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!!_______________________________________________________________________ R *Ramachandra S. “Solution P2P pour la diffusion de flux audio : contribution au concert sur internet avec pastry”. Mémoire d’ingénieur CNAM, octobre 2005. *Ramachandra S., Bouillot N. “Diffusion Multicast et cache Multimedia pour le Concert Virtuel Réparti : Expérimentations avec Pastry/SplitStream/Past”, Rapport de recherche CEDRIC No 1208, pp. 7 pages, 2006. *Ramakrishnan C. , Freeman J., Varnik K., “The architecture of auracle: a real-time, distributed, collaborative instrument”, Proceedings of the 2004 conference on New interfaces for musical expression, p.100-103, June 03-05, 2004, Hamamatsu, Shizuoka, Japan. 2004. *Rappoport D. “Chanter Sans Etre Ensemble – Des musiques juxtaposées pour un public invisible / Singing without Being Together. Juxtaposed Music for an Invisible Public”, L'Homme, Année 1999, Volume 39, Numéro 152, p. 143 – 162, 1999 *Rasch, R.A. “Timing and Synchronization in En- semble Performance.” In J. Sloboda, ed. Generative Processes in Music.Oxford: Clarendon Press, pp.70–90, 1988 *Reeves S., Benford S., O’Malley C., Fraser M. “Designing the Spectator Experience”, CHI 2005, April2-7, pp. 741-750, 2005. *Reid J., Geelhoed E., Hull R., Cater K., and Clayton B. “Parallel worlds: immersion in location-based experiences.” In CHI '05 Extended Abstracts on Human Factors in Computing Systems, Portland, OR, USA, April 02 - 07, 2005 *Rejaie R. Handley M., Estrin D. “An End-to-end Rate-based Congestion Control Mechanism for Realtime Streams in the Internet”, in Proc. INFOCOM 99, 1999. *Renaud A., Rebelo P. “Network Performance : Strategies and Applications”, NIME 06, SARC Belfast, 2006. *Renaud A., Carôt A., Rebelo P. “Networked Music Performance : State of the Art”, Proceedings of the 30th AES International Conference, Saariselkä, Finland, 2007. *Reymers K. “Identity and Internet: A Symbolic Interactionist Perspective on Computer-mediated Social Networks.” Paper presented at the Association of Internet Researchers (AoIR) International Conference Internet Theory 3.0: Net / Work / Theory, Maastricht, The Netherlands, 13-16 October 2002. *Ripeanu M. “Peer-to-peer architecture case study: Gnutella network”. In Proceedings of the 1st International Conference on Peer-to-Peer Computing, 99–100. Lingköping, Sweden: IEEE Computer Society Press, 2001. *Risset J-C. and all. “Real-Time Performance Interaction with a Computer-Controlled Acoustic Piano”, Computer Music Journal 20:1/Spring 1996, 62-75. *Rodet X., Lambert J.-P., Cahen R., Gaudy T., Guedy F., Gosselin F. and Mobuchon P. “Study of haptic and visual interaction for sound and music control in the phase project”. InProceedings of the 2005 conference on New interfaces for musical expression, Vancourer, May 26-28, pp. 109 - 114, 2005 *Roettgers J. “Netbeats: Musik im Internet”, München 2000. *Rogers Y. “Ghosts in the Network: Distributed Troubleshooting in a Shared Working Environment”, Proceedings of CSCW '92, pp. 346-355, 1992. *Ross P., Hummel C., and Overbeeke K. “Coppia Espressiva – Exploring New Forms of Interaction”. In Proc. of INTERACT ’03 (Zurich, Switzerland), 2003. *Rowe R. “Interactive Music Systems”. Machine Listening and Composing, Cambridge 1993 *Rowe R., Rolnick N. “The Technophobe and the Madman: an Internet2 distributed musical”. In Proc. of the Int. Computer Music Conf. Miami, Florida, November, 2004. *Rowe R. “Real and Unreal Time : Expression in Distributed Performance”, Journal of New Music Research 34:1, pp 87-95, 2005. *Rowe R. “Composing for Relative Time in Distributed Performance”. Proceedings of ICMC’08, SARC Belfast,pp. 542-543, August 24-29, 2008. *Rowstron A., Druschel P. “Pastry : Scalable, distributed object location and routing for large-scale peer-to-peer systems”. In IFIP/ACM International Conference on Distributed Systems Platforms (Middleware), pages 329–350, Heidelberg, Germany, November 2001. *Rowstron A., Druschel P. “Storage management and caching in past, a large-scale, persistent peer-to-peer storage utility”. In 18th ACM SOSP’01, Lake Louise, Alberta, Canada, October 2001.
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