NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ A Adams M. (Blast Theory and IPerG) and Giannachi G. (2007), ''Between the Public: Blast Theory’s Day of the Figurines'', keynote conference presentation, Paradoxes of the Public, Duisburger Akzente, Diusberg, Germany, 24-5 May, 2007. Adrian R. (1999), ''The World in 24 Hours'', Timothy Druckrey (Hg.): Ars Electronica. Facing the Future, Cambridge 1999, pp. 346-351. Aether (cont.), ''Art & Telematics Timeline'', ^http://societyofalgorithm.org/networktime/ Alty J., Rigas D.I. (1998), ''Communicating graphical information to blind users using music: the role of context,'' In CHI’98: Proceedings of the SIGCHI conference on Human factors in computing systems, New York, NY, USA, 1998. ACM Press/Addison-Wesley Publishing Co. “audio data by means of the talking tactile tablet”. In I. Oakley, pp. 574–581. Agamanolis S., Westner A. and Bove V.M. (1997), ''Reflection of Presence: Toward More Natural and Responsive Telecollaboration, ''Proc. SPIE Multimedia Networks, 3228A. Amatriain, X. and Herrera, P. (2002), ''Transmitting Audio Content as Sound Objects''. 15-6-2002. Proceedings of the AES22 International Conference on Virtual, Synthetic and Entertainment Audio. Appadurai A. (1995), ''The Production of Locality'', in R. Fardon ed. Counterworks : Managing the diversity of knowledge, London and New York, Routledge. Arnheim, R. (1969), ''Visual Thinking'', Berkeley: University of California Press. 1969. Arnheim, R. (1978), ''Space as an Image of Time'', Images of Romanticism, ed. Kroeber and Walling. New Haven: Yale Univ. Press, 1978. Ascott R. (1984), ''Kunst und Telematik'', Heidi Grundmann (Red.): Art + Telecommunication, Wien 1984, pp. 24-67. Ascott R. (1998), ''Art and Telematics: towards the construction of new aesthetics'', trans. ErimiFujiwara. Tokyo: NTT Shuppan. Ascott R. (2003), ''Telematic Embrace: visionary theories of art, technology, and consciousness'', Berkeley/Los Angeles/ London: University of California Press. Augoyard J-F. & al. (1985),''La production de l’environnement sonore, ''Grenoble: CRESSON. Augoyard J-F., Torgue H. (1995),''À l’écoute de l’environnement – Répertoire des effets sonores'', Marseille : éditions Parenthèses, 174 p., isbn 2-86364-078-X Auinger S., Huber R. (1997), ''Berliner Theorie. Musik und Internet'', Positionen 31/Mai 1997, pp. 23–26. Auslander P. (1999), ''Liveness: Performance in a Mediatized Culture'', London: Routledge.
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