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<H3>LA MONTE YOUNG</H3>
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{small}Ayant eu l'opportunité de rencontrer et de discuter avec La Monte Young et Marian Zazeela en 1989 et 1990 à Bordeaux à l'occasion de leur venue pour monter un projet avec le CAPC (qui par la suite ne s'est pas réalisé), j'ai pu mieux approcher leur travail et comprendre ce qui m'avait impressionné dans l'approche de La Monte Young, même si les occasions de faire l'expérience de ses œuvres sont rares. J'ai pu par la suite faire jouer ''Composition 1960 n°7'' à Mouans-Sartoux en 1997 à l'Espace de l'Art Concret (avec des œuvres d'Éliane Radigue, John Oswald, Steve Lacy, etc.), et participer avec le Collective Jukebox en 1999 à l'exposition collective Installations Sonores du festival Musiques en Scènes au MAC de Lyon (12 février - 11 avril 1999), centrée sur les musiques et les artistes nord-américains et durant laquelle avait été mise en place la ''Dreamhouse'' ([doc Mac Lyon 1999|http://www.mac-lyon.com/static/mac/contenu/fichiers/artistes/notices_collec/youngetzazeela.pdf]), parmi un ensemble d'œuvres de plusieurs artistes (Alvin Lucier, Michael Snow, La Monte Young, Joe Jones, Charlemagne Palestine, Charlotte Moorman, Christian Marclay, Paul Demarinis, Janett Cardiff, Ian Carr-Harris, Raymond Gervais, Peter Sinclair & GH Hovagymian, Doug et Mike Starn, Stephen Vitiello, Bill Vorn, etc.). Je l'ai par la suite contacté au sujet de ''Poem for chairs, tables, benches, etc.'' afin d'en préparer la réalisation avec l'aide de Rhys Chatham. Ce projet est toujours en cours.{/small}
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!!! 1961
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* '''1961 — Concert of Avant-Garde Music : RIchard Maxfield, La Monte Young, Henry Flynt'''{br}---- fac simile {br}---- {small}'''{cap}- Description{/cap}''' — Concert avec La Monte Young au Harvard-Radcliffe Music Club NYC{br}'''{cap}- Date{/cap}''' — 1961 / 03 / 31{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1961_lmy_1.jpg|../files/articles/lamonteyoung/1961_lmy_1_b.jpg|Concert flyer] [../files/articles/lamonteyoung/1961_lmy_2.jpg|../files/articles/lamonteyoung/1961_lmy_2_b.jpg|Concert programme]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1961_lmy_1_b.jpg] image 1 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1961_lmy_2_b.jpg] image 2{br}'''{cap}- Abstract{/cap}''' — {br}'''{cap}- Télécharger / Download (pdf){/cap}''' — {br}'''{cap}- Sources URLs (pdf){/cap}''' — {/small}
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!!! 1962
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* '''1962 — Living Theatre'''{br}---- fac simile {br}---- {small}'''{cap}- Description{/cap}''' — Soirée musique et événements Fluxus, avec George Brecht, Claus Bremer, Earle Brown, Joseph Byrd, John Cage, Walter de Maria, Henry Flynt, Yoko Ono, Dick Higgins, Toshi Ichiyanagi, Terry Jennings, La Monte Young au Living Theatre NYC{br}'''{cap}- Date{/cap}''' — 1962 / 01 / 08{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1962_lmy_3.jpg|../files/articles/lamonteyoung/1962_lmy_3_b.jpg|Concert poster] {br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1962_lmy_3_b.jpg] image 1{br}'''{cap}- Abstract{/cap}''' — {br}'''{cap}- Télécharger / Download (pdf){/cap}''' — {br}'''{cap}- Sources URLs (pdf){/cap}''' — {/small}
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* '''1962 — Dramatic Arts Center'''{br}---- fac simile {br}---- {small}'''{cap}- Description{/cap}''' — Concert, avec Christian Wolff, Richard Maxfield, Toshi Ichiyanagi, Terry Jennings, Robert Morris, Henry Flynt, Terry Riley, Walter de Maria, La Monte Young au Dramatic Arts Center NYC{br}'''{cap}- Date{/cap}''' — 1962 / 02 / 09{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1962_lmy_7.jpg|../files/articles/lamonteyoung/1962_lmy_7_b.jpg|Concert programme] {br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1962_lmy_7_b.jpg] image 1{br}'''{cap}- Abstract{/cap}''' — {br}'''{cap}- Télécharger / Download (pdf){/cap}''' — {br}'''{cap}- Sources URLs (pdf){/cap}''' — {/small}
