ProjectsChrono - Jerome Joy website

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{NO_COMMENTS} {include:subpage audio} ! 2015-1982 -- CHRONO LIST ---- ---- {small}(Index des œuvres et projets année par année — Certains liens sont en cours d'activation car l'archivage complet n'est pas encore finalisé){/small}{br}{small}''(Chronological index of works and projects — Some links are not active because the archiving work is still in progress)''{/small} ---- ---- ! ---- ---- {html} <A NAME="top"> </A> <TABLE BORDER="0" WIDTH="70%"> <TR> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b>2015</b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2014">2014</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2013">2013</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2012">2012</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2011">2011</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2010">2010</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top"> \| </TD> </TR><TR> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2009">2009</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2008">2008</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2007">2007</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2006">2006</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2005">2005</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2004">2004</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2003">2003</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2002">2002</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2001">2001</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#2000">2000</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top"> \| </TD> </TR><TR> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1999">1999</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1998">1998</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1997">1997</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1996">1996</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1995">1995</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1994">1994</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1993">1993</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1992">1992</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1991">1991</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1990">1990</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top"> \| </TD> </TR><TR> <TD VALIGN="top" width="20"> </TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" COLSPAN="3"><b><A HREF="index.php?page=ProjectsChrono#1989">1989-1988</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1987">1987</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1986">1986</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20"><b><A HREF="index.php?page=ProjectsChrono#1985">1985</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20" COLSPAN="3"><b><A HREF="index.php?page=ProjectsChrono#1984">1984-1983</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" width="20" COLSPAN="3"><b><A HREF="index.php?page=ProjectsChrono#1983">1983-1982</A></b></TD> <TD VALIGN="top"> \| </TD> <TD VALIGN="top" COLSPAN="2"><b><A HREF="index.php?page=ProjectsChrono#1982">1982-1979</A></b></TD> <TD VALIGN="top"> \| </TD> </TR></TABLE> {/html} {br}{br} ---- ---- {br}{br} {small}''(2015, 2016, in progress)''{/small} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2014 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=2014ETERNALREFUGE"><b>eternal refuge</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2014] — (installation sonore avec david ryan, hugues le guen) — <i>(sound installation w/ david ryan, hugues le guen)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2014NOISENSE"><b>noisense (intensités)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2014] — (pour ensemble de percussions multiples, sons et dispositifs électroniques) — <i>(for multiple percussions players and electronic sounds)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (1)<br><div style="text-indent: 30px;"> - rotatorattlers</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour ensemble de percussions multiples) — <i>(for multiple percussions players)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (2)<br><div style="text-indent: 30px;"> - melodiotiosities</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour 3 ou 4 tam-tams) — <i>(for 3 or 4 tam-tams)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (3)<br><div style="text-indent: 30px;"> - odable phonoised rrrwwwkkkrrr</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour ensemble de percussions multiples et sons électroniques) — <i>(for multiple percussions players and electronic sounds)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (4)<br><div style="text-indent: 30px;"> - roaryboaryellas</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour un ensemble de percussions multiples avec dispositifