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!!!Bibliographie {small}Augoyard, Jean-François. “Vers une esthétique des ambiances”. In Ambiances en débats, édité par Pascal Amphoux, Jean-Paul Thibaud and Grégoire Chelkoff, 17-34. Bernin: La Croisée, 2005.{/small} {small}Augoyard, Jean-François et Henry Torgue. À l'écoute de l'environnement. Répertoire interdisciplinaire des effets sonores. Marseille: Éditions Parenthèses, 1995.{/small} {small}Avatar Metaverse Orchestra. “The Avatar Metaverse Orchestra.” Accessed September 9, 2013. http://avatarorchestra.blogspot.fr/ {/small} {small}Bardiot, Clarisse. Les Basiques : Arts de la scène et technologies numériques : les digital performances. Ouvrage hypermedia, Collection Les Basiques, dirigée par Annick Bureaud, Leonardo / Olats, 2013. Consulté 16 septembre 2013. http://www.olats.org/livresetudes/basiques/artstechnosnumerique/basiquesATN.php {/small} {small}Bass, Henry E. and James P. Chambers. “Absorption of sound in the martian atmosphere.” The Journal of Acoustical Society of America 109 (2001): 3069–71. http://dx.doi.org/10.1121/1.1365424 {/small} {small}Bayle, François. Musique Acousmatique - propositions ... ... positions. 51-54. Paris: INA and Éditions Buchet/Chastel, 1993.{/small} {small}Belgiojoso, Riccardia. Construire l'Espace Urbain avec les Sons. Collection « Questions Contemporaines – Série Questions Urbaines ». Paris: Éditions de L'Harmattan. 2010.{/small} {small}Bergson, Henri. La Pensée et le Mouvant (1938) (The Creative Mind).Paris: Quadrige / Presses Universitaires de France, 1998.{/small} {small}Berleant, Arnold. The Aesthetics of Environment. Philadelphia: Temple University Press, 1992.{/small} {small}Berleant, Arnold. Living in the Landscape: Towards an Aesthetics of Environment. Lawrence, KS : University Press of Kansas, 1997.{/small} {small}Berleant, Arnold. “Ideas for a Social Aesthetic.” In The Aesthetics of Everyday Life, edited by Andrew Light and Jonathan Smith, 23-38. New York: Columbia University Press, 2005.{/small} {small}Berleant, Arnold. “What Music Isn’t and How to Teach It.” Action, Criticism, and Theory for Music Education 8 (1) (2009): 54-65. {/small} {small}Bödeker Hans Erich, Patrice Veit et Michael Werner (dir.). Le Concert et son public : mutations de la vie musicale en Europe de 1780 à 1914. (Actes du colloque de Göttingen, juin 1996). Paris : Éditions de la Maison des sciences de l'homme, 2002.{/small} {small}Böhme, Gernot. “Acoustic Atmospheres: A Contribution to the Study of Ecological Aesthetics.” Soundscape: The Journal of Acoustic Ecology 1 (1) (2000): 15.{/small} {small}Böhme, Gernot. “The art of the stage set as a paradigm for an aesthetics of atmospheres.” Paper delivered at the international Conference Understanding Atmospheres - Culture, materiality and the texture of the in-between, University of Aarhus, Denmark, March 16-17, 2012. Accessed March 7, 2014. http://conferences.au.dk/fileadmin/conferences /Understanding_Atmospheres/abstracts.pdf and http://ambiances.revues.org/315 {/small} {small}Chafe, Chris. Network Delay Studies, and Internet Acoustics: series of papers. Accessed March 14, 2014. https://ccrma.stanford.edu/~cc/shtml/research.shtml {/small} {small}Clancey, William J. Working on Mars: Voyages of Scientific Discovery with the Mars Exploration Rovers. Cambridge MA: MIT Press, 2012.{/small} {small}Crepel, Maxime. Diversité des usages de Skype chez les jeunes âgés de 20 à 30 ans : la VOIP comme nouveau dispositif de collaboration et de gestion des réseaux de sociabilité. Mars 2006. pp. 54-56. Étude réalisée dans le cadre « Innovations Ascendantes ». France Telecom R&D, VECAM, 2006.{/small} {small}Dewey John. (1934). L'Art comme Expérience (Art as Experience). coll. "Folio Essais", Paris : Éd. Gallimard, 2010.{/small} {small}Escal, Françoise, François Nicolas (dir.). Le Concert – Enjeux, fonctions et modalités. Série « Musiques et Champs Social ». Paris : Éditions L'Harmattan. 2000.{/small} {small}Gallet, Bastien. Composer des Étendues – L'art de l'installation sonore. Collection “n'est-ce pas” n°4. Genève: Éditions École Supérieure des Beaux-Arts de Genève, 2005.