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!!!Works Cited * {small}Augoyard, Jean-François. “Vers une esthétique des ambiances” (Towards an Aesthetics of Ambiances). In Ambiances en débats (Ambience in debate), edited by PascalAmphoux, Jean-Paul Thibaud and Grégoire Chelkoff, 17-34. Bernin: La Croisée, 2005.{/small} * {small}Augoyard, Jean-François and Henry Torgue. À l'écoute de l'environnement. Répertoire interdisciplinaire des effets sonores. Marseille: Éditions Parenthèses, 1995.{/small} * {small}Augoyard, Jean-François and Henry Torgue. Sonic Experience: A Guide to Everyday Sounds. Translated by Andra McCartney and David Paquette. Montreal: McGill-Queen's University Press - MQUP, 2006.{/small} * {small}Avatar Metaverse Orchestra. “The Avatar Metaverse Orchestra.” Accessed September 9, 2013. http://avatarorchestra.blogspot.fr/ {/small} * {small}Barthes, Roland. Comment vivre ensemble: Cours et séminaires au Collège de France, 1976–1977 (How to Live Together: Classes and seminars from the College of France, 1976–1977). Edited by Claude Coste. Paris: Seuil/IMEC, 2002.{/small} * {small}Barthes, Roland. How to Live Together: Novelistic Simulations of Some Everyday Spaces. Translated by Kate Briggs. New York: Columbia University Press, 2012.{/small} * {small}Bass, Henry E. and James P. Chambers. “Absorption of sound in the martian atmosphere.” The Journal of Acoustical Society of America 109 (2001): 3069–71. http://dx.doi.org/10.1121/1.1365424 {/small} * {small}Bayle, François. Musique Acousmatique - propositions ... ... positions. Paris: INA and Éditions Buchet/Chastel, 1993.{/small} * {small}Bergson, Henri. La Pensée et le Mouvant (1938) (The Creative Mind). Paris: Quadrige / Presses Universitaires de France, 1998.{/small} * {small}Bergson, Henri. The Creative Mind : an Introduction to Metaphysics. Translated by Mabelle L. Andison. Mineola, N.Y.: Dover Publications, 2007.{/small} * {small}Berleant, Arnold. The Aesthetics of Environment. Philadelphia: Temple University Press, 1992.{/small} * {small}Berleant, Arnold. “Ideas for a Social Aesthetic.” In The Aesthetics of Everyday Life, edited by Andrew Light and Jonathan Smith, 23-38. New York: Columbia University Press, 2005.{/small} * {small}Berleant, Arnold. “What Music Isn’t and How to Teach It.” Action, Criticism, and Theory for Music Education 8 (1) (2009): 54-65.{/small} * {small}Blesser, Barry, and Linda-Ruth Salter. Spaces speak, are you listening? Experiencing aural architecture. Cambridge MA: MIT Press, 2007.{/small} * {small}Böhme, Gernot. “Acoustic Atmospheres: A Contribution to the Study of Ecological Aesthetics.” Soundscape: The Journal of Acoustic Ecology 1 (1) (2000): 15.{/small} * {small}Böhme, Gernot. “The art of the stage set as a paradigm for an aesthetics of atmospheres.” Paper delivered at the international Conference Understanding Atmospheres - Culture, materiality and the texture of the in-between, University of Aarhus, Denmark, March 16-17, 2012. Accessed March 7, 2014. http://conferences.au.dk/fileadmin/conferences/Understanding_Atmospheres/abstracts.pdf and http://ambiances.revues.org/315 {/small} * {small}Brady, Emily. “Environmental Aesthetics.” In Encyclopedia of Environmental Ethics and Philosophy, Vol. 1, edited by J. Callicott and Robert Frodeman, 313-321. Detroit: Macmillan Reference USA, 2009.{/small} * {small}Chafe, Chris. Network Delay Studies, and Internet Acoustics: series of papers. Accessed March 14, 2014. https://ccrma.stanford.edu/~cc/shtml/research.shtml {/small} * {small}Clarke, G.L. Elements of Ecology. New York: John Wiley and Sons, 1954.