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!!!! ABSTRACT (EN) The French composer Jérôme Joy has been concerned with building musical communities and with alternative forms of making music accessible. His '''''[Collective Jukebox|Jukebox]''''' project (started in 1996) involved building a jukebox that could play recordings by experimental musicians from around the world. He then asked people all over the planet to contribute recordings and to let their friends and acquaintances know about his open invitation. He did not curate the recordings; rather, he included everything that was sent to him. He wanted to create a kind of musical “commons,” where information from anyone who wanted to participate would be available. The jukebox has been installed in a series of art museums around Europe for the past eight years, where its music is available for the public to hear and explore. Jérôme Joy wants to create a place where people who are interested in listening to newer forms of sonic creativity can easily find that work. Joy’s work is an example of a composer trying to establish a new basis for musical and artistic community. (Warren Burt, “Experimental Music in 2005”, In "World Music Today") — '''^[[more info|Jukebox]^]''' — ''Concert de Secondes'' (2011) is symbolising “the perpetual movement and the symphony of the passage of time”, according to the press release. Each machine is accompanied by a text in the form of an anagram. — '''''[Paris-Bordeaux|Archives2011#2011_09]''''' (2011) : a sound work of the train from Paris to Bordeaux, at the time the fastest train in France. Recorded using the train's toilet bowl to amplify the sound, the audience was treated to fifteen minutes of this hours long piece. — '''^[[more info|Archives2011#2011_09]^]''' {br} {html} <small><span style="background-color: lightgrey;"><A HREF="http://collectivejukebox.org/" target="_blank">[ ... → access to the Collective JukeBox project ... ]</A></small></span> {/html} {br}{br}
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