.fr/atau ^http://www.xmira.com/atau/ Tanaka A. “Interfacing Material Space and Immaterial Space: network music projects”, 2000. In The Journal of the Institute of Artificial Intelligence of Chukyo University, Winter. Toyota, Japan, 2000 Tanaka A. “Musical Performance Practice on Sensor-based Instruments”. In Wanderley, M. M. and Battier, M., editor,Trends in Gestural Control of Music,Science et musique , pages 389-405,IRCAM - Centre Pompidou.2000.Edition electronique - on CD-ROM Tanaka A. “Speed of Sound”.In J. Brouwer, editor,Machine Times,NAI Publishers, V2_Organisation.2000. Tanaka A. “Relier l’immatériel et l’espace immatériel. Les projets de musique en réseau en 2000”, Dossiers de l’audiovisuel 96, INA, Bry-sur-Marne, 2001 Tanaka A., Bongers B. “Global String: A Musical Instrument for Hybrid Space”. In Fleischmann, M., Strauss, W., editor,Proceedings: Cast01 // Living in Mixed Realities,pages 177-181,2001.MARS Exploratory Media LabFhG - Institut Medienkommunikation. Tanaka A. “Musical implications of media and network infrastructures: Perturbations of traditional artistic roles”.In Balpe, J.-P., Leleu-Merveil, S. et al., editor,Actes de H2PTM'01: Hypertextes hypermédias, nouvelles écritures, nouveaux langages,Hermes Science Publications , pages 241-250,2001.Université de ValenciennesLavoisier. Tanaka A., Knapp, R. B. “Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing”. Proceedings of New Interfaces for Musical Interaction (NIME),2002.Medialab Europe Tanaka A. “Composing as a Function of Infrastructure”. Errant Bodies Press.2003. Tanaka A. “Seeking Interaction, Changing Space”. In Rasa Smite, editor,Acoustic.Space: Media Architecture Reader,2003. Tanaka A. et al. “Enhancing Musical Experience through Proximal Interaction”. Proceedings of International Computer Music Conference (ICMC),2004.University of MiamiICMA. Tanaka A. “Malleable Mobile Music”. Adjunct Proceedings of the 6th International Conference on Ubiquitous Computing (Ubicomp),2004. Tanaka A. “Mobile music making”. In Proc. 4th Intl. Conf. on New Interfaces for Musical Expression (NIME04), 2004. Tanaka A. “From Telepresence to Co-experience: A Decade of Network Music”. Neue Zetischrift,2004.ed. Golo Foellmer Tanaka A. “Malleable contents and future musical forms”. Vodafone Receiver, July 2005. Tanaka A., Tokui N., Momeni A. “Facilitating Collective Musical Creativity”, Sony CSL Paris, ''MM’05'', Singapore, 2005. Tanaka A., Gemeinboeck P. “A Framework for Spatial Interaction in Locative Media”. Proceedings of New Interfaces for Musical Expression (NIME06),2006.IRCAM Tanaka A. “Interaction, Experience, and the Future of Music”, Computer Supported Cooperative Work(vol. 35 ), pages 267-288,Springer.2006. In K. O'Hara and B. Brown (eds) Consuming Music Together: Social and collaborative Aspects of Music Consumption Technologies, p.267-288, 2007 Tanaka A., Gemeinboeck P., Momeni A. “Net_Dérive, A Participative Artwork For Mobile Media”. In Proceedings of Mobile Media 2007 Conference. Sydney, Australia, 2007 Tanaka A., Valadon G., Berger C. “Social Mobile Music Navigation Using The Compass”, Proceedings of 4th International Mobile Music Workshop Amsterdam, p.34-37, 2007 Tanzi D. “Time, Proximity and Meaning on the Net” CTHEORY Article 81 (2000) Tanzi D. “Music Negotiation: Routes in User-based Description of Music.” Organized Sound 6.2 (2001) Tanzi D. “Observations about Music and Decentralized Environments.” Leonardo 34.5 (2001): 431-436. Tanzi D. “Musical Experience and Online Communication”, ^http://crossings.tcd.ie/issues/3.1/Tanzi/ Theile G. “Multi-channel Natural Music Recording Based on Psycho-acoustic Principles”.Extended version of the paper presented at the AES 19th International Conference, Schloss Elmau, Germany, 2001 Thibaud J-P. “Temporalités sonores et interaction sociale” in Architecture et Comportement. vol. 7, n°1, pp. 63-74, 1991. Thibaud J-P. “Le baladeur dans l'espace public urbain. essai sur l'instrumentation sensorielle de l'interaction sociale.” Thèse de doctorat, Université des Sciences Sociales de Grenoble, 1992 Thibaud J-P. “Les mobilisations de l'auditeur-baladeur : une sociabilité publicative” in Réseaux. CNET, n° 65, pp.71-83, 1994. Thibaud J-P. “Towards a praxiology of sound environment”, CRESSON Grenoble. Topper D. “RTcmix and the open source / free software model”. In Proceedings of the International Computer Music Conference, 597–99. Beijing, China: ICMA, 1999 Traub P. “Sounding the Net: Recent Sonic Works for the Internet and Computer Networks”, Contemporary Music Review, Vol. 24, No. 6, December 2005, pp. 459 – 481, 2005 Truax, B. 1988. Real-time granular synthesis with a digital signal processor. Computer Music Journal 12(2): 14-26. Truax, B. 1990. Composing with real-time granular sound. Perspectives of New Music28(2): 120-34. Truax, B. 1992a. Composing with time-shifted environmental sound. Leonardo Music Journal2(1): 37-40. Truax B. “Electroacoustic Music and the Soundscape: The Inner and Outer World.” In Paynter, Howell, Orton, and Seymour, eds., Companion to Contemporary Musical Thought. London: Routledge, 1992 Truax B. “Soundscape, Acoustic Communication and Environmental Sound Composition.” In Contemporary Music Review, 15:1. Amsterdam: Harwood, 1996 Truax B. “Composition and Diffusion: Space in Sound in Space.” In Organised Sound, 3:2. Cambridge: Cambridge University Press, 1998 Truax, B. 2000. The aesthetics of computer music: a questionable concept reconsidered. Organised Sound5(3): 119-126. Truax B. “Acoustic communication”. Westport, CT: Ablex Publishing, 2001 Truax, B. 2002. Techniques and genres of soundscape composition as developed at Simon Fraser University. Organised Sound7(1): 5-14. Turbulence, ^http://transition.turbulence.org/networked_music_review/tags/telematic-performance/ ^http://transition.turbulence.org/blog/ Turletti A. “Le multipoint pour les environnements virtuels à grande échelle”, In Multicast Multimedia sur Internet, Benslimane, editor. pages 349–376. Hermes Lavoisier, 2005. *Turner P., McGregor I., Turner S. and Carrol F. “Evaluating Soundscapes as a Means of Creating a Sense of Place”, International Conference on Auditory Display, Boston, MA, 2003
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