On extended, boundless, vibratory and in-the-now sympathy music
http://jeromejoy.org/
|| NEWS
|| BIO
| SHOWS
| CATALOG
|| PROJE
(C)
TS
| MP3s
| CDs
| VIDEOS
|| BIBLIO
| STUDIES
| DOCUMENTATION
| PH.D.
| EDU
| COLLECTIVE JUKEBOX
| NOCINEMA.ORG
| CONCERTS FILMS
|| AUDITO
| QWAT?
|| home
| contact
|
| 🔎
|
Last changed - French time: 2011/01/30 05:00
>
Recent changes
New name
B
I
U
S
link
image
code
HTML
list
Show page
Syntax
{NO_COMMENTS} |2 [../files/articles/nocinema/template/2.jpg][../files/articles/nocinema/template/3.jpg][../files/articles/nocinema/template/5.jpg][../files/articles/nocinema/template/6.jpg][../files/articles/nocinema/template/10.jpg][../files/articles/nocinema/template/12.jpg][../files/articles/nocinema/template/13.jpg][../files/articles/nocinema/template/15.jpg][../files/articles/nocinema/template/1.jpg]| | |r {small}« Tout ce qui bouge sur un écran est du cinéma. » (Jean Renoir){/small}| ---- {html} <TABLE width="100%"><TR><TD ALIGN="left"> </TD><TD ALIGN="center"> <A HREF="index.php?page=Nocinema Studies"><small><b>Sommaire / Contents</b></small></A></TD><TD ALIGN="right"> </TD></TR></TABLE> {/html} ---- {html} <TABLE width="100%"><TR><TD ALIGN="left"> </TD><TD ALIGN="center"> <!--← <A HREF="index.php?page=nocinema - Deren 2"><small>Maya Deren - (Ritual in Transfigured Time, 1946)</small></A>--> </TD><TD ALIGN="right"><!--<A HREF="index.php?page=nocinema - Deren 2"><small>Maya Deren - (Ritual in Transfigured Time, 1946)</small></A> →--></TD></TR></TABLE> {/html} {br}{br}{br} '''mot-clés''' : ---- {html} <b>Wolfgang Staehle, Fernsehturm, 2004</b> <br /><br /> {/html} !Wolfgang Staehle, «Fernsehturm (TV Tower)», 2004 ''Live webcam feed, flat panel screen'' ---- Fernsehturm continues Wolfgang Staehle's exploration of the aesthetic implications of the "live" image. The screen displays a live feed of a view monitoring the TV tower in Berlin -- a painting in motion. Fernsehturm suggests a constantly evolving photographic image that becomes a continuous record of minute changes in light and every aspect of the environment. It is a highly ephemeral, time-based document that cannot and won’t ever be repeated (except as an archived version). Encountering this type of image on the wall of a gallery or museum, constitutes a radical change of context that poses essential questions about representation and the nature of the art object itself. Does the "live" image supersede previous art forms such as photography? What role do the aesthetics of processing and mediation play in our perception of an artwork ? ---- {br}{br} {br}{br} ---- {html} <TABLE width="100%"><TR><TD ALIGN="left"> </TD><TD ALIGN="center"> <A HREF="index.php?page=Nocinema Studies"><small><b>Sommaire / Contents</b></small></A></TD><TD ALIGN="right"> </TD></TR></TABLE> {/html} ---- {br}{br}{br} ---- {plugin:FOOT_NOTES}
Password
Summary of changes
↓
↑
العربية
Čeština
Deutsch
Schweizerdeutsch
English
Esperanto
Español
Suomi
Français
עברית
Hrvatski
Magyar
Italiano
Nederlands
Português
Português brasileiro
Slovenština
臺灣國語
downloads
> Download mp3s
> Download videos
> Download texts
> Academia.edu
[
Edit
] [
History
]
[UP]
[
List of all pages
] [
Create page
] [
Erase cookies
]
1995/2020 — Powered by
LionWiki 3.1.1
— Thanks to Adam Zivner — webmaster & webdesign : Jérôme Joy — Author : Jérôme Joy — Any material is under copyleft
©
with in-line & in-text attributions —
http://jeromejoy.org/
— Hosted by
nujus.net
NYC since 2007, and by
The Thing
NYC (between 1995-2007 — Thanks to
Wolfgang Staehle and the Thing team
).