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Last changed - French time: 2019/10/09 04:00
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! 1992 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>aeiou</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"><hr> <small> [1992] — (bande magnétique pour enregistrements manipulés de voix (trois études pour voix seule)) — <i>(tape with treated recordings of voice (three studies for solo voice))</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>incertitude</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour clarinette Bb ou basse, transformations du son en direct et ondes sinus) — <i>(Title : "Uncertainty" — for bass or Bb clarinet, live sound treatments and sine waves)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=VideosAuditoriumCB"><b>auditorium pour CB</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1992] — (dispositif temps réel de génération sonore pour microphones, haut-parleurs, résonateurs et traitements électroniques) — <i>(Title : "Auditorium for CB" — realtime system of sound generation with microphones, loudspeakers, resonators and sound treatments)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>uillean</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour bandes magnétiques, saxophone, sons électroniques, traitements du son en direct, microphones, tubes résonateurs et dispositif électroacoustique en direct de prise de son et de diffusion) — <i>(for tapes, saxophone, electronic sounds, live sound treatments, microphones, resonator tubes and live electroacoutic system with microphones and loudspeakers)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>bande magnétique pour un flûtiste</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1992] — (bande magnétique pour sons manipulés de flûte) — <i>(Title : "Tape for a flute player" — tape with manipulated and treated flute sounds)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>études aux petits éblouissements</b></span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour deux violons ou deux altos.) — <i>(Title : "Studies on Small Dazzles" — for two violins or two altos)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>ensemble2 (icone agli uccellini)</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour hautbois et bande magnétique.) — <i>(Title : "Ensemble2 (Icon for the Birds)" — for oboe and tape)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>homogène</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour saxophone contrebasse et traitements du son en direct.) — <i>(Title : "Homogeneous" — for contrabass saxophone and live sound treatments)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Architecture"><b>un passage parisien</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1990] [1992-1994] — (collab w/ jean de giacinto, duncan lewis) — (dispositif permanent programmé pour une architecture pour supports audio-numériques, capteurs, système satellitaire de transmission sonore, gestion informatique, systèmes mobiles de diffusion sonore, avec sons streamés (phonographies live), enregistrés, traités et multi-diffusés en temps réel) — <i>(Title : "A Parisian Arcade & Passage" — permanent music for an architecture with sonification (sound programmings, sensors), audio streaming via satellite (live phonographies & field recordings), variable sound spatialisations, audio backup medias & computing, live sound treatments, etc.)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1992PRESTISSIMO"><b>prestissimo (too fast to be seen)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[1992] — (solo pour clarinette sib) — <i>(for Bb clarinet)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>the playing ones</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1992] — (pour flûte, saxophone alto, traitements électroniques en temps réel et bande magnétique) — <i>(for flute, alto sax, live sound treatments and tape)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>étude loop</b> <small>(études play / replay)</small></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"><small> [1992] — <i>(tape)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top|ProjectsChrono#top]'''{/small} ----
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