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* '''1962 — Evening of Dance'''{br}---- fac simile {br}---- {small}'''{cap}- Description{/cap}''' — Soirée organisée par New York Poets Theatre avec chorégraphies d'Yvonne Rainer et Fred Herko, avec La Monte Young au Maidman Playhouse NYC{br}'''{cap}- Date{/cap}''' — 1962 / 03 / 05{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1962_lmy_1.jpg|../files/articles/lamonteyoung/1962_lmy_1_b.jpg|Concert poster] [../files/articles/lamonteyoung/1962_lmy_2.jpg|../files/articles/lamonteyoung/1962_lmy_2_b.jpg|Concert programme]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1962_lmy_1_b.jpg] image 1 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1962_lmy_2_b.jpg] image 2{br}'''{cap}- Abstract{/cap}''' — {br}'''{cap}- Télécharger / Download (pdf){/cap}''' — {br}'''{cap}- Sources URLs (pdf){/cap}''' — {/small}
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* '''1962 — Neo-Dada in der Musik'''{br}---- fac simile {br}---- {small}'''{cap}- Description{/cap}''' — Soirée musique et événements Fluxus, avec George Brecht, Nam June Paik, Sylvano Bussoti, Jed Curtis, Dick Higgins, Toshi Ichiyanagi, Jackson Mac Low, George Maciunas, Benjamin Patterson, Dieter Schnebel, Wolf Vostell, La Monte Young au Kammerspiele Düsseldorf{br}'''{cap}- Date{/cap}''' — 1962 / 06 / 16{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1962_lmy_4.jpg|../files/articles/lamonteyoung/1962_lmy_4_b.jpg|Concert programme] [../files/articles/lamonteyoung/1962_lmy_5.jpg|../files/articles/lamonteyoung/1962_lmy_5_b.jpg|Concert programme] [../files/articles/lamonteyoung/1962_lmy_6.jpg|../files/articles/lamonteyoung/1962_lmy_6_b.jpg|Concert programme]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1962_lmy_4_b.jpg] image 1 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1962_lmy_5_b.jpg] image 2 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1962_lmy_6_b.jpg] image 3{br}'''{cap}- Abstract{/cap}''' — {br}'''{cap}- Télécharger / Download (pdf){/cap}''' — https://jeromejoy.org/files/articles/lamonteyoung/1962_lmy_4.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''{cap}- Sources URLs (pdf){/cap}''' — {/small}
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!!! 1967
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* '''1967 — Concert avec La Monte Young'''{br}---- in Le Nouvel Observateur n°133, 31 mai 1967, p.52 (F) {br}---- {small}'''{cap}- Description{/cap}''' — Annonce concert avec La Monte Young à Paris{br}'''{cap}- Date{/cap}''' — Paru dans le n°133 de la revue Le Nouvel Observateur, 31 mai 1967, p.52{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1967_lmy_1.jpg|../files/articles/lamonteyoung/1967_lmy_1_b.jpg|1967 Le Nouvel Observateur]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1967_lmy_1_b.jpg] image 1{br}'''{cap}- Abstract{/cap}''' — Un concert permanent. Œuvres de La Monte Young, Mariétan, Feldman, Cage, Wolff, Schoenberg, Webern, etc., par l'Ensemble Instrumental de Musique Contemporaine de Paris, direction Constantin Simonovic. Une expérience insolite et passionnante qu'il ne faut pas rater. Théâtre de Poche-Montparnasse, le 5, de 14h à 2h du matin.{br}'''{cap}- Télécharger / Download (pdf){/cap}''' — https://jeromejoy.org/files/articles/lamonteyoung/1967_lmy_1.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''{cap}- Sources URLs (pdf){/cap}''' — http://referentiel.nouvelobs.com/archives_pdf/OBS0133_19670531/OBS0133_19670531_052.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg] {/small}
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!!! 1970
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* '''1970 — Nuits de la Fondation Maeght avec La Monte Young'''{br}---- in Le Nouvel Observateur n°294, 29 juin 1970, p.40 (F) {br}---- {small}'''{cap}- Description{/cap}''' — Annonce concert avec La Monte Young à la Fondation Maeght à Saint-Paul de Vence{br}'''{cap}- Date{/cap}''' — Paru dans le n°133 de la revue Le Nouvel Observateur, 31 mai 1967, p.52{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1970_lmy_1.jpg|../files/articles/lamonteyoung/1970_lmy_1_b.jpg|1970 Le Nouvel Observateur] [../files/articles/lamonteyoung/1970_lmy_2.jpg|../files/articles/lamonteyoung/1970_lmy_2_b.jpg|1970 Le Nouvel Observateur]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1970_lmy_1_b.jpg] image 1 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1970_lmy_2_b.jpg] image 2{br}'''{cap}- Abstract{/cap}''' — A noter que la « pénétration dans le son » sous l'égide de La Monte Young (première apparition en France) durera une semaine, du 29 juillet au 4 août.{br}'''{cap}- Télécharger / Download (pdf){/cap}''' — https://jeromejoy.org/files/articles/lamonteyoung/1970_lmy_1.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br} https://jeromejoy.org/files/articles/lamonteyoung/1970_lmy_2.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''{cap}- Sources URLs (pdf){/cap}''' — http://referentiel.nouvelobs.com/archives_pdf/OBS0294_19700629/OBS0294_19700629_040.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br} http://referentiel.nouvelobs.com/archives_pdf/OBS0292_19700615/OBS0292_19700615_011.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{/small}
