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!!_______________________________________________________________________ J *Jacobson D.M., Crowley R.N. “A Multiplexed Remote Control System”, JAES 25.9,586-591, 1977 *Jacobsson M., Rost M., Håkansson M. and Holmquist L. E. “Push!Music: Intelligent Music Sharing on Mobile Devices”. In Adjunct Proceedings of UbiComp’05, Tokyo, Japan, 2005. *Jancke G., Venolia G., Grudin J., Cadia J. and Gupta A. “Linking Public Spaces: Technical and Social Issues”. Proceedings of CHI 2001. *Jaxitron. “Cybernetic Music”, Blue Ridge Summit, PA, 1985. *Jeffrey P., Mark G. “Constructing social spaces in virtual environments: a study of navigation and interaction”. In K. Höök, A. Munro, and D. Benyon, editors, Workshop on Personalised and Social Navigation in Information Space, pages 24–38, 1998. *Jirotka M., Gilbert N. and Luff P. “On the Social Organisation of Organisations” Computer Supported Cooperative Work ,1, pp.95-118, 1992 *Jones M., Bradley G., Jones S., and Holmes G., “Navigation-by-Music for Pedestrians: an Initial Prototype and Evaluation”, in Proceedings of the International Symposium on Intelligent Environments: Improving the quality of life in a changing world, Homerton College, Cambridge, United Kingdom, 5-7 April, 2006. *Jordà S. “Faust music on line (FMOL): An approach to real-time collective composition on the Internet”, Leonardo Music Journal, 9:5–12, 1999. *Jordà S., Barbosa A. “Computer Supported Cooperative Music: Overview of research work and projects at the Audiovisual Institute - UPF”. Proceedings of MOSART Workshop on Current Research Directions in Computer Music. 2001. *Jordà S. “New Musical Interfaces and New Music-making Paradigms”. NIME New Instruments for Musical Expression Workshop, Seattle, 2001. *Jordà S. “Improvising with Computers: A Personal Survey (1989-2001)”, Journal of New Music Research 2002. *Joy J. ''Hypermusic, composition and programmings'', Imagina 98 Proceedings, Monaco, 1998. *Joy J., Argüello S. (Lib_), Logs. Éd. È®e, Paris, 2005. *Joy J. “De la monstration aux téléchargements : pollinisation et émancipation. Approches des collectifs artistiques en réseau”. In Logs. Éd. È®e, Paris, 2005. *Joy J. ''Une Époque Circuitée'', Proceedings ofthe Metamedia Symposium, Québec, 2007. *Joy J. “Étude sur le remote sound recording”, Locus Sonus, report DAP, French Min. of Culture, 2008. *Joy J. “Étude sur les micros ouverts Locustream”, Locus Sonus, report DAP, French Min. of Culture, 2008. *Joy J., Sinclair P. “Networked Sonic Spaces”, Locus Sonus, Proceedings of ICMC’08, SARC Belfast,pp. 553-555, August 24-29, 2008 ^http://locusonus.org/ *Joy J., Sinclair P. “Networked Music and Sound Art Timeline (NMSAT) - A panoramic view of practices & technics related to sound transmission and distance - a pool of informations”, Locus Sonus, Contemporary Music Review, 2009. *Joy J., Sinclair P. “Networked Music and Sound Art Timeline (NMSAT) - excerpt of the database”, Locus Sonus, Contemporary Music Review, 2009. *Joy J. “Une Époque Circuitée”, Revue Intermédialités, Montréal, 2009.
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