NMSAT Index5 - Jerome Joy website

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!!_______________________________________________________________________ L LaBelle B. “Background Noise – Perspectives on Sound Art”, Continuum Publishing, 2006 Landre S., Mocquillon Y., '”Groupes Musicaux Virtuels et Concerts Virtuels”,Master IL, Laboratoire Informatique des Systèmes Complexes, Brest, 2005 Latta C. “Notes from the NetJam project”. Leonardo Music Journal, 1:103–105, 1991. Lazzaro J., Wawrzynek J. “An RTP Payload Format for MIDI”, The 117th Convention of the Audio Engineering Society, San Francisco,'' CA'', October 28-31, 2004 Lazzaro J., Wawrzynek J. “A Case for Network Musical Performance”, The 11th International Workshop on Network and Operating Systems Support for Digital Audio and Video (NOSSDAV 2001), Port Jefferson, New York, June 25-26, 2001 Leach J. “MetaTone: Shared Environment for musical collaboration”. MSc IT Thesis, Queen Mary, University of London. 2001. Lennox, P.P., Myatt, A., Vaughan, J. “3D Audio as an Information Environment” in Proceedings of Audio Engineering Society 19th International Conference on Surround Sound Techniques, Technology and Perception, Schloss Elmau, Germany, 2001 Lennox P.P. “Spatial Music and Spatial Perception in Artificial Environments”, PhD Thesis, University of York, UK. 2004 Lennox P.P., Myatt T., “CONCEPTS OF PERCEPTUAL SIGNIFICANCE FOR COMPOSITION AND REPRODUCTION OF EXPLORABLE SURROUND SOUND FIELDS”, 13th International Conference on Auditory Display ICAD, 2007 Le Prado C. “Sound installation and Spatialization”. Chapitre de livre, MIT Press, 2001. Women in art and technology. Le Prado C., Natkin S. “SOUND AND MUSIC DESIGN FOR GAMES AND INTERACTIVE”. InSound and music computing Conference SMC06, 2006 Le Prado C., Natkin S. “LISTEN LISBOA: Scripting Languages for Interactive Musical Installations”. InSound and Music Conference, Lefkada, Greece, July, 11-13, 2007 Levin G. “Painterly Interfaces for Audiovisual Performance”. MSc. Thesis, MIT, USA. 1994. Levin G., Lieberman, Z. “InSitu Speech Visualization in RealTime Interactive Installation and Performance.” Proc. 3rd International Symposium on NonPhotorealistic Animation and Rendering, Annecy, France, 2004. Levin G. “A Personal Chronology of Audiovisual Systems Research”. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05), Vancouver, BC, Canada Liljedahl M., Papworth N., Lindberg S. “BEOWULF: A GAME EXPERIENCE BUILT ON SOUND EFFECTS”, 13th International Conference on Auditory Display ICAD, 2007 Ling, R., Yttri, B. “Hyper-coordination via mobile phones in Norway”. In J.E.Katz & M. Aakhus (Eds.), Perpetual Contact: Mobile Communication, Private Talk, Public Performance (pp.139-169). Cambridge: Cambridge University Press, 2002 Linnolahti J. “QoS routing for P2P networking”. HUT T-110.551 Seminar on Internet-working, 2004. Locher H-N., Bouillot N., Becquet E., Dechelle F., and Gressier-Soudan E.. “Monitoring the distributed virtual orchestra with a corba based object oriented real-time data distribution service”. In Proceedings DOA’03 International Symposium on Distributed Objects and Applications, Catagna, Italy, November 2003. Loguinov D., Radha H. “On Retransmission Schemes for Real-time Streaming in the Internet”. In INFOCOM, pages 1310–1319, 2001. Loomis J. M. “Distal attribution and presence”.Presence: Teleoperators and Virtual Environments, 1 (1), 113-119, 1992 Loreiro R., Serra X. “A web interface for a sound database and processing system”. Proceedings of the International Computer Music Conference. 1997. Ludovico A. “Suoni futuri digitali. La musica e il suo deflagrante impatto con la cultura digitale”, Milano 2000. Lunefeld P. “In search of the telephone opera: from communications to art-critiquing the world wide web as an art form”, 1997 *Lyotard J-F. “LES IMMATERIAUX, 1) Epreuves d'écriture, 2) Album et Inventaire”. Centre Georges Pompidou, Paris, 1985
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