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!!! 1972
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* '''1972 — La Monte Young'''{br}---- D. & J. Caux{br}in Chroniques de l'Art Vivant n°30, mai 1972 (F) {br}---- {small}'''{cap}- Description{/cap}''' — Numéro spécial "La Monte Young", par Daniel Caux et Jacqueline Caux{br}'''{cap}- Date{/cap}''' — Paru dans le n°30 de la revue Chroniques de l'Art Vivant, mai 1972, p. 24 - 29 et p. 32{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1972_mai_lmy_1_1.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_1_b.jpg|1972 Chroniques de l'Art Vivant] [../files/articles/lamonteyoung/1972_mai_lmy_1_2.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_2_b.jpg|1972 Chroniques de l'Art Vivant page 24] [../files/articles/lamonteyoung/1972_mai_lmy_1_3.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_3_b.jpg|1972 Chroniques de l'Art Vivant page 25] [../files/articles/lamonteyoung/1972_mai_lmy_1_4.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_4_b.jpg|1972 Chroniques de l'Art Vivant page 26] [../files/articles/lamonteyoung/1972_mai_lmy_1_5.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_5_b.jpg|1972 Chroniques de l'Art Vivant page 27] [../files/articles/lamonteyoung/1972_mai_lmy_1_6.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_6_b.jpg|1972 Chroniques de l'Art Vivant page 28] [../files/articles/lamonteyoung/1972_mai_lmy_1_7.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_7_b.jpg|1972 Chroniques de l'Art Vivant page 29] [../files/articles/lamonteyoung/1972_mai_lmy_1_8.jpg|../files/articles/lamonteyoung/1972_mai_lmy_1_8_b.jpg|1972 Chroniques de l'Art Vivant page 32]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_1_b.jpg] image 1 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_2_b.jpg] image 2 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_3_b.jpg] image 3 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_4_b.jpg] image 4 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_5_b.jpg] image 5 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_6_b.jpg] image 6 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_7_b.jpg] image 7 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_mai_lmy_1_8_b.jpg] image 8{br}'''{cap}- Abstract{/cap}''' — Le premier son que je me souviens avoir entendu est celui du vent qui passait à travers les interstices de la cabane de bois et j'ai toujours considéré cette expérience comme une des plus importantes de ma petite enfance. C'était très imposant, beau et mystérieux ; ne parvenant pas à le voir, je me demandais ce que c'était et questionnais ma mère pendant des heures ... (La Monte Young){br}'''{cap}- Télécharger / Download (pdf){/cap}''' — https://jeromejoy.org/files/articles/lamonteyoung/1972_lamonteyoung_1_full.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''{cap}- Sources URLs (pdf){/cap}''' — {/small}
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* '''1972 — Concert La Monte Young'''{br}---- in Le Nouvel Observateur n°394, 29 mai 1972, p.20 (F) {br}---- {small}'''{cap}- Description{/cap}''' — Annonce concert de La Monte Young à Paris{br}'''{cap}- Date{/cap}''' — Paru dans le n°394 de la revue Le Nouvel Observateur, 29 mai 1972, p.20{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1972_lmy_2.jpg|../files/articles/lamonteyoung/1972_lmy_2_b.jpg|1972 Le Nouvel Observateur]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1972_lmy_2_b.jpg] image 1{br}'''{cap}- Abstract{/cap}''' — Le plus ésotérique sans doute des sorciers de la musique contemporaine présentera ses « pièces pour bandes magnétiques » dans un environnement lumineux mis au point par Marian Zazeela. Un événement. Le Palace, 8, Faubourg-Montmartre (770-44-37), mardi 30 mai à 22 h 30.{br}'''{cap}- Télécharger / Download (pdf){/cap}''' — https://jeromejoy.org/files/articles/lamonteyoung/1972_lmy_2.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''{cap}- Sources URLs (pdf){/cap}''' — http://referentiel.nouvelobs.com/archives_pdf/OBS0394_19720529/OBS0394_19720529_020.pdf [https://jeromejoy.org/files/img/icon_pdf_round2.jpg] {/small}
