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!! 2011-05-16 \|t [../files/img/20110516_CMR.jpg\|../files/img/20110516_CMRb.jpg\|CONTEMPORARY MUSIC REVIEW, special issue ‘Networked Performance’]\|tl '''NMSAT paper is included in a selection, Top Ten's Editor of Contemporary Music Review, to be promoted by Routledge''' {br}{br}'__'''CONTEMPORARY MUSIC REVIEW'''__'{br}'''Editor’s Top Ten'''{br}{br}\| \|2 {small}'''Andrew Blake'''. “’Wort oder Ton’? Reading the Libretto in Contemporary Opera.” Vol. 29, No. 2, April 2010, pp. 187-199.{br}'''Yayoi Uno Everett'''. “Calligraphy and Musical Gestures in the Late Works of Chou Wen-chung.” Vol. 26, Nos. 5/6, October/December 2007, pp. 569-584.{br}'''Jessica A. Grahn'''. “Neuroscientific Investigations of Musical Rhythm: Recent Advances and Future Challenges.” Vol. 28, No. 3, June 2009, pp. 251-277.{br}'''Jérôme Joy'''. “Networked Music & Soundart Timeline (NMSAT) Excerpts of Part One: Ancient and Modern History, Anticipatory Literature, and Technical Developments References.” Vol. 28, Nos. 4/5, August/October 2009, pp. 449-490.{br}'''Maria Rosa De Luca''' (trans. Chantal Howell). “From Carillons to Carillon: A Study of Clementi’s Infinite ‘Mechanisms’.” Vol. 28, No. 6, December 2009, pp. 515-535.{br}'''Pedro Rebelo'''. “Notating the Unpredictable.” Vol. 29, No. 1, February 2010, pp. 17-27.{br}'''Örjan Sandred'''. “Approaches to Using Rules as a Composition Method.” Vol. 28, No. 2, April 2009, pp. 149-165.{br}'''Mathias Spahlinger''', “this is the time of conceptive ideologues no longer” Vol. 27, No. 6, December 2008, pp. 579-594.{br}'''Frances-Marie Uitti'''. “Interview with Willem de Ridder.” Vol. 25, Nos. 5/6, October/December 2006, pp. 461-465.{br}'''Miriama Young'''. “Scratch and Mix: Sampling the Human Voice in the Metaphorical Phonograph.” Vol. 29, No. 3, June 2010, pp. 337-345.{/small}{br}{br}http://www.tandf.co.uk/journals/titles/07494467.html {br}http://turbulence.org/networked_music_review/2010/01/05/network-performance-issue-of-contemporary-music-review-out-now/ \| {br}{br}{br}{br}{br}{br} ----
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