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!! 5. BIBLIOGRAPHIE # Barbosa A. (2003). Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation. Leonardo Music Journal, 13, 53-60; Saarbrücken: VDM Verlag Dr. Mueller AG und Co. KG e.K. (2008). # Basso, K.H. (1984). Stalking with Stories: Names, Places, and Moral Narratives among the Western Apache. In E. M. Bruner (Ed.), Text, Play and Story : The construction and reconstruction of self and society (pp. 19-55). Proceedings of the American Ethnological Society. Prospect Heights, IL: Waveland. # Becker S.H. (1974). Art as Collective Action. American Sociological Review, (Northwestern University), 39 : 767-776. # Becker S. H. (1982). Art Worlds. Berkeley : University of California Press. # Broudoux E. (2007). Auctorialité : production, réception et publication de documents numériques. In Pédauque T. Roger (Ed.), La redocumentarisation du monde (pp.183-204). Toulouse : Cepaduès. # Carlyle A. (2007). Autumn Leaves – Sound and the Environment in Artistic Practice. Paris : Double-Entendre (Ed.), Angus Carlyle, CRiSAP Creative Research into Sound Arts Practice, London College of Communication, University of the Arts London (Publishers). # Cristofol J. (2005-2008). Prédiction, Variation, Imprévu. Retrieved 13 April 2009, from http://plotseme.net/ # Foucault M. (1974). Prisons et asiles dans le mécanisme du pouvoir. In Gallimard (Ed.), Dits et Écrits I, 1954-1975 (pp. 1389-1393). Paris: Gallimard. First published in Avanti, n°53, 3 March 1974 (pp. 26-27). # Joy J. (2003-2005). Télémusique - organologie de la musique en réseau. (Part of a PhD research), Retrieved 13 April 2009, from http://audiolib4.free.fr/wikithing/ # Joy J. (2007a). Étude sur les microphones ouverts Locustream. In 2007 Locus Sonus Research Report. Retrieved 13 April 2009, from http://locusonus.org/ # Joy J. (2007b). Étude sur le sound remote recording. In 2007 Locus Sonus Research Report. Retrieved 13 April 2009, from http://locusonus.org/ # Joy J. (2007c). Soundmaps and soundwalks — panorama. Tuning the Now, Locus Sonus seminar. Retrieved 13 April 2009, from http://locusonus.org/ # Joy J. (2009). Une Époque Circuitée. Paper presented at Metamedia Symposium, Mois Multi, Avatar Québec, 2007; In Université de Montréal (Ed.) Intermédialités - programmer. # Joy J. & Argüello S. (2005). Lib_ LOGS. Paris : Ed. è®e. # Joy J. & Sinclair S. (2008). Les Espaces Sonores en Réseau (Networked Sonic Spaces). In GlobalWare Corporation (Ed.) Roots/Routes, International Computer Music Conference ICMC’08 (Panel : Networking Performance) (pp. 553-555). Belfast : SARC, Sonic Art Research Center, Queens University, & International Computer Music Association ICMA (Publishers). # Renaud A., Rebelo P. (2006). Network Performance : Strategies and Applications. Paper presented at NIME 06, SARC Belfast. # Salmona E. (2008). Sujet à Stream. In L’Entretemps, Coll. L’Électron Musagète (Ed.), Poétique(s) du Numérique (pp. 143-156). Montpellier: Apo33, CERCI & AlphabetVille (Publishers). # Sinclair S. (2007). Locus Sonus. In Double-Entendre (Ed.), Autumn Leaves – Sound and the Environment in Artistic Practice (pp. 74-77). Paris : Angus Carlyle, CRiSAP Creative Research into Sound Arts Practice, London College of Communication, University of the Arts London (Publishers). # Sterne J. (2003). The Audible Past - Cultural Origins of Sound Reproduction. Durham & London : Duke University Press. # Stiegler B. (1994-2001). La Technique et le Temps. Paris : Ed. Galilée. # Stiegler B. (2004-2005). De la Misère Symbolique. Paris : Ed. Galilée. # Stiegler B. (2004-2006). Mécréance et Discrédit. Paris : Ed. Galilée. # Tanaka A., Tokui N., Momeni A. (2005). Facilitating Collective Musical Creativity. Sony CSL Paris. Paper presented at MM’05, Singapore. # Valéry P. (1960 ^[1928^]). La Conquête de l’Ubiquité. In Gallimard, NRF, Bibliothèque de la Pléïade (Ed.) Oeuvres, tome II, Pièces sur l’Art (pp. 1283-1287). Paris: Gallimard; first published in De La Musique avant toute chose, Paris: Editions du Tambourinaire, 1928. {br}{br}{br} ---- ---- !!! Notes de bas de page ---- {plugin:FOOT_NOTES} {br}{br}{br} ----
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