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!!! 1988
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* '''1988 — KlangRaum — La Monte Young'''{br}---- in Galeries Magazine n°24, avril-mai 1988 (F) {br}---- {small}'''{cap}- Description{/cap}''' — Annonce exposition KlangRaum de La Monte Young à Düsseldorf{br}'''{cap}- Date{/cap}''' — Paru dans le n°24 de la revue Galeries Magazine, avril-mai 1988, p. ?{br}'''{cap}- Fac-similes{/cap}''' (click to enlarge){br} [../files/articles/lamonteyoung/1988_mai_lmy_1.jpg|../files/articles/lamonteyoung/1988_mai_lmy_1_b.jpg|1988 Galeries Magazine] — [../files/articles/lamonteyoung/1988_mai_lmy_2.jpg|../files/articles/lamonteyoung/1988_mai_lmy_2_b.jpg|1988 Invitation Music and Light Box]{br}'''{cap}- Télécharger / Download (jpg){/cap}''' — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1988_mai_lmy_1_b.jpg] image 1 — [https://jeromejoy.org/files/img/icon_download.png|../files/articles/lamonteyoung/1988_mai_lmy_2_b.jpg] image 2{br}'''{cap}- Abstract{/cap}''' — {br}'''{cap}- Télécharger / Download (pdf){/cap}''' — https://jeromejoy.org/files/articles/lamonteyoung/1988_mai_lmy.pdf.zip [https://jeromejoy.org/files/img/icon_pdf_round2.jpg]{br}'''{cap}- Sources URLs (pdf){/cap}''' — {/small}
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!! INTERVIEWS Articles
{small}http://lamonteyoung.com/ {/small}
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* '''Conversation with La Monte Young (1968)''' : {br}{small}By Richard Kostelanetz, 1968. In Richard Kostelanetz. "The Theatre of Mixed Means". London: Pitman, 1970, pp. 50-63.{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://theater.ua.ac.be/bih/pdf/1968-00-00_lamonteyoung_conversationkostelanetz.pdf {/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.ubu.com/historical/young/young_selected.pdf {/small}
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* '''La Monte Young : Créer des états psychologiques précis (1970)''' : {br}{small}By Jacqueline & Daniel Caux, 1970. In Chroniques de l'Art Vivant n° 30 - Mai 1972 - Special La Monte Young, pp. 27 à 29 et p.32.{/small}{br}{small}{cap}Source :{/cap}{/small} {small}https://jeromejoy.org/w/index.php?page=DOCLMY '''(this page)''' {/small}
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* '''La Monte Young, The Well-Tuned Piano (1981)''' : {br}{small}Texts by La Monte Young, Terry Riley, Daniel Wolf, Marian Zazeela, David Farneth.{/small}{br}{small}{cap}Source{/cap}{/small} : {small}http://soundinstallationart.files.wordpress.com/2011/04/la-monte-young-well-tuned-piano1981-booklet.pdf {br}'''^[[more info on The Well-Tuned Piano|DOCLMYwtp]^]''' {/small}
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* '''La Monte Young, Interview with Peter Dickinson, New York City, July 2, 1987''' : {br}{small}In Peter Dickinson (Ed.), "CageTalk, Dialogues with and about John Cage" — Part II - Colleagues & Criticism ; 12. La Monte Young, Interview with Peter Dickinson, New York City, July 2, 1987, University of Rochester Press, 2006, p. 152-161.{/small}{br}{small}{cap}Source : http://www.rednoise.org/pdal/uploads/CageTalk._Dialogues_with___about_John_Cage.pdf {/cap}{/small} {small} {/small}
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* '''La Monte Young, Morton Feldman : A conversation on composition and improvisation (1989)''' : {br}{small}Res 13 (Cambridge 1987), pp. 153-173.{/small}{br}{small}{cap}Source :{/cap}{/small} {small} {/small}
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* '''Interview with La Monte Young (1989)''' : {br}{small}By David B. Doty, 1989. The following interview took place on the afternoon of September 2, 1989, in the Berkeley, California residence of North-Indian vocal master Pandit Pran Nath. It was originally published in 1/1, The Journal of the Just Intonation Network, issues 5:4 and 6:1, Autumn 1989 and Winter 1990.{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.dbdoty.com/Words/LMYInterview_01.html {/small}
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* '''La Monte Young musique pour le rêve, entretien avec La Monte Young et Marian Zazeela (1990)''' : {br}{small}By Jacques Donguy, 1990. In Art Press, n°150.{/small}{br}{small}{cap}Source :{/cap}{/small} {small}https://jeromejoy.org/files/articles/lamonteyoung/1990_donguy_artpress150.pdf {/small}
