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!!!!1922 __ Optophonetics * Raoul Hausmann (1886-1971) * ''Comment :'' « I wanted to draw your attention to the fact that I developed the theory of the Optophone, a device for transforming visible forms into sounds and vice versa, back in 1922. » ''(Raoul Haussmann, In a letter to Henri Chopin dated 23 June 1963)'' * ''Comment :'' « With the appropriate technical equipment the Optophone can give every optical phenomenon its sound equivalent, in other words, it can transform the difference in the frequencies of light and sound. » ''(Raoul Hausmann, 1922)'' * ''Attached references :'' {small}László Moholy-Nagy (1895-1946), ''Production - Reproduction'' (in ‘De Stijl’) (1922) ; Abram Room (1894-1976), ''Piatiletka. Plan Vélikih Rabot'' (Plan of Great Works) (1929) ; Evgeny Sholpo (Е.А.Шолпо) (1891-1951), ''Variophone'' (1930) ; Nikolai Voinov (1900-1958), ''Nivotone'' (1931) ; Oskar Fischinger (1900-1967), ''Tönende Ornamente'' (Sound Ornaments) (1932), Tönende ABC (1933), ''Lumigraph'' (1950) ; Erkki Kurenniemi (1941-), ''DIMI-O'' (1970) ; David Behrman & Bob Diamond & Robert Watts, ''Cloud Music'' (1974) ; Yasunao Tone (1935-), ''Voice and Phenomena'' (1976).{/small} * ''Sources :'' {small}R. Hausmann. (1922). ''Optophonetika''. In ‘Vehsch’-Gegenstand-Object’ 3, May 1922 ; J. Donguy. (2001). ''Machine Head. Raoul Hausmann and the Optophone''. In ‘Leonardo - Journal of the International Society for the Arts, Sciences and Technology’ 34, Number 3, June 2001, pp. 217-220. MIT Press ; J. Donguy. (2000). ''L’optophone de Raoul Haussmann''. In ‘Art Press’ n°255, mars 2000.{/small} {br}{br}
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