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Last changed - French time: 2019/10/09 04:00
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! 1999 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=Nocinema"><b>nocinema.org</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"><hr> <small>[1999-present] — (application en ligne : système programmé et évolutif de cinéma en direct à partir de vidéo streaming de webcams et de mixages live de sons à partir d'un serveur audio alimenté en collaboration) — <i>(live internet networked cinema app : evolving programmed system of live cinema w/ video streaming of webcams & simultaneous live mixing of sounds on an collaboratively-fed audio server by invited artists)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Lascaux2"><b>lascaux2.org</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1999] — (e-exposition (nice-proxy & hypex99), dispositif de webcams en direct dans un centre d'art fermé au public et proposé à des projets évolutifs d'artistes) — <i>(e-exhibition nice-proxy & hypex99 : live webcams system for a closed art center and at disposal of evolving projects by artists)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/1999_JOY_overwrittensolos.pdf" onclick="window.open(this.href); return false;"><b>overwritten solos, un principe de réalité</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [1999] — (Nous pourrions parler sans doute de musique instrumentale critique, en crise, limite, pourtant elle nous semble cohérente, non-précipitée, et à la fois imprévisible. Il ne s'agit aucunement de déconstruire le matériau musical, même si l'idée de déconstruction semble présente dans la volonté de fragmenter la continuité musicale, de déformer les sons musicaux, mais il s'agit plutôt ici de construire un nouveau matériau, une nouvelle continuité musicale et provoquer ainsi une écoute active.) — <i>(about critical instrumental music)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/revue/index.html" onclick="window.open(this.href); return false;"><b>audiolab revue</b></A> </span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1999-2002] — (revue base de données articles musique et art sonore) — <i>(soundart & music articles database)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ForumHub"><b>forum hub</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[1999-2002] — (forum internet ; discussions sur les nouvelles formes et pratiques de la création musicale.) — <i>(Internet mailing-list ; topic : new musical forms & practices)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=ForumHub"><b>forum hub archives</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2007-2012-present] — (w/ nujus.net & bbs.thing.net)</small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>musiques en scène</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1999] — <span style="text-transform : lowercase;">(collab : mac lyon — artists : janet cardiff, iann carr-harris, collective jukebox / jérôme joy, paul demarinis, raymond gervais, joe jones, alvin lucier, Christian Marclay, Charlotte Moorman, Charlemagne Palestine, Peter Sinclair & GH Hovagimyan, Michael Snow, The Thing / Wolfgang Staehle, Doug & Mike Starn, Stephen Vitiello, Bill Vorn, La Monte Young & Marian Zazeela. — films : Robert Ashley, Glenn Branca, John Cage, Philip Glass, Christian Marclay, Conlon Nancarrow, Nam June Paik, Harry Partch, Steve Reich, The Residents, Cluade Schryer & Raymond Murray Schafer, Michael Snow, Karlheinz Stockhausen & Charlotte Moorman, Stephen Vitiello. — Performances : Philip Corner & Phoebe Neville, John Giorno, Bernard Heidsieck, Christian Marclay & ErikM, Charlemagne Palestine, Peter Sinclair & GH Hovagimyan, Stephen Vitiello. — Concerts : James Fulkerson, Alvin Lucier, Christian Wolff, James Tenney, Terry Riley, John Cage, Harry Partch, Frank Zappa, Michael Tippett, Gavin Bryars, Thad Wheeler, Chris Chafe, David Wessel, Conlon Nancarrow, George Crumb, Morton Feldman, Elliott Carter)</span></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/scan2003/" onclick="window.open(this.href); return false;"><b>scan</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1999-2003] — (collab : marc barani, villa arson nice w/ paul devautour, jo mailland) — (réalisation architecturale conçue pour la pédagogie et les projets artistiques liés aux pratiques électroniques, numériques, intermédia et collectives) — <i>(architecture conceived for art education and art projects involving collective, intermedia and electronic practices)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=Texts2007#invencao"><b>net audio projects</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[1999] — <i>(International Conference - « Invenção : Thinking the Next Millenium » - Home-studio is an on-line musical platform for hyper- and meta-musical projects using vocal synthesis, midi formats, audio samples mixing, audiovisual processes, and for cooperative collective international projects about new investigations in sound and music languages. The question today, asked to me many many times, is:. how and why a contemporary music composer want to investigate this new field, comparing that with "real music", all the fields of exploration (instrumental, electronic, and so on) are not totally used and can be, still today, used in the concerts?)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>earthsounds</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1999] — (collab : w/ michel redolfi)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/exil/index.html" onclick="window.open(this.href); return false;"><b>exil</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[1999-2003] — (collab : w/ jean-françois guiton, jànos sugàr, jürgen waller) — (projet de collaboration artistique en voyageant) — <i>(art collaborations by traveling together — art journeys)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top|ProjectsChrono#top]'''{/small} ----
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