NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ P Packer R. “Telemusic 1. Presentation”. Sonic Circuits VIII, International Festival of Electronic Music and Art, St. Paul, Minnesota, 3 November 2000. Paradiso J .A. “The Brain Opera Technology: New Instruments and Gestural Sensors for Musical Interaction and Performance”, Journal of New Music Research 28:2/1999, 130-149. Paulos E., Jenkins T. “Urban probes: encountering our emerging urban atmospheres”. In Proceedings of CHI 2005, Portland, Oregon, 341-350. April 2005. Pazel D., et al. “A Distributed Interactive Music Application Using Harmonic Constraint.” Proceedings of the 2000 International Computer Music Conference. Berlin: International Computer Music Association, pp.113–116, 2000 Pellerin R., Delpiano F., Gressier-Soudan E., Simatic M. “GASP : Un intergiciel pour les jeux en réseaux multijoueurs sur téléphones mobiles”. InDeuxièmes Journées Francophones: Mobilité et Ubiquité 2005, Grenoble. 31 mai-3 juin 2005. UBIMOB'05, pp. 61-64, Groupe de Travail, 2005 Pelz-Sherman M. “A Framework for the Analysis of Performer Interactions In Western Improvised Contemporary Art Music.”Ph.D. diss., University of California – San Diego, 1998. Penha R., Rodrigues P., Gouyon F., Martins L., Guedes C., Barbosa A. “Studio Report: Digitópia at Casa da Música” International Computer Music Conference (ICMC 08), Belfast, U.K., 2008 Place T. “Object Frameworks in Game-Based Musical Composition”, Univsersity of Missouri, 2000 Polansky L. “Live Interacive Computer Music in HMSL”, 1984-1992, Computer Music Journal 18:2/1994, 59-77. Polansky L. “Singing Together, Hacking Together, Plundering Together”, 1997, ^http://www.the-open-space.org/osonline/polansky/singing.html Polli A. “Atmospherics/Weather Works: Artistic Sonification of Meteorological Data”, 2006 On ^http://www.andreapolli.com Pope S. T. “Real-Time Performance via User Interfaces to Musical Structures”, Interface 22/1993, 195-212. Pope S. T. “Social, Economic, and Political Aspects of Music and Digital Media”, Computer Music Journal 23:1/1999, 49-56. Pressing J. “Cybernetic Issues in Interactive Performance Systems”, Computer Music Journal 14:1/1990, 12-25. Puckette, M. (1996), ''Pure Data''. 269-272. 1996. International Computer Music Association. Proceedings of the International Computer Music Conference, San Francisco (ICMC96). Puckette M.“Pure data”. In Proceedings of the International Computer Music Conference, 224–27. Thessaloniki, Greece: ICMA, 1997. Puckette M., Sorensen V., and Steiger R. “Lemma 1”, performed live at Milos Jazz Club at the International Computer Music Conference, Thessaloniki, Greece, 1997 Puckette M. “Max at seventeen”. Computer Music Journal 26 (4): 31–43, 2002. *Puckette M., “Not Being There”, Proceedings of ICMC’08, SARC Belfast,pp. 540-541, August 24-29, 2008.
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