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!! 2010-12-03 |t [../files/img/201008_soundpocketbook_1.jpg|../files/img/201008_soundpocketbook_1b.jpg|Around Festival - Soundpocket book][../files/img/201008_soundpocketbook_2.jpg|../files/img/201008_soundpocketbook_2b.jpg|Around Festival - Soundpocket book]|tl '''Soundpocket book review''' {br} '''by Robin Peckham''' {br}{br} On '''Kunsthalle Kowloon''' website {br} http://kunsthallekowloon.org/archives/547{br}{br}Published in '''LEAP'''{br}(The Bilingual Art Magazine of Contemporary China){br}Vol. 1 No. 6, December 2010{br}http://leapleapleap.com/{br}| |2 | ''Abstract'' : « There has been a surprising resurgence of interest in sound art in Hong Kong over the past few years, spurred by a combination of factors from a strong research program in certain university departments to the fact that the event-based form of many sound exhibitions suits the transient cycle of artists circulating through the city. (...) Aroundsound emphasizes not sound art as we know it but rather “sound-in-art and sound-as-art,” or “listening-to, listening-before, and listening-after,” and this volume likewise contains a range of ideas in at least four languages, all packaged in a flawlessly translated, edited, designed, and printed container. (...) In a lengthy text from Jerome Joy, himself a performer in the festival, we find a more analytical text that offers a healthy reprieve in its historical and theoretical contextualization of multiple performance events, while Felix Hess similarly offers a narrative of his own arrival at sound practice through science, theory, and personal experience. (...) » ''(This was written by Robin Peckham. Posted on Friday, December 3, 2010, at 19:51){br}{br}'''--> [Continue reading / Lire l'article original|EM]''''' {br}{br}{br}{br}{br}{br} ----
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