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Last changed - French time: 2019/10/02 04:00
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!! 2014-05-15 |hlt [../files/img/201405_NC_remoteencounters_460.jpg|../files/img/201405_NC_remoteencounters.jpg]{br}{br}[../files/img/201405_NC_liminalities_460.jpg|../files/img/201405_NC_liminalities.jpg]{br}{br}{br}[../files/img/201306_liminalities2.jpg|../files/img/201306_liminalities2b.jpg]{br}{small}Jérôme Joy - ''Synema''{/small}{br}{br}{small}Synema{br}— Two to four live distant locations in time —{br}— live video webcams & live sound webmicrophones —{br}— playing the now —{br}— live generative & (a)synchronous cinema composed with live selections from various worldwide locations & ambiances —{br}{br}— Synema is an online app issued from the nocinema.org project. The Synema process applies generative principles to live video and audio fluxes selected from all around the globe. Thus the system on the server is generating series of live cinema by assembling live video feeds and live sound selections with the help of webcams and ‘streaming microphones’. Networked locations and ambiances are creating fortuitous synchronicities based on synchronisations and a-synchronisations resulting from the on-the-fly ‘montage’ by the app on the server. Sound originates from live streaming microphones located in Germany, Columbia and France, and are maintained by collaborators (Locustream project by Locus Sonus). Streaming video shots are real time fragments of webcam feeds located in various places selected by the app. Video fluxes are slightly treated (framing, magnification, addition of panning shots, crossfades to black, etc.) in real time and are sometimes combined through superimposition and juxtaposation effects involved into the final 'montage’. Filming skies and horizons becomes an opportunity to create a new kind of cinema using webcams and avoiding displaying information related to locations or to security aspects. Synema interpenetrates and interlaces local and remote spaces, environments and ambiances (near ours and those captured, brought to us, and that propagate towards us), while creating and modifying dynamics of our perceptions. {br}{br}— Premiered at International Conference Remote Encounters, University of Glamorgan Cardiff Wales (UK){br}— Live video programming : nocinema.org, Stéphane Cousot, Jérôme Joy —{br}— Live sound & webmicrophones programming : Locus Sonus, locusonus.org —{br}— Synema programming : Jérôme Joy{br}— Research residency NT2 lab UQAM Montreal{br}— PhD audio art & experimental Music, Laval University Quebec.{/small} |t |t |t |t ► '''Synema: Expanses through Connected Environments'''{br}{br}'''Summer 2014''' - Liminalities, A Journal of Performance Studies (UK) — Issue 10:1 —{br}{br}Liminalities issue 10.1 - http://liminalities.net/10-1/ {br}{br}publishing : proceedings of the International Conference Remote Encounters : Connecting bodies, collapsing spaces and temporal ubiquity in networked performance — Cardiff (UK){br}{br}— organised by Garrett Lynch, Senior Lecturer in New Media and Award Leader for MA Moving Image at Cardiff School of Creative and Cultural Industries - University of Glamorgan - Cardiff, Wales, April 2013{br}{br}{small}''The journal of performance studies, Liminalities issue 10.1, a special issue guest edited by Garrett Lynch (University of South Wales) and Rea Dennis (Deakin University), is now online. The contributions to this issue have been compiled from the outcomes of the international conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance held at the University of South Wales on the 11th and 12th of April 2013. The conference brought together artists and scholars with a joint interest in using networks as a means to enhance or create a wide variety of performance arts.'' {br}''Remote Encounters, a two-day international conference with performance evening, aims to explore the use of networks as a means to enhance or create a wide variety of performance arts. How do networks as a site for performance provide opportunities for us as artists and performers? In particular how can we remotely collaborate, merge geographically separate places and times, reconfigure the space of performance and the relationship between artist and audience?''{br}{br}'''__Introduction of Joy's paper :__'''{br}''The series of Internet based technological developments in recent decades affects and transforms so deeply our practices and perceptions that the very notion of auditorium cannot remain untouched and unscathed. What we discern as a listening space for production and reception of music and for sound propagation in space and in time is now overlapping the specific physical structures and architecture (concert halls, venues, esplanades, etc.) towards enlarged and invisible sensory enveloping forms : internet auditoriums. We have to examine those 'spaces': their architectural filiation with places and rooms, their plasticity for being built, planned, settled and landscaped for listening, their ability to locate and seize listeners and to be explored by sound productions designed to be listened to.''{br}{br}---- '''http://remote-encounters.tumblr.com/ '''{br}'''http://remote-encounters.tumblr.com/synema/ ''' {br}{br}— '''http://liminalities.net/10-1/ '''{br} — '''http://www.asquare.org/ '''{br} — '''http://nocinema.org/ '''{br} — '''^[[more info (performance)|Archives2013#2013_04_11]^]'''{br} — '''^[[more info (video of the performance)|Archives2013#2013_09]^]'''{br}— '''^[[more info (Remote Encounters on digicult.it)|http://www.digicult.it/news/remote-encounters-report-networking-practitioners/]^]''' {br}— '''^[[more info (Text)|Texts#synema]^]'''{br}— '''^[[wiki page|Synema]^]''' {br}— '''^[[Lire le texte / Read the essay|PubliSynema2013]^]'''{/small}| {br}{br} ----
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