{/small} * {small}Gallet, Bastien. Composer des Étendues – L'art de l'installation sonore (Sonic Expanses Composing – The Art of Sound Installation). Collection “n'est-ce pas” n°4. Genève: Éditions École Supérieure des Beaux-Arts de Genève, 2005.{/small} * {small}Johnson, Richard D., and Holbrow Charles, (Eds). "NASA SP-413 – Space Settlements, A Design Study." Washington: Scientific and Technical Information Office, National Aeronautics and Space Administration, 1977. Accessed September 9, 2013. http://www.nss.org/settlement/nasa/75SummerStudy/Design.html {/small} * {small}Joy, Jérôme. “Nocinema.” Accessed September 9, 2013. http://nocinema.org/ and http://nocinema.org/synema/ {/small} * {small}Joy, Jérôme. “Research projects and studies.” Accessed September 9, 2013. http://jeromejoy.org/w/index.php?page=Research and http://jeromejoy.org/w/index.php?page=Studies {/small} * {small}Joy, Jérôme. “Networked Music & Soundart Timeline (NMSAT) — Excerpts of Part One: Ancient and Modern History, Anticipatory Literature, and Technical Developments References.” Contemporary Music Review, Network Performance 28 (4/5) (2009): 449-490.{/small} * {small}Joy, Jérôme. “Une Époque Circuitée — Réflexion sur l'organologie des arts en réseau : le passage de l'Internet à un état musical” (A Circuited Era — About an organology of networked art : The Internet as a musical space). Intermédialités - Histoire et Théorie des Arts, Lettres et des Techniques, Programmer 13 (2010): 57-76.{/small} * {small}Joy, Jérôme. “Musique à Niveau Sonore Élevé – Musique-Environnement” (Loud Sound & Music Structures Into Environment and Space). Last modified August 26, 2013. Accessed September 9, 2013. http://jeromejoy.org/w/index.php?page=NOISEhigh {/small} * {small}Joy, Jérôme. “Introduction à une Histoire de la Télémusique” (Introduction to a History of Networked Music Performance). Accessed September 9, 2013. http://jeromejoy.org/w/index.php?page=PubliTelemusA2010 {/small} * {small}Joy, Jérôme. “Anté-Bruit — Composer le Tout-Audible” (Pre-Noise — Composing the All-Audible). Last modified December 8, 2013. Accessed December 19, 2013. http://jeromejoy.org/w/index.php?page=PubliAnteBruit2013 {/small} * {small}Joy, Jérôme. “Les Étendues Sonores — Auditorium Terre-Mars” (Sonic Expanses — Earth/Mars Auditorium). In Soundspace – Soundscape — Espaces, Expériences et Politiques du Sonore, Proceedings CNRS colloquium, edited by Claire Guiu and Marie-Madeleine Mervant-Roux, ESO Espaces & Sociétés Université de Nantes and Université de Rennes. Rennes: Presses Universitaires de Rennes, 2013. (forthcoming){/small} * {small}Joy, Jérôme, and Locus Sonus. “Locus Sonus Audio Streaming Project Map – Locustream Soundmap – Live Worldwide Open Microphones 2006-2014 – A Locus Sonus Lab Initiative." Accessed September 9, 2013. http://locusonus.org/ and http://locusonus.org/soundmap/ {/small} * {small}Joy, Jérôme, and Locus Sonus. “NMSAT – Networked Music & SoundArt Timeline – A panoramic view of practices and techniques related to sound transmission and distance : Archeology, Genealogy, and Sound Anthropology of the Internet Auditoriums and Distance Listening.” (Version 7 jun. 2010, rev. 2012). Accessed September 9, 2013. http://jeromejoy.org/w/index.php?page=NMSAT {/small} * {small}Joy, Jérôme, and Peter Sinclair. “Networked Music & Soundart Timeline (NMSAT) — A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance Listening.” Contemporary Music Review, Network Performance 28 (4/5) (2009): 351-361.