NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ N Nabavian S. “Supporting the Emergence of Composition from Improvisation”. AMSc Thesis, Dept. of Computer Science, Queen Mary, University of London. 2002. Nabavian S., Bryan-Kinns N., “Analysing Group Creativity: A Distributed Cognitive Study of Joint Music Composition”. In Proceedings of Cognitive Science, pp. 1856-1861. 2006. Nagashima Y. “Multimedia Interactive Art : System Design and Artistic Concept of Real-Time Performance with Computer Graphics and Computer Music”, Proceedings of Sixth International Conference on Human-Computer, Interaction, ELSEVIER, 1995 Nagashima Y. et al. “A Compositional Environment with Interaction and Intersection between Musical Model and Graphical Model” -- "Listen to the Graphics, Watch the Music" Proceedings of 1995 ICMC, International Computer Music Association, 1995 Nagashima Y. et al. “"It's SHO time" -- An Interactive Environment for SHO(Sheng) Performance”, Proceedings of 1999 ICMC, International Computer Music Association, 1999 Nagashima Y. “Improvisession II : a performing/composing system for improvisational session in networks”, Shizuoka University of Art and Culture Narine T., Leganchuk A., Mantei M. & Buxton W. “Collaboration awareness and its use to consolidate a disperse group”. Proceedings of Interact '97, Sydney, Australia, 1997 Nasir T., Roberts J.C. “SONIFICATION OF SPATIAL DATA”, 13th International Conference on Auditory Display ICAD, 2007 Natkin S. “Mapping a Virtual Sound Space into a Real Visual Space”. InICMC 2000, Berlin, Août, 2000. Natkin S., Yan C. “A Typology of the Relationships between Real and Virtual Worlds”. Inthe 7th International Conference of CGAMES, Angouleme, France, 28-30th November 2005, pp. pp.223-231, Edited by Q. Mehdi, N. Gough a, 2005 Natkin S., Yan C. “Adaptive Narration in Multiplayer Ubiquitous Games”. IJCiNi, 0(0), IGI Publishing, 2007 Nella, M. J. Constraint Satisfaction and Debugging for Interactive User Interfaces. Ph.D. Thesis, University of Washington, Seattle, WA, 1994. Neuhaus M. “The Broadcast Works and Audium”. In Zeitgleich. Vienna: Triton. 1994 ^http://auracle.org/docs/Neuhaus_Networks.pdf ^http://www.max-neuhaus.info/ Neuhaus M. “Audium, Projekt für eine Welt als Hör-Raum”. In E. Decker and P. Weibel (eds.) Vom Verschwinden der Ferne: Telekommunikation und Kunst. Cologne: Du Mont. 1990. Nezvanova N. “aNATO.0+55: An Internet, Audio, Video, VR, 2-D, and 3-D Graphics Environment for the IRCAM/Opcode Max Programming Language”. o 0f0003 Arkiv 247:1±8, 1999 Nezvanova N. “The Internet, A Musical Instrument in Perpetual Flux”. Computer Music Journal 24 (3): 38–41, 2000 Nicolas B. “Transport du son produit en temps réel sur les réseaux best effort” . Rapport scientifique CEDRIC, 2002. Nickerson L.V., Stockman T. and Thiebaut J.B. “SONIFYING THE LONDON UNDERGROUND REAL-TIME-DISRUPTION MAP”, 13th International Conference on Auditory Display ICAD, 2007.
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