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* '''La Monte Young, The Melodic Version (1984) of The First Blossom of Spring from The Four Dreams of China (1962) (1994)''' : {br}{small}Text by La Monte Young for the Gastkonzerte des Hessischen Rundfunks bei den Internationalen Ferienkursen für Neue Musik, Darmstadt 1994, 4 Aug. 1994.{/small}{br}{small}{cap}Source : {/cap}{/small} {small}http://soundinstallationart.files.wordpress.com/2011/04/la-monte-young-darmstadt1994.pdf {/small}
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* '''La Monte Young & Marian Zazeela (1995-96)''' : {br}{small}By Ian Nagoski, 1995-96. In Halana no. 1, Ardmore, PA, Winter 1995-96{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.halana.com/lymz.html {/small}
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* '''La Monte Young & Marian Zazeela (1998)''' : {br}{small}By The Wire. excerpt{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.a-i-u.net/lamonte.html {/small}
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* '''L'œil de La Monte Young (1999)''' : {br}{small}By Damien Sausset, 1999. In L'Œil, n°506, 1999, p. 7.{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.exporevue.com/magazine/fr/interview_monteyoung.html {/small}
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* '''Interview with La Monte Young and Marian Zazeela (2002)''' : {br}{small}By Gabrielle Zuckerman, American Public Media, July 2002. (Real Audio files below){/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://musicmavericks.publicradio.org/features/interview_young.html {/small}
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* '''La Monte Young and Marian Zazeela at the Dream House (2003)''' : {br}{small}In conversation with Frank J. Oteri, From Wednesday, August 13, 2003 9:33 PM to Thursday, August 14, 2003 3:15 AM, NewMusicBox{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.newmusicbox.org/assets/54/interview_young.pdf {br} http://www.newmusicbox.org/articles/la-monte-young-and-marian-zazeela-at-the-dream-house/ (with videos){br}--> '''[Wiki page w/ videos|DOCLMYint2003]'''{/small}
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{small}'''PUBLISHED INTERVIEWS''' (listed on lamonteyoung.com) : Smith, Geoff & Smith, Nicola Walker. New Voices: American Composers Talk about Their Music. Portland, Oregon: Amadeus Press, 1995; Duckworth, William. Talking Music. New York: Schirmer Books & Prentice Hall International, 1995; Miesgang, Thomas. "La Monte Young, ein Interview" Falter 9/95, 691/1995 (Vienna 1995): 26. Carfi, Pietro. "La Monte Young: Il ritorno del maestro," World Music IV/16 (Rome 1994): 22; Gagne, Cole. Soundpieces 2 / Interviews With American Composers. Metuchen, NJ and London: The Scarecrow Press, 1993; Johnson, Martin. "Randy Weston and La Monte Young, Kinds of Blues" Pulse! 120 (W. Sacramento, CA, November 1993); Pranzl, Alfred. "La Monte Young," Skug 9 (Vienna 1992): 13; Donguy, Jacques. "Musique pour le Reve," art press 150 (Paris 1990): 55; Doty, David B. "The La Monte Young Interview," 1/1, Part 2, 6/1 (San Francisco 1990): 8; Part 1, 5/4 (S.F. 1989): 1; Kim, Jin-hi. "Interview: La Monte Young," Eumak Dong-A 1988.2 (Seoul 1988): 87; Strickland, Edward. "The Well-Tuned Piano: An Interview with La Monte Young," Fanfare 11/1 (Tenafly, N.J., 1987): 80 (also American Composers: Dialogues on Contemporary Music. Bloomington and Indianapolis: Indiana University Press, 1991); Feldman, Morton and Young, La Monte. "A Conversation on Composition and Improvisation," Res 13 (Cambridge 1987): 153; Vidic, Ljerka. "Meet the Composer: La Monte Young and Marian Zazeela," Ear 12/3 (New York 1987): 24 (also Zvuk, Jugoslovenski Muzicki Casopis 3-4, Sarajevo 1986: 90); Reusser, Jean-Michel. "Musique: Pandit Pran Nath," L'Autre-Monde 69 (Paris 1983): 62; ..... "La Monte Young: Un Musicien Bien Accorde," L'Autre Monde 68 (Paris 1983): 60; Reinhard, Johnny. "A Conversation with La Monte Young and Marian Zazeela," Ear 7/5 (New York 1982-83): 4; Pelinski, Ramon. "Upon Hearing a Performance of The Well-Tuned Piano: An Interview with La Monte Young and Marian Zazeela," Parachute 19 (Montreal 1980): 4 (also Interval IV/4 and IV/3, San Diego 1985, 1984); Singh, Shanta Serbjeet. "Interview with La Monte Young and Marian Zazeela," East-West Music (Festival Catalogue). Rome: L'Attico, 1974; Gligo, Nicsa. "Ich Sprach mit La Monte Young und Marian Zazeela," MELOS VI November-December (1973): 338; Caux, Daniel. "La Monte Young: Creer des etats psychologiques precis," Chroniques de l'art vivant 30 (Paris 1972); Kubota, Shigeko. "Art as a New Style Life: Interview with La Monte Young," Bijutsu Techo 2 (Tokyo 1971); Kostelanetz, Richard. The Theatre of Mixed Means. New York: Dial, 1968.{/small}{br}Source : {small}http://melafoundation.org/lmyresum.htm {/small}
