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!!_______________________________________________________________________ O *Obu, Y., Kato, T. and Yonekura, T. M.A.S.: A Protocol for a Musical Session in a Sound Field Where Synchronization between Musical Notes is no garanteed. 2003. International Computer Music Association. Proceedings of the International Computer Music Conference (ICMC2003), Singapore. *O’Hara K., Lipson M., Jansen M., Unger A., Jeffries H., Macer P. “Music and voice: Jukola: democratic music choice in a public space” *Oliver W. “The Singing Tree, A Novel Interactive Musical Interface”. M.S. thesis, EECS Department, Massachusetts Institute of Technology. 1997. *Oliveros P. “Tape Delay Techniques for Electronic Music Composers”, in Software For People: Collected Writings 1963-1980, Smith Publications/Printed Editions 1983. *Oliveros P., Panaiotis, “Expanded Instrument System (EIS)”, Proceedings of the International Computer Music Association 1992. 1990. *Oliveros P. “Acoustic and Virtual Space as a Dynamic Element Music”, Leonardo Music Journal Volume 5. 1995. *Oliveros P., Gamper D. “The Expanded Instrument System: New Developments and Implementations”, Leonardo Music Journal, Spring 1998. *Oliveros P. “Quantum Improvisation: The Cybernetic Presence”, keynote address for Improvisation Across Borders UCSD,MusicWorks#76 Spring 2000. *Oliveros P. “Improvising with Spaces”, 13th International Conference on Auditory Display ICAD, 2007. *Oliveros P. “Networked Music : Low & High Tech.”, Proceedings of ICMC’08, SARC Belfast, p. 546, August 24-29, 2008. *Orio N., Schnell N., and Wanderley M.M. “Input devices for musical expression: Borrowing tools from HCI”. Paper presented at workshop, New Interfaces for Musical Expression—CHI 2001, 1–2 April, in Seattle, WA, 2001. *Orlarey Y., Carbonel O., “Evaluation d'un dispositif de répétition à distance : rapport intermédiaire”, GRAME Technical Report, 1997. *Orlikowski W. J. “Learning from Notes: Organisational Issues in Groupware Implementation”, Proceedings of CSCW '92, pp. 362-369, 1992.
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