{/small} {small}Gould, Glenn. “The Prospects of Recording.” High Fidelity Magazine 16 (April 1966) : 43-63. Publié en français in Bruno Monsaingeon (trad.), Le Dernier Puritain – Écrits I. 54-99. (Paris : Fayard, 1983).{/small} {small}Ingold, Tim. The perception of the environment : essays on livelihood, dwelling and skill. London: Routledge, 2000.{/small} {small}Johnson, Richard D., and Holbrow Charles, (Eds). "NASA SP-413 – Space Settlements, A Design Study." Washington: Scientific and Technical Information Office, National Aeronautics and Space Administration, 1977. Accessed September 9, 2013. http://www.nss.org/settlement/nasa/75SummerStudy/Design.html {/small} {small}Joy, Jérôme. “Networked Music & Soundart Timeline (NMSAT) — Excerpts of Part One: Ancient and Modern History, Anticipatory Literature, and Technical Developments References.” Contemporary Music Review, Network Performance 28 (4/5) (2009): 449-490.{/small} {small}Joy, Jérôme. “Introduction à une Histoire de la Télémusique” (Introduction to a History of Networked Music Performance). Accessed September 9, 2013. http://jeromejoy.org/w/index.php?page=PubliTelemusA2010 {/small} {small}Joy, Jérôme, and Locus Sonus. “NMSAT – Networked Music & SoundArt Timeline – A panoramic view of practices and techniques related to sound transmission and distance : Archeology, Genealogy, and Sound Anthropology of the Internet Auditoriums and Distance Listening.” (Version 7 jun. 2010, rev. 2012). Accessed September 9, 2013. http://jeromejoy.org/w/index.php?page=NMSAT {/small} {small}Joy, Jérôme, and Peter Sinclair. “Networked Music & Soundart Timeline (NMSAT) — A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance Listening.” Contemporary Music Review, Network Performance 28 (4/5) (2009): 351-361.{/small} {small}Kahle, Eckhard. “Validation d'un modèle objectif de la perception de la qualité acoustique dans un ensemble de salles de concerts et d'opéras”. PhD diss., Laboratoire d'Acoustique de l'Université du Maine, Le Mans / Ircam Paris, 1995.{/small} {small}Kaltenecker, Martin. L'Oreille Divisée — Les discours sur l'écoute musicale aux XVIII° et XIX° siècles. Collection « Répercussions ». Paris : Éditions Musica Falsa. 2010.{/small} {small}Kaye, Lewis. “The Silenced Listener: Architectural Acoustics, the Concert Hall and the Conditions of Audience”. Leonardo Music Journal: 22, 63–65. 2012.{/small} {small}Khlebnikov, Velimir. “The Radio of the Future”. [1921]. In The Collected Works of Velimir Khlebnikov, Volume I : Letters and Theoretical Writings, trad. Paul Schmidt, édité par Charlotte Douglas, 392-396. Cambridge, MA : Harvard University Press. 1987.{/small} {small}Kitchen NYC. “Before and After Ambient - An Inaugural Event of Electronic Cafe International, Future Sound of London Live from their studio.” Accessed September 9, 2013. http://music.hyperreal.org/library/publicity/astralwerks/before_and_after_ambient {/small} {small}Lefebvre, Henri. Éléments de rythmanalyse. Paris: Éditions Syllepse, 1992.{/small} {small}Longman, Jere. “THE XVIII WINTER GAMES; A Display of Culture and Hope Opens Games.” New York Times, February 7, 1998. Accessed September 9, 2013. http://www.nytimes.com/1998/02/07/sports/the-xviii-winter-games-a-display-of-culture-and-hope-opens-games.html {/small} {small}Medici TV. “Pierre Henry, Paroxysms — World Premiere.” Last modified Jan 15, 2012. Accessed September 9, 2013. http://www.medici.tv/#!/event-pierre-henry-paroxysms {/small} {small}Mimoun, David, Jean-Pierre Lebreton and the Mars Microphone 2016 team. “The Mars Microphone 2016 Experiment.” Accessed March 15, 2014. http://www.planetaryprobe.org/sessionfiles/Session5/Abstracts/a166.pdf ; http://personnel.isae.fr/sites/personnel/IMG/pdf/EDM_AO_NOI_Microphone_V2.pdf ; and also: http://sprg.ssl.berkeley.edu/marsmic/ {/small} {small}NASA. “Human exploration of Mars Design Reference Architecture 5.0, 2009.” NASA-SP-2009-566. Accessed March 15, 2014. http://www.nasa.gov/pdf/373665main_NASA-SP-2009-566.pdf {/small} {small}Oliveros, Pauline. Sounding the Margins: Collected Writings 1992-2009. Lawton Hall, ed. Kingston, New York: Deep Listening. 2010.