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!! PUBLISHINGS
Source : {small}http://www.melafoundation.org/mzpublic.htm {/small}
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* '''Anthology of Chance Operations''', by La Monte Young & Jackson McLow (1963){br}Source : {small}http://ubumexico.centro.org.mx/text/AnAnthologyOfChanceOperations.pdf {/small}
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* '''Two Propositions in Black''' from "S.M.S. No. 1", by La Monte Young & Marian Zazeela (1968){br}Source : {small}http://www.ozanne-rarebooks.com/pdf/cataloguesms2.pdf {/small} {br}Source : {small}http://www.davidsongalleries.com/subjects/sms/SMS-book1-young_zaleela.jpg {/small}
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* '''Selected Writings''', by La Monte Young & Marian Zazeela (1959-1969){br}Source : {small}http://www.ubu.com/historical/young/young_selected.pdf {/small}
** "Notes On The Continuous Periodic Composite Sound Waveform Environment Realizations Of "Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery"
** "Dream House"
** "Conversation With La Monte Young By Richard Kostelanetz"
** "The Soul Of The Word"
** "Lecture 1960"
** "Poem To Diane"
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* '''Notes on Continuous Periodic Composite Sound Waveform Environment Realizations''', by La Monte Young (1969){br}Source : {small}http://www.ubu.com/aspen/aspen8/waveform.html {/small}
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* '''Dream Music''', by La Monte Young (1971){br}Source : {small}http://www.ubu.com/aspen/aspen9/dreamMusic.html {/small}
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* '''Notes on the Well-Tuned Piano''', by La Monte Young (1981-1987){br}Source : {small}In "The Well-Tuned Piano" LP booklet ^[[continue reading|DOCLMYwtp]^]{/small}
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* '''The Magenta Lights''', by Marian Zazeela (1987){br}Source : {small}In "The Well-Tuned Piano" LP booklet ^[[continue reading|DOCLMYwtp]^]{/small}
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* '''Sound & Light Environment a time installation measured by a setting of continuous frequencies in sound and light : February 1989 - March 1990, Dia Art Foundation, New York City''', by La Monte Young & Marian Zazeela (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small}
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* '''Time Light Simmetry - Sculptures from "Still Light", Neon : Dream House Variation I", Stairwell Environment "Magenta Day/Magenta Night"''', by Marian Zazeela (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small}
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* '''The Romantic Simmetry (over a 60 cycle base) from The Symmetries in Prime TIme from 144 to 112 with 119 (89 I 30 NYC)''', by La Monte Young (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small}
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* '''Continuous Sound and Light Environments''', by La Monte Young & Marian Zazeela (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small}
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* '''Notes on The Theatre of Eternal Music and The Tortoise, His Dreams and Journeys''', by La Monte Young (2000){br}Source : {small}http://www.melafoundation.org/theatre.pdf {/small}
