TÉLÉMUSIQUE - 8. Bibliographie

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!!8. Bibliographie * Barbosa A., Kaltenbrunner M. (2002). ''Public sound objects: A shared musical space on the web''. In Proc. Intl. Conf. on Web Delivering of Music. * Barbosa A. (2003). ''Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation''. Leonardo Music Journal, 13, 53-60. * Barbosa A. (2008). ''Displaced Soundscapes - Computer Supported Cooperative Work for Music Applications''. Saarbrücken: VDM Verlag Dr. Mueller AG und Co. KG e.K. * Barger R., Church S., Fukada A., Grunke J., Keisler D., Moses B., Novak B., Pennycook B., Settel Z., Strawn J., Wiser P., and Woszczyk W. (1998). ''Networking Audio and Music Using Internet2 and Next Generation Internet Capabilities''. AES White Paper, New York: Audio Engineering Society. Bischoff J., Gold R., and Horton J. (1978. ''Microcomputer Network Music''. Computer Music Journal 2(3):24–29, 1978. Bischoff J., Gold R., Horton J. (1978). ''Music for an interactive network of microcomputers''. Computer Music Journal, 2:24–29, 1978. Music Journal, 1:103–105, 1991. * Bosma J. (2000). ''Musik und das Internet ~ Musaic''. Crossfade, SFMoma, the Walker Art Centre, ZKM and the Goethe Institute. * Bouillot N. (2003). ''Un algorithme d’auto synchronisation distribuée de flux audio dans le concert virtuel réparti''. In Proc. of The Conférence Française sur les Systèmes d’Exploitation (CFSE’3), La Colle sur Loup, France, October 2003. * Braasch J. (2008). ''Telematic Music - Restrictions and Advantages compared to traditional one-site music events''. Proceedings of ICMC’08, SARC Belfast, pp. 538–539, August 24-29, 2008. * Brown C., Bischoff J. (2003). ''Eternal Network Music''. http://crossfade.walkerart.org/brownbischoff2/eternal/ * Burk P. (2000). ''Jammin' on the web – a new client/server architecture for multi-user performance''. Proceedings of the International Music Conference (Berlin, Germany). International Computer Music Association, ICMC 2000, pp. 117-120. * Carôt A., Jens H., Kraemer U., Schuller G., Wabnik S., Werner C. (2007). ''Network Music Performance with ultra-low-delay audio coding under unreliable network conditions''. Proceedings of the 123rd AES Convention, New-York. * Casey M., Smaragdis P. (1996). ''NetSound''. ICMC96 Paper, Proceedings of the International Computer Music Conference 1996, Hong Kong. * Chafe C. (2008). ''Tapping into the Internet as an Acoustical and Musical Medium''. Proceedings of ICMC’08, SARC Belfast, pp. 544-545, August 24-29, 2008. * Cooperstock J.R. (?). ''History of Spatially Distributed Performance''. http://www.cim.mcgill.ca/sre/projects/rtnm/history.html * Costa J., Barbosa A. Coimbra D. (2006). ''Shared Soundscapes: A social environment for collective music creation''. 9th International Conference on Music and Cognition (ICMPC 9), Bologna, Italy. * Davis E. (1997). ''Acoustic Cyberspace''. http://www.techgnosis.com/acoustic.html * Didkovsky N. (1997). ''Metamusic / Metatext: The Blurry Boundaries Around Distributed Compositional Systems''. Leonardo Music Journal 7/1997, pp. 73-76. * Duckworth W. (2005). ''Virtual Music – How the web got wired the sound''. Routledge Publishing, 2005. * Fober D., Orlarey Y., Letz S. (2001). ''Real time musical events streaming over Internet''. Proceedings of the International Conference on WEB Delivering of Music, pp. 147-154. * Foellmer G. (2000). ''Musik aus dem Internet''. AkuNeueMusik und Medien, Altenburg 2000, pp. 69-76. * Foellmer G. (2002). ''Netzmusik. Elektronische, ästhetische und soziale Strukturen einer partizipativen Musik''. Dissertation Martin-Luther-Universität Halle-Wittenberg 2002; Wolke Verlag, Hofheim 2005. * Foellmer G. (2004). ''Netzmusik / NetMusic''. revue and CD-rom, in Neue Zeitschrift für Musik, no. CLXV, Wergo Ed., Sept./Oct. 2004. * Foellmer G. (2009). ''Musik im Internet''. In Handbuch Musik und Medien, hrsg. v. Holger Schramm, Konstanz 2009, pp. 235-275. * Gerlach T. (2000). ''Musiker im Netz - Breakdown oder Added Value für ausübende Künstler ?''