{/small} * {small}Kahle, Eckhard. “Validation d'un modèle objectif de la perception de la qualité acoustique dans un ensemble de salles de concerts et d'opéras” (Validation of an Objective Model of the Perception of Room Acoustical Quality in an Ensemble of Concert Halls and Operas). PhD diss., Laboratoire d'Acoustique de l'Université du Maine, Le Mans / Ircam Paris, 1995.{/small} * {small}Kitchen NYC. “Before and After Ambient - An Inaugural Event of Electronic Cafe International, Future Sound of London Live from their studio.” Accessed September 9, 2013. http://music.hyperreal.org/library/publicity/astralwerks/before_and_after_ambient {/small} * {small}Lefebvre, Henri. Éléments de rythmanalyse: Introduction à la connaissance des rythmes (Rhythmanalysis: Space, time and everyday life). Paris: Éditions Syllepse, 1992.{/small} * {small}Lefebvre, Henri. Rhythmanalysis: Space, time and everyday life. Translated by Stuart Elden and Gerald Moore. New York, London: Continuum International Publishing Group, 2004.{/small} * {small}Longman, Jere. “THE XVIII WINTER GAMES; A Display of Culture and Hope Opens Games.” New York Times, February 7, 1998. Accessed September 9, 2013. http://www.nytimes.com/1998/02/07/sports/the-xviii-winter-games-a-display-of-culture-and-hope-opens-games.html {/small} * {small}Lopez, Francisco. “Profound Listening and Environmental Sound Matter.” In Audio culture. Readings in modern music, edited by Christoph Cox and Daniel Warner, 82-87. New York: Continuum, 2004.{/small} * {small}Lopez, Francisco. "An artist of the auditory sounds off on the world of sounds." Accessed September 24, 2013. http://www.redbullmusicacademy.com/lectures/francisco-lopez--technocalyps-now?template=RBMA_Lecture%2Ftranscript {/small} * {small}Medici TV. “Pierre Henry, Paroxysms — World Premiere.” Last modified Jan 15, 2012. Accessed September 9, 2013. http://www.medici.tv/#!/event-pierre-henry-paroxysms {/small} * {small}Merleau-Ponty, Maurice. Le Visible et l'Invisible. Paris: Gallimard, 1964.{/small} * {small}Merleau-Ponty, Maurice. The Visible and the Invisible. Translated by Alphonso Lingis. Evanston, IL: Northwestern University Press, 1968.{/small} * {small}Mimoun, David, Jean-Pierre Lebreton and the Mars Microphone 2016 team. “The Mars Microphone 2016 Experiment.” Accessed March 15, 2014. http://www.planetaryprobe.org/sessionfiles/Session5/Abstracts/a166.pdf; http://personnel.isae.fr/sites/personnel/IMG/pdf/EDM_AO_NOI_Microphone_V2.pdf; and also: http://sprg.ssl.berkeley.edu/marsmic/ {/small} * {small}Oliveros, Pauline. “Echoes from the Moon.” Accessed September 9, 2013. http://www.orbit.zkm.de/?q=node/409 {/small} * {small}Peignot, Jérôme. “De la musique concrète à l'acousmatique” (From musique concrète to acousmatic music). Esprit 280 (1960): 111-23.{/small} * {small}Petculescu, Andi and Richard M. Lueptow. “Atmospheric acoustics of Titan, Mars, Venus, and Earth.” Icarus 186 (2) (2007): 413-19. Accessed March 15, 2004. doi:10.1016/j.icarus.2006.09.014. http://www.researchgate.net/publication/222427781_Atmospheric_acoustics_of_Titan_Mars_Venus_and_Earth {/small} * {small}Rebelo, Pedro. “Netrooms The Long Feedback, a participatory network piece.” Accessed March 14, 2014. http://netrooms.wordpress.com/ {/small} * {small}Rebelo, Pedro. “Nethalls.” Accessed March 14, 2014. http://pedrorebelo.wordpress.com/2009/11/25/performance-of-nethalls-hamburg/ {/small} * {small}Renaud, Alain, Pedro Rebelo, and Alexander Carôt. “Networked Music Performance: State of the Art.” Paper presented at the AES 30th Conference on Intelligent Audio Environments, Saariselkå, Finland, March, 15-17, 2007.