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{small}'''PUBLISHED WRITINGS''' : "Sound & Light Environment: a time installation measured by a setting of continuous frequencies in sound and light, Dia Art Foundation, 548 West 22nd Street, New York City, February 1989-March 1990," "The Romantic Symmetry (over a 60 cycle base) from The Symmetries in Prime Time from 144 to 112 with 119," "Continuous Sound and Light Environments" in SOUND AND LIGHT: La Monte Young and Marian Zazeela, Bucknell Review (Spring 1996, Vol. 40:1), Ed. William Duckworth and Richard Fleming (Lewisburg 1996); "Lecture 1960," Happenings and Other Acts, Ed. Mariellen R. Sandford. London & New York: Rutledge, 1995; "Lecture 1960," Excerpts from "Sound and Light Works" (Collected Notes Spring 1990), Catalog for 44th Venice Biennale exhibition, "Ubi Fluxus ibi motus 1990-1962," (Milan 1990); "The Romantic Symmetry (over a 60-cycle base) in Prime Time from 112 to 144 with 119," 1/1 5/4 (San Francisco, 1989): 6; "Music and Light Box," Catalog for "Klangräume," Rheinisches Musikfest 1988, Düsseldorf (Köln 1988); "Notes on The Well-Tuned Piano," 1/1 3/3 (San Francisco 1987); The Well-Tuned Piano 81 X 25, Record Program Booklet, (New York 1986); Entries on Pandit Pran Nath and Terry Jennings, The New Grove Dictionary of American Music, (New York/London 1986); "Der Eröffnungs-Akkord aus The Well-Tuned Piano," Catalog for "Raum Zeit Stille," Kölnischer Kunstverein (Köln 1985); "Musique: Pandit Pran Nath et le Style Kirana," L'Autre-Monde 69 (Paris 1983): 62; "Notes on the Continuous Periodic Composite Sound Waveform Environment Realizations of Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery," "Dream Music," "Le Chant de Pran Nath: Le Son Est Dieu," VH 101 4 (Paris 1970-71); "Singing of Pran Nath: The Sound is God," The Village Voice (New York 1970); "Untitled (Notes on Dream Music)," Aspen 9 (New York 1970); Selected Writings. Munich: Friedrich, 1969; "Two Propositions in Black," S.M.S. 1, The Letter Edged in Black Press (New York 1968; "Lecture 1960," Tulane Drama Review, (New Orleans 1965); "Dream," Dream Sheet, Ed. Diane Wakoski, Hardware Poets Playhouse (New York 1965); Excerpts from "Lecture 1960," Kulchur 10 (New York 1963). {/small}{br}Source : {small}http://melafoundation.org/lmyresum.htm {/small}
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{small}'''SELECTED BIBLIOGRAPHY''' : Cardew, Cornelius. "One Sound: La Monte Young," Musical Times 107/11 (1966): 959; Caux, Daniel. "John Cage, La Monte Young et la dissidence musicale d'aujourd'hui," art press 150 (1990): 48; Fricke, David. "Record Reviews: Just Stompin' / Live at The Kitchen, La Monte Young and The Forever Bad Blues Band," Rolling Stone 669 (November 11, 1993); Gann, Kyle. "La Monte Young's The Well-Tuned Piano," Perspectives of New Music 31/1 (Winter 1993): 134; Gann, Kyle. "Maximal Spirit," Village Voice (9 June 1987): 70; Gena, Peter. "Freedom in Experimental Music: The New York Revolution," Tri-Quarterly 52 (1981): 223; Griffiths, Paul. Modern Music: The Avant-garde Since 1945. New York: G. Braziller, 1981; Heisinger, Brent. "American Minimalism in the 1980s," American Music 7/4 (1989): 430; Hitchcock, H. Wiley. "Current Chronicle," Musical Quarterly 51 (1965): 538; Leedy, Douglas. "Record Reviews: La Monte Young. 90 XII 9 c. 9:35-1052 PM NYC The Melodic Version (1984) of The Second Dream of The High-Tension Line Stepdown Transformer from The Four Dreams of China (1962)," American Music 11/1 (Spring 1993) 126; Licht, Alan. "The History of La Monte Young's Theatre of Eternal Music," Forced Exposure 16 (1990): 60; McCardell, Charles. "Sound Instincts: La Monte Young & His Breakthrough Music," Washington Post (15 October 1985): E7; Mertens, Wim. American Minimal Music. London: Kahn & Averill, 1983; Morgan, Robert P. Twentieth-Century Music. New York and London: W.W. Norton, 1991; Neilson, John. "Getting Down to Fundamentals: The Essence of La Monte Young," Option (Sep/Oct 1987); Nyman, Michael. "Against Intellectual Complexity in Music," October 13 (1980): 82; .......-. Experimental Music: Cage and Beyond. New York: Schirmer, 1974; Palmer, Robert. "A Father Figure for the Avant-garde," The Atlantic 247/5 (May 1981): 48; ........ "La Monte Young: Lost in the Drone Zone," Rolling Stone, issue #180 (13 February 1975): 24; ....... "Get Ready for the Music of Harmonics," New York Times (17 July 1983): C17; Rich, Alan. "La Monte Young's Minimalist Marathon," Newsweek (27 July 1987): 58; Rockwell, John. "Boulez and Young: Enormous Gulf or Unwitting Allies?" Los Angeles Times (13 February 1972): 38; Rosenbaum, Ron. "Eternal Music in a Dreamhouse Barn," Village Voice (12 February 1970): 5; Schaefer, John. New Sounds. New York: Harper & Row, 1987; Smith, David. "Following a Straight Line: La Monte Young," Contact 18 (1977-78): 4; Strickland, Edward. Minimalism:Origins, Bloomington and Indianapolis: Indiana University Press, 1993; Terry, Ken. "La Monte Young: Avant-garde Visionary: Composer and Pianist," Contemporary Keyboard 6/8 (1980): 12; Wolf, Daniel J. "Living and Listening in Real Time," Interval (1982-83): Winter, 14; (1983): Autumn, 27. {/small}{br}Source : {small}http://melafoundation.org/lmyresum.htm {/small}