. Musikforum 36:92/2000, pp. 44-48. * Giuli, D., Pirri, F., Bussotti, P. (1999). ''Orchestra ! : a distributed platform for virtual musical groups and music distance learning over the Internet in JavaTMtechnology''. In Multimedia Computing and Systems, 1999. IEEE International Conference on Volume 2, Issue Jul 1999, pp. 987-988. * Gresham-Lancaster S. (1998). ''The aesthetics and history of The Hub: The effects of changing technology on network computer music''. Leonardo Music Journal, 8, pp. 39-44. * Griffith N. (1999). ''Musical Networks. Parallel Distributed Perception and Performance''. Cambridge, MA: MIT Press. * Gu, X., Dick, M., Noyer, U., Wolf, L. (2004). ''NMP - a new networked music performance system''. in Global Telecommunications Conference Workshops, 2004. GlobeCom Workshops 2004. IEEE, pp. 176-185. * Gu X., Dick M., Kurtisi Z., Noyer U., Wolf L. (2005).'' Network-centric music performance: Practice and experiments''. IEEE Communications, Vol.43, No. 6, pp. 86–93. * Gurevich M. (2006). ''JamSpace: Designing A Collaborative Networked Music Space for Novices''. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France. * Helmuth M. (2000). ''Sound exchange and performance on Internet2''. Proceedings of the 2000 International Computer Music Conference.San Francisco, California: International Computer Music Association, pp.121–124. * Jordà S. (1999). ''Faust music on line (FMOL): An approach to real-time collective composition on the Internet''. Leonardo Music Journal, 9, pp. 5-12. * Joy J. (2003). ''Télémusique, Organologie de la Musique en Réseau (Approches des dispositifs collectifs en réseau)''. sujet de thèse de doctorat (Arts numériques, spécialité Réseaux et Systèmes distribués), sous la direction de Sally Jane Norman, Université de la Rochelle, École Supérieure de l’Image Angoulême, site en ligne. * Joy J. (1998). ''Hypermusic, composition and programmings (Hypermusique, composition et programmation)''. In Imagina 98 Proceedings, “Digital and the Senses : new Perception” (“Les Sens du Numérique : Nouvelles Perceptions”, pp. 30-44, 4-6 March 1998, Monaco. * Joy J., Sinclair P. (2008). ''Networked Sonic Spaces - Locus Sonus''. Proceedings of ICMC’08, SARC Belfast, pp. 553-555, August 24-29, 2008. * Joy J., Sinclair P. (2009). ''Networked Music and Sound Art Timeline (NMSAT) - A panoramic view of practices & technics related to sound transmission and distance listening''. Contemporary Music Review, Vol. 28, "Network Performance", Issues 4 & 5. * Kapur A., Wang G., Davidson P., Cook P.R. (2005). ''Interactive Network Performance : a dream worth dreaming ?''