{/small} * {small}Schaeffer, Pierre. “Expériences Musicales.” Revue Musicale 244 (1959): 2.{/small} * {small}Schaeffer, Pierre. Traité des Objets Musicaux (Treatise on Musical Objects). Paris: Éd. du Seuil, 1966.{/small} * {small}Schlacht, Irene Lia. “Space Habitability - Integrating Human Factors into the Design Process to Enhance Habitability in Long Duration Missions.” PhD diss., Technischen Universität Berlin, 2012.{/small} * {small}Schütz, Alfred. “Making music together : a study in social relationship.” In Collected Papers II. Studies in Social Theory, edited by A. Brodersen. Dordrecht, 159-178. The Netherlands: Martinus Nijhoff Publishers, 1964. First published in Social Research, 18 (1) (March1951): 76-97.{/small} * {small}Straus, Erwin. “The Forms of Spatiality” (1930). In Erwin W. Strauss, Phenomenological Psychology: The Selected Papers of Erwin W. Straus, translated, in part, by Erling Eng, 3-37. New York: Basic Books, 1966.{/small} * {small}Tanaka, Atau and Kasper T. Toeplitz. “The Global String”. Accessed March 14, 2014. http://ataut.net/site/Global-String {/small} * {small}Tanaka, Atau and Bert Bongers. “Global String – A Musical Instrument for Hybrid Space”. Paper delivered at the international Conference cast01 // Living in Mixed Realities, Conference on artistic, cultural and scientific aspects of experimental media spaces, Sankt Augustin (Bonn, Germany), September 21-22, 2001. Accessed March 14, 2014. http://netzspannung.org/version1/cast01/index.html ; and also: Accessed March 14, 2014. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.5.9050&rep=rep1&type=pdf {/small} * {small}Tansley, A.G. “The use and abuse of vegetationnal concepts and Terms.” Ecology,16 (3) (1935): 299.{/small} * {small}Thibaud, Jean-Paul. “De la qualité diffuse aux ambiances situées” (The diffused quality of ambient places). In La croyance de l'enquête : aux sources du pragmatisme, edited by Bruno Karsenti and Louis Quéré, 227-253. Collection “Raisons Pratiques”. Paris: Éditions de l’EHESS, 2004.{/small} * {small}Thibaud, Jean-Paul. “La Ville à l'Épreuve des Sens” (The City through the Senses). In Écologies urbaines : états des savoirs et perspectives, edited by Olivier Coutard and Jean-Pierre Lévy, 198-213. Paris: Economica Anthropos. 2010. {/small} * {small}Thibaud, Jean-Paul. “The Sensory Fabric of Urban Ambiances.” The Senses & Society 6:02 (2011): 203-15.{/small} * {small}Thibaud, Jean-Paul. “The City through the Senses.” Cadernos PROARQ 18, Revista de Arquitetura E Urbanismo do PROARQ. Post-Graduate Program in Architecture from FAU-UFRJ, Faculdade de Arquitetura e Urbanismo, Universidade Federal do Rio de Janeiro. 2012. Accessed March 12, 2013. http://www.proarq.fau.ufrj.br/revista/public/docs/Proarq18_TheCity_JeanThibaud.pdf {/small} * {small}Thibaud, Jean-Paul. “Petite Archéologie de la Notion d'Ambiance” (A little archaeology on the notion of ambiance). Communication 90 (2012): 155-74.{/small} * {small}Webster, Christopher R., and al. “Low Upper Limit to Methane Abundance on Mars.” Science 342 (6156) (2013): 355-357. Accessed September 24, 2013. doi: 10.1126/science.1242902.{/small} * {small}Williams, Jean-Pierre. “Acoustic environment of the martian surface.” Journal of Geophysical Research 106 (E3) (2001): 5033-42. doi:10.1029/1999JE001174.{/small} {br}{br}{br}{br}{br}{br}{br}{br} ---- {plugin:FOOT_NOTES} {br}{br}
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