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!!!!1634 __ Shakkei (借景) & ikedori (Borrowed scenery) * Ji Cheng (计成) (1582- ca 1642) * ''Comment :'' In Japanese tradition, this art refers to the subtle practice of gardening considered as a technique of perception,called ‘mitate’ (“see like”). ^[...^] The ’shakkei’ allows us to become aware of the successive plans integrated in a perspective (such as an outlook, for instance). It offers a mode of conscious decision helping to place an item (for the gardener: a plant) in a relationship between the foreground and a remote background. The plant in front of you placed in a composed layout: the bed nearby, organized, and a mountain far away for example. ^[...^] ''(Jérôme Joy, “Extended Music - Out in the Open”, In ‘Around’ Festival catalog, edited by Yang yeung and soundpocket, Hong Kong, 2010)'' * ''Sources :'' {small}Cheng, Ji. (1634). ''Yuanye'' (園冶). Ed. Wang Changmei, Golden Maple Publishing House ; and also : collection ‘Jardins et paysages’, 1997. Paris : Éditions de l'Imprimeur ; Cheng, Ji. (1634). ''Craft of Gardens''. Translated by Alison Hardie, 1988. Yale University Press ; S. Inagalien. (1983). ''La réinterprétation de la perspective linéaire au Japon (1740-1830) et son retour en France (1860-1910)''. In Actes de la Recherche en Sciences Sociales, 1983, n° 49, pp. 29-45.{/small} {br}{br}
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