nocinema - Ivens 4 - Jerome Joy website

New name B I U S link image code HTML list	Show page Syntax
{NO_COMMENTS} \|2 [../files/articles/nocinema/template/2.jpg][../files/articles/nocinema/template/3.jpg][../files/articles/nocinema/template/5.jpg][../files/articles/nocinema/template/6.jpg][../files/articles/nocinema/template/10.jpg][../files/articles/nocinema/template/12.jpg][../files/articles/nocinema/template/13.jpg][../files/articles/nocinema/template/15.jpg][../files/articles/nocinema/template/1.jpg]\| \| \|r {small}« Tout ce qui bouge sur un écran est du cinéma. » (Jean Renoir){/small}\| ---- {html} <TABLE width="100%"><TR><TD ALIGN="left">  </TD><TD ALIGN="center"> <A HREF="index.php?page=Nocinema Studies"><small><b>Sommaire / Contents</b></small></A></TD><TD ALIGN="right"> </TD></TR></TABLE> {/html} ---- {html} <TABLE width="100%"><TR><TD ALIGN="left"> </TD><TD ALIGN="center"> <!--← <A HREF="index.php?page=nocinema - Deren 2"><small>Maya Deren - (Ritual in Transfigured Time, 1946)</small></A>--> </TD><TD ALIGN="right"><!--<A HREF="index.php?page=nocinema - Deren 2"><small>Maya Deren - (Ritual in Transfigured Time, 1946)</small></A> →--></TD></TR></TABLE> {/html} {br}{br}{br} ---- {html} <b>Joris Ivens, De Brug (The Bridge), 1927-28</b> <br /><br /> <object width="560" height="420"><param name="movie" value="http://www.dailymotion.com/swf/video/xhs8f?width=560&theme=default&foreground=%23F7FFFD&highlight=%23FFC300&background=%23171D1B&additionalInfos=1&start=&animatedTitle=&iframe=0&autoPlay=0&hideInfos=0"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed type="application/x-shockwave-flash" src="http://www.dailymotion.com/swf/video/xhs8f?width=560&theme=default&foreground=%23F7FFFD&highlight=%23FFC300&background=%23171D1B&additionalInfos=1&start=&animatedTitle=&iframe=0&autoPlay=0&hideInfos=0" width="560" height="420" allowfullscreen="true" allowscriptaccess="always"></embed></object> <br /><br /> {/html} ---- Also known as "The Bridge". "Close shots of a railway train underway: track racing underneath, steam escaping, cars coupling, gears ... all » ratchetting, signals changing. The train reaches a lift bridge which must rise to allow a merchantman to pass below... Bridge section and counterweight move choreographically. The balletic motion of beam relative to girder creates an elegant, abstract expression of the precision of technology..." A film by Joris Ivens, 1928. ---- A vertical lift-bridge is the object of study in The Bridge. Ivens managed to produce a tremendously dynamic film based on what otherwise might appear to be a static object. "For me, The Bridge consisted of a laboratory of movements, tints, forms, contrasts, rhythms and the relationship between all these phenomena." The film was immediately recognized as a masterpiece by international critics and fellow filmmakers, and Ivens was instantly catapulted to fame as an avant-garde filmmaker. {br}{br} {br}{br} ---- {html} <TABLE width="100%"><TR><TD ALIGN="left">  </TD><TD ALIGN="center"> <A HREF="index.php?page=Nocinema Studies"><small><b>Sommaire / Contents</b></small></A></TD><TD ALIGN="right"> </TD></TR></TABLE> {/html} ---- {br}{br}{br} ---- {plugin:FOOT_NOTES}
Password Summary of changes		↓ ↑

[Edit] [History] [UP] [List of all pages] [Create page] [Erase cookies]