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!! INTERVIEWS Audio Files
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* '''Lecture by Jacques Donguy (2012)''' : {br}{small}MAC Musée d'Art Contemporain, Lyon, Vendredi 9 novembre 2012{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.mac-lyon.com/mac/sections/fr/audios_videos/confarences/la_monte_young_et_ma {/small}
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* '''Lorsque Anna Halprin et La Monte Young ont cassé la baraque - 22’ (2006) ''' : {br}{small}by Jacqueline Caux{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.jacquelinecaux.com/jacqueline/fr/short-halprin-young.php {/small}
{small}double-click to start the video {/small}
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* '''Interview with La Monte Young and Marian Zazeela (2002)''' : {br}{small}By Gabrielle Zuckerman, American Public Media, July 2002. (Real Audio files){/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://musicmavericks.publicradio.org/features/interview_young.html {/small}
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<small>Part 1</small><br>
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* '''La Monte Young : Poem (1989)''' : {br}{small}France-Culture 1989. émission Atelier de Création Radiophonique, par Réné Farabet, "Petit Concert Fluxus pour un dimanche soir".{/small}{br}{small}{cap}Source :{/cap}{/small} {small}France Culture Radio France {/small}
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<small>Part 1 : w/ John Cage (à propos de la Monte Young), "Poem, etc." enregistrement Paris 1989.</small><br>
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* '''Interview with La Monte Young by Daniel Caux (1990)''' : {br}{small}France-Culture 1990{/small}{br}{small}{cap}Source :{/cap}{/small} {small}Archives personnelles {/small}
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<small>Part 1 : w/ "Trio for Strings" with the Trio Basso, H. Brünig, viola, O. Liesmann, cello, W. Güttler, double-bass, Musica 90, Strasbourg.</small><br>
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<small>Part 2 : w/ "The Tortoise, His Dreams and Journeys", July 31, 1969. for sine waves and voices</small><br>
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<small>Part 3 : w/ "The Tortoise, His Dreams and Journeys", July 31, 1969. for sine waves and voices ; "Dream House", Espace Donguy, Paris</small><br>
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<small>Part 4 : w/ "Dream House", Espace Donguy, Paris</small><br>
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<small>Part 5 : w/ "The Well-Tuned Piano", version 1981 ; end of "Trio for Strings" with the Trio Basso</small><br>
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<small>Part 6 : w/ end of "Trio for Strings" with the Trio Basso</small><br>
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* '''Interview with La Monte Young and Marian Zazeela (1990 ?)''' : {br}{small}WNYC radio, New Sounds : From the Vaults, broadcast August 2007{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://www.wnyc.org/shows/newsounds/2007/aug/15/ {/small}
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* '''Interview with La Monte Young and Marian Zazeela (1984)''' : {br}{small}Russ Jennings interviews La Monte Young and Marian Zazeela about their new collaborative work, The Well Tuned Piano. This work is the culmination of a life long interest in just intonation on the part of Young and also incorporates the light art of Zazeela. The two also discuss the influence that Pandit Pran Nath has had on their art.{/small}{br}{small}{cap}Source :{/cap}{/small} {small}http://archive.org/details/AM_1984_08_XX {/small}
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* '''Vous avez dit minimalisme : La Monte Young (1997)''' : {br}{small}par Daniel Caux. "Les chemins de la musique". France-Culture 28 octobre 1997{/small}{br}{small}{cap}Source :{/cap}{/small} {small}France Culture Radio France {/small}
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!!WORKS : AudioVideo Files
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* '''[go to next page / allez à cette page|DOCLMYworks]'''
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