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! Colloquiums, conferences & seminars * ''''__Designing Musical Interactions for Mobile Systems__'''', Workshop Programme, Tuesday 12 June 2012, Culture Lab Newcastle{br}Organised by Koray Tahiroğlu, Aalto University School of Arts, Design and Architecture (FI); Atau Tanaka, Goldsmiths Digital Studios, University of London (UK) ; Adam Parkinson, Culture Lab, Newcastle University (UK) ; Stephen Gibson, School of Design, Northumbria University (UK) Michael Gurevich – University of Michigan{br}'''Spectators of Mobile Musical Interactions: Opportunities and Challenges'''{br}Abstract: This paper considers the role of the spectator in mobile inter- active music and suggests how designing mobile music experiences with broadened notions of spectatorship may give rise to new design opportunities and challenges. Zheng Li and Hua Wang – Blekinge Institute of Technology{br}'''A music puzzle game application for engaging in active listening'''{br}Abstract: In this paper we introduce an application for tablet devices with Android operating system called The Music Puzzle. This work is part of an ongoing project called The Soundpark– Using modern smartphones to create interactive listening experiences for hearing impaired. In the Soundpark, we intend to provide different experimental applications for interacting with sound. Baptiste Caramiaux – Ircam – Centre Pompidou{br}'''Embodied Musical Interaction: when Listening meets Performing'''{br}Abstract: One aspect of embodied musical interaction that seems promising resides in blurring the frontiers between listening and performing. In this paper we propose a computational system that allows for listening recorded sounds and reinterpreting them with body movements. We argue that such approach makes sense if being embedded in modern pervasive mobile systems. Sheryl Brahnam – Missouri State University{br}'''Description of a Cell Phone Concert & Sound Performance'''{br}Abstract: We describe a cell phone concert and sound performance as part of a contemporary dance performance that used the loudspeakers of audience participants’ cell phones. The concert explored cell phones as containers and mediators of the imaginal. The concert also provoked interactional tensions that played off the cell phone’s propensity to disrupt the public sphere. Jane Grant and John Matthias – Plymouth University{br}'''Closer: A mobile neural field'''{br}Abstract: In this short paper, we describe a proposal for new work entitled Closer , a distributed, participatory performance artwork. It is formed from a neuronal network or ‘cortex’ of smart phones that record sounds from phone users and their geographies, streaming and fragmenting the audio within the network of phones and neurons. Closer will be part distributed sonic instrument and part game played in real- time geographical space. Each participant becomes part of a dynamically rich, fluid consciousness, navigating the geoneural spaces of a city. Nick Bryan-Kinns – Queen Mary University of London{br}'''Mutual Engagement: Participating ≠ Performing'''{br}Abstract: Our designs for distributed and mobile music making interfaces have produced mutually engaging experiences. However, whilst people participate in music making with our systems, they are not able to express themselves through the co-created music. We would like to explore designing for expressivity and possible new styles of music for mobile devices.
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