{/small} {small}Oliveros, Pauline. “Echoes from the Moon.” Accessed September 9, 2013. http://www.orbit.zkm.de/?q=node/409 {/small} {small}Peignot, Jérôme. “De la musique concrète à l'acousmatique” (From musique concrète to acousmatic music). Esprit 280 (1960): 111-23.{/small} {small}Petculescu, Andi and Richard M. Lueptow. “Atmospheric acoustics of Titan, Mars, Venus, and Earth.” Icarus 186 (2) (2007): 413-19. Accessed March 15, 2014. doi:10.1016/j.icarus.2006.09.014. http://www.researchgate.net/publication/222427781_Atmospheric_acoustics_of_Titan_Mars_Venus_and_Earth/file/79e415093dcb5e52bb.pdf&ei=KywkU8yAMYeS0QXb14CwDg&usg=AFQjCNEqEF6tCFPW_TcXR4-gG1N7uRFksQ&sig2=bQdZcTvBlPgLmokE8K5qWw&bvm=bv.62922401,d.Yms&cad=rjt {/small} {small}Rebelo, Pedro. “Netrooms The Long Feedback, a participatory network piece.” Accessed March 14, 2014. http://netrooms.wordpress.com/ {/small} {small}Rebelo, Pedro. “Nethalls.” Accessed March 14, 2014. http://pedrorebelo.wordpress.com/2009/11/25/performance-of-nethalls-hamburg/ {/small} {small}Renaud, Alain, Pedro Rebelo, and Alexander Carôt. “Networked Music Performance: State of the Art.” Paper presented at the AES 30th Conference on Intelligent Audio Environments, Saariselkå, Finland, March, 15-17, 2007.{/small} {small}Seel, Martin. “Aesthetic Arguments in the Ethics of Nature.” Thesis Eleven 32 (1992) 76-89.{/small} {small}Schaeffer, Pierre. “Expériences Musicales.” Revue Musicale 244 (1959): 2.{/small} {small}Schaeffer, Pierre. Traité des Objets Musicaux. 91-99. Paris: Éd. du Seuil, 1966.{/small} {small}Schlacht, Irene Lia. “Space Habitability - Integrating Human Factors into the Design Process to Enhance Habitability in Long Duration Missions.” PhD diss., Technischen Universität Berlin, 2012.{/small} {small}Sloterdjik, Peter. Globes, Sphères II. 287-99. Olivier Mannoni (trad.). collection Pluriel. Paris: Librairie Arthème Fayard. 2010.{/small} {small}Straus, Erwin. “The Forms of Spatiality” (1930). In Erwin W. Strauss, Phenomenological Psychology: The Selected Papers of Erwin W. Straus, translated, in part, by Erling Eng, 3-37. New York: Basic Books, 1966.{/small} {small}Tanaka, Atau and Kasper T. Toeplitz. “The Global String”. Accessed March 14, 2014. http://ataut.net/site/Global-String {/small} {small}Tanaka, Atau and Bert Bongers. “Global String – A Musical Instrument for Hybrid Space”. Paper delivered at the international Conference cast01 // Living in Mixed Realities, Conference on artistic, cultural and scientific aspects of experimental media spaces, Sankt Augustin (Bonn, Germany), September 21-22, 2001. Accessed March 14, 2014. http://netzspannung.org/version1/cast01/index.html ; and also: Accessed March 14, 2014. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.5.9050&rep=rep1&type=pdf {/small} {small}Thibaud, Jean-Paul. “De la qualité diffuse aux ambiances situées”. In La croyance de l'enquête : aux sources du pragmatisme, edited by Bruno Karsenti and Louis Quéré, 227-253. Collection “Raisons Pratiques”. Paris: Éditions de l’EHESS, 2004.{/small} {small}Thibaud, Jean-Paul. “La Ville à l'Épreuve des Sens”. In Écologies urbaines : états des savoirs et perspectives, édité par Olivier Coutard and Jean-Pierre Lévy, 198-213. Paris: Economica Anthropos. 2010. {/small} {small}Thibaud, Jean-Paul. “The Sensory Fabric of Urban Ambiances.” The Senses & Society 6:02 (2011): 203-15.{/small} {small}Thibaud, Jean-Paul. “Petite Archéologie de la Notion d'Ambiance” (A little archaelogy on the notion of ambiance). Communication 90 (2012): 155-74.{/small} {small}Thompson, Emily. The Soundscape of Modernity. Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge, Mass.: MIT Press. 2002.{/small} {small}The Viking Lander Imaging Team. The Martian Landscape. NASA SP-425. Washington DC: Scientific and Technical Information Service, NASA National Aeronautics and Space Administration, 1978.{/small} {small}Williams, Jean-Pierre. “Acoustic environment of the martian surface.” Journal of Geophysical Research 106 (E3) (2001): 5033-42. doi:10.1029/1999JE001174.{/small} ** {small}Zubrin, Robert. Mars on Earth: The Adventures of Space Pioneers in the High Arctic. New York: Tarcher/Penguin, 2003.{/small} {br}{br}{br}{br}{br}{br}{br}{br} ---- {plugin:FOOT_NOTES} {br}{br}
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