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!!Références médiatiques * ''An Interview with John Cage & David Tudor (May 29, 1972)'' — http://archive.org/details/AM_1972_05_29 {br}{small}This is an interview with John Cage & David Tudor, conducted in French and English. This particular interview was purportedly recorded on May 29, 1972, a time at which both John Cage and David Tudor were on a European tour featuring performances in London, Bremen, Paris and other European cities. Cage talks about the influence that Henry David Thoreau, Marcel Duchamp, and others have had on his own artistic output. Works discussed include Cage’s “Mureau” and David Tudor’s “Rainforest,” which were performed simultaneously during their 1972 European concerts. Another pairing of the two composer’s works, Cage’s “62 Mesostics Re Merce Cunningham,” and Tudor’s “Untitled” is also discussed. Towards the end of the program David Tudor talks about his decision to play the piano less, and instead focus on his own electronic music. — (Other Minds Audio Archive){/small} * ''Morning Concert: Charlotte Moorman and David Tudor (November 26, 1970)'' — http://archive.org/details/AM_1970_11_26 {br}{small}Charlotte Moorman and David Tudor play a number of pieces by LaMonte Young, Morton Feldman, Ornette Coleman, Earle Brown, Philip Corner, & John Cage. The Corner piece consists largely of detailed performance notes that are followed exactly, much to the amusement of the audience. — (Other Minds Audio Archive){/small} * ''John Cage and David Tudor Concert at The San Francisco Museum of Art (January 16, 1965)'' — http://archive.org/details/CageTudorConcert {br}{small}The San Francisco Conservatory of Music and The San Francisco Museum of Art present John Cage and David Tudor Program John Cage: Duet for Cymbal (from Cartridge Music, 1960) (19:17) Christian Wolff: for 1, 2 or 3 people (23:36) John Cage: Variations IV (31:46) Recorded by KPFA Radio on the 39th birthday of David Tudor, this historic concert with John Cage thundered through the halls of the sculpture court of the San Francisco Museum of Art before a capacity audience that included the late Darius Milhaud in his wheelchair and other Bay Area arts dignitaries. The volume levels were raucus and the medium of live electronic music never more vibrant. Opening with a work performed on a single cymbal with contact microphones agitated by a wide gamut of objects, and concluding with Variations IV in which loudspeakers outside the performance space in various hallways interacted with speakers next to the audience, this was truly an affair to remember. Our thanks to the John Cage Trust, C.F. Peters Music Publishing, Christian Wolff and the Estate of David Tudor for their cooperation in allowing us to revive this long-lost audio document. — (Other Minds Audio Archive){/small} * ''Rainforest IV Performance (July 3, 2009)''— http://archive.org/details/RainforestIvPerformance {br}{small}A binaural recording of David Tudor's electro-acoustic environmental work "Rainforest IV". This is an extract from two eight hour performances held at Area 10, Peckham, London, U.K on Friday the 3rd and Saturday the 4th of July. The event was organised by apo33.org and this recording was created by Massimo Reali.{/small} * ''Music To Make You Blind: Interview With Lowell Cross from KPFA's Ode To Gravity Series, 1971 (January 13, 1971)'' — http://archive.org/details/LowellCrossOTG {br}{small}Ode To Gravity with Charles Amirkhanian, Music To Make You Blind: Interview With Lowell Cross. Originally broadcast live on January 13, 1971 on KPFA's Ode To Gravity Series. Lowell Cross is a composer of electronic music and a builder of sound synthesizing devices. He discusses his recent collaboration with David Tudor involving laser projections which was premiered at the Osaka World's Fair. This program includes a stereo recording of Video II-B. Also participating in the interview is Richard Friedman. — (Other Minds Audio Archive){/small} * ''The Art of David Tudor—Audio and Video—Getty Research Institute'' — http://getty.edu/research/tools/guides_bibliographies/david_tudor/av/ {br}{small}Dialects (1984), live electronics — Rainforest IV (1973), electroacoustic environment — Sea Tails (1983), six-monitor, three-channel installation piece — David Tudor's Ocean (1994), six-monitor, six-channel installation piece — Light Piece for David Tudor (1965) by Pauline Oliveros, four-channel tape and amplified piano — Variations II, (1961) by John Cage, Realization for amplified piano by David Tudor (Philadelphia Museum of Art, September 11, 1982) {/small} * ''Audio and video recordings in the David Tudor Papers, 1940-1996''— http://archives.getty.edu:30008/getty_images/digitalresources/tudor/980039DavidTudorAudiovisual.pdf {br}{br} ----
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