. Organised Sound 10(3), pp. 209-219. * Konstantas D, Orlarey Y., Gibbs S., Carbonel O. (1997). ''Distributed Musical Rehearsals''. Proceedings of the International Computer Music Conference 97, September 25-30 1997, Thessaloniki, Greece. * Landre S., Mocquillon Y. (2005). ''Groupes Musicaux Virtuels et Concerts Virtuels''. Master IL, Laboratoire Informatique des Systèmes Complexes, Brest. * Lazzaro J., Wawrzynek J. (2001). ''A Case for Network Musical Performance''. The 11th International Workshop on Network and Operating Systems Support for Digital Audio and Video (NOSSDAV 2001), Port Jefferson, New York, June 25-26, 2001. * Locher H-N., Bouillot N., Becquet E., Dechelle F., and Gressier-Soudan E. (2003). ''Monitoring the distributed virtual orchestra with a corba based object oriented real-time data distribution service''. In Proceedings DOA’03 International Symposium on Distributed Objects and Applications, Catagna, Italy, November 2003. * Machover T. (1991). ''Hyperinstruments: A Composer’s Approach to the Evolution of Intelligent Musical Instruments''. Cyberarts, San Francisco 1991, pp. 67-76. * Madden T., R. B., Smith, Wright M., and Wessel D. (2001). ''Preparation for interactive live computer performance in collaboration with a symphony orchestra''. In Proceedings of the International Computer Music Conference, pp. 310–13. Havana, Cuba: ICMA, 2001. * Magnusson T. (2007). ''Musical Collaboration Over High-speed Networks''. AHRC ICT Methods Network Workshop, Centre for Computing in the Humanities, Kay House, King’s College, 19 March 2007. * Moore S., Place T. (2001). ''KromoZone: A Platform for Networked Multimedia Performance''. Proceedings of the International Conference “Music without Walls? Music Without Instruments?”, De Montfort University, Leicester. * Narine T., Leganchuk A., Mantei M. & Buxton W. (1997). ''Collaboration awareness and its use to consolidate a disperse group''. Proceedings of Interact '97, Sydney, Australia. * Neuhaus M. (1994). ''The Broadcast Works and Audium''. In Zeitgleich. Vienna: Triton. * Nezvanova N. (2000). ''The Internet, A Musical Instrument in Perpetual Flux''. Computer Music Journal 24 (3), pp. 38-41. * Oliveros P. (2008). ''Networked Music : Low & High Tech''. In Proceedings of ICMC’08, SARC Belfast, p. 546, August 24-29, 2008. * Packer R. (2000). ''Telemusic 1. Presentation''. Sonic Circuits VIII, International Festival of Electronic Music and Art, St. Paul, Minnesota, 3 November 2000. * Paradiso J .A. (1999). ''The Brain Opera Technology: New Instruments and Gestural Sensors for Musical Interaction and Performance''. Journal of New Music Research 28:2/1999, pp. 130-149. * Ramachandra S., Bouillot N. (2006). ''Diffusion Multicast et cache Multimedia pour le Concert Virtuel Réparti : Expérimentations avec Pastry/SplitStream/Past''. Rapport de recherche CEDRIC No 1208.. * Ramakrishnan C. , Freeman J., Varnik K. (2004). ''The architecture of Auracle: a real-time, distributed, collaborative instrument''. Proceedings of the 2004 conference on New interfaces for musical expression, p.100-103, June 03-05, 2004, Hamamatsu, Shizuoka, Japan. * Renaud A., Rebelo P. (2006). ''Network Performance : Strategies and Applications''. NIME 06, SARC Belfast. * Renaud A., Carôt A., Rebelo P. (2007). ''Networked Music Performance : State of the Art''. Proceedings of the 30th AES International Conference, Saariselkä, Finland. * Risset J.-C. (1998). ''Art-Science-Technologie (A.S.T.)''. rapport d’étude, Ministère de l’Éducation Nationale, de la Recherche et de la Technologie. * Rowe R., Rolnick N. (2004). ''The Technophobe and the Madman: an Internet2 distributed musical''. In Proc. of the Int. Computer Music Conf. Miami, Florida, November. * Rowe R. (2005). ''Real and Unreal Time : Expression in Distributed Performance''. Journal of New Music Research 34:1, pp 87-95. * Rowe R. (2008). ''Composing for Relative Time in Distributed Performance''. In Proceedings of ICMC’08, SARC Belfast, pp. 542-543, August 24-29, 2008. * Sawchuk A. A., Chew E., Zimmermann R., Papadopoulos C., Kyriakakis C. (2004). ''Distributed Immersive Performance''. Proceedings of the Corporation of Education Networks in California (CENIC 2004) Meeting, Marina del Rey, CA, Mar 15-17, 2004. * Schooler E. (1993). ''Distributed music: a foray into networked performance''. International Network Music Festival, Santa Monica, CA. * Schroeder, Franziska, Renaud, Alain, Rebelo, Pedro & Gualda, Fernando (2007). ''Adressing the Network: Performative Strategies for Playing Apart''. In Proceedings of the International Computer Music Conference 2007, pp.133-140, Copenhagen, Denmark, August 2007. * Schuett N. (2002). ''The Effects of Latency on Ensemble Performance''. Ph.D. Thesis, Stanford University, California, USA. * Seggern J. W. v. (2001). ''Network Effects: the Evolution of Music in Cyberspace''. University of Hong Kong. * Sinclair P., Joy J. (2007). ''Locus Sonus''. In "Autumn Leaves - Sound and the Environment in Artistic Practice", edited by Angus Carlyle, CRiSAP, University of the Arts London, Ed. Double-Entendre, Paris. * Stelkens J. (2003). ''peerSynth: A P2P multi-user software with new techniques for integrating latency in real time collaboration''. In Proc. 2003 Intl. Computer Music Conf.. * Stelkens J. (2003). ''Network Synthesizer''. Ph.D. Thesis, Ludwig Maximilians Universität, München, Germany. * Tanaka A. (1999). ''Netmusic — a Perspective''. Festival du Web, Paris, Web bar. * Tanaka A. (2000). ''Interfacing Material Space and Immaterial Space: network music projects''. In The Journal of the Institute of Artificial Intelligence of Chukyo University, Winter. Toyota, Japan. * Tanaka A. (2001). ''Relier l’immatériel et l’espace immatériel. Les projets de musique en réseau en 2000''. Dossiers de l’audiovisuel 96, INA, Bry-sur-Marne. * Tanaka A., Bongers B. (2001). ''Global String: A Musical Instrument for Hybrid Space''. In Fleischmann, M., Strauss, W., editor, Proceedings: Cast01 // Living in Mixed Realities, pages 177-181. MARS Exploratory Media Lab FhG - Institut Medienkommunikation. * Tanaka A. (2001). ''Musical implications of media and network infrastructures: Perturbations of traditional artistic roles''. In Balpe, J.-P., Leleu-Merveil, S. et al., editor, Actes de H2PTM'01: Hypertextes hypermédias, nouvelles écritures, nouveaux langages, Hermes Science Publications , pages 241-250. Université de Valenciennes Lavoisier. * Tanaka A. (2004). ''Mobile music making''. In Proc. 4th Intl. Conf. on New Interfaces for Musical Expression (NIME04). * Tanaka A. (2004). ''From Telepresence to Co-experience: A Decade of Network Music''. In Neue Zeitschrift,2004. ed. Golo Foellmer. * Tanaka A. (2005). ''Malleable contents and future musical forms''. Vodafone Receiver, July 2005. * Tanaka A., Tokui N., Momeni A. (2005). ''Facilitating Collective Musical Creativity''. Sony CSL Paris, MM’05, Singapore. * Tanaka A. (2006). ''Interaction, Experience, and the Future of Music''. Computer Supported Cooperative Work (vol. 35 ), pages 267-288, Springer. 2006. In K. O'Hara and B. Brown (eds) Consuming Music Together: Social and collaborative Aspects of Music Consumption Technologies, p.267-288, 2007. * Tanaka A., Gemeinboeck P., Momeni A. (2007). ''Net_Dérive, A Participative Artwork For Mobile Media''. In Proceedings of Mobile Media 2007 Conference. Sydney, Australia. * Tanzi D. (?). ''Musical Experience and Online Communication''. http://crossings.tcd.ie/issues/3.1/Tanzi/ * Traub P. (2005). ''Sounding the Net: Recent Sonic Works for the Internet and Computer Networks''. Contemporary Music Review, Vol. 24, No. 6, December 2005, pp. 459-481. * Varnik K., Freeman J., Ramakrishnan C. (2004). ''Tools used while developing Auracle: a voice-controlled networked instrument''. Proceedings of the 12th annual ACM international conference on Multimedia, October 10-16, 2004, New York, NY, USA. * Vesna V. (2000). ''Networked Public Spaces - An Investigation into Virtual Embodiment''. PhD Thesis, University of Wales College, Newport. * Weinberg G. (2002). ''Interconnected Musical Networks - Bringing Expression and Thoughtfulness to Collaborative Music Making''. Massachusetts Institute of Technology Media Laboratory, Cambridge, MA. * Weinberg G. (2002). ''The Aesthetics, History, and Future Challenges of Interconnected Music Networks''. MIT Media Laboratory. * Weinberg G. (2003). ''Interconnected Musical Networks – Bringing Expression and Thoughtfulness to Collaborative Music Making''. Ph.D. Thesis, Massachusetts Institute of Technology, Massachusetts, USA. * Weinberg G. (2005). ''Interconnected Musical Networks: Toward a Theoretical Framework''. Computer Music Journal, Vol. 29, Issue 2, pp.23-29. * Welzl M. (1997). ''NetMusic: Real time concepts and systems for telecooperative exchange of musical informatik'' (in German). Diploma Thesis, University of Linz: Teleco-operation. * Welzl M., Mühlhäuser M., Borchers J. (2007). ''MINI - Making MIDI fit for Real-time Musical Interaction over the Internet''. IEEE International Workshop on Advances in Multimedia (AIM-07), co-located with IEEE ISM-07, 10-12 December 2007, Taichung, Taiwan, IEEE CS press. * Wozniewski M., Settel Z., Cooperstock J.R. (2006). ''A framework for immersive spatial audio performance''. In New Interfaces for Musical Expression (NIME), Paris, pp. 144-149. * Xu A., Woszczyk W., Settel Z., Pennycook B., Rowe R., Galanter P., Bary J., Martin G., Corey J., and Cooperstock J. (2000). ''Real time streaming of multichannel audio data through the Internet''. In Journal of the Audio Engineering Society 48 (7/8), pp 627-641, July/August 2000. * Yamagishi S., Setoh K. (1998). ''Variations for WWW: network music by MAX and the WWW''. Proceedings of the International Computer Music Conference. pp. 510-13. Ann Arbor, MI: ICMA, 1998. * Young J.P., Fujinaga I. (1999). ''Piano master classes via the Internet''. Proceedings of the International Computer Music Conference. pp. 135-7. Beijing, China: ICMA, 1999. * Young J.P. (2001). ''Networked Music: Bridging Real and Virtual Space''. In Organised Sound archive Volume 6 , Issue 2 (August 2001), pp. 107-110, Presented at 'Music without Walls? Music without Instruments?' 2001 in Leicester, UK. * Young J.P. (2001). ''Using the Web for Live Interactive Music''. Presented at ICMC 2001 in Havana, Cuba, Proceedings of the International Computer Music Conference. Havana, Cuba: ICMA. 2001. * Zimmermann R., Chew E., Arslan Ay S., Pawar M. (2004). ''Distributed Musical Performances: Architecture and Stream Management''. ACM Transactions on Multimedia Computing Communications and Applications. ACM Transactions on Multimedia Computing Communications and Applications. {br}{br} {br}{br} ---- {html} <TABLE width="100%"><TR><TD ALIGN="left"> ← <A HREF="index.php?page=TÉLÉMUSIQUE - 7.5. Autres recherches et projets"><small>7.5. — Œuvres et événements récents</small></A></TD><TD ALIGN="center"> <A HREF="index.php?page=TÉLÉMUSIQUE"><small><b>Sommaire</b></small></A></TD><TD ALIGN="right"><A HREF="index.php?page=TÉLÉMUSIQUE - 9. Annexes"><small>9. — ANNEXES</small></A> →</TD></TR></TABLE> {/html} ---- {br}{br}{br} ---- {plugin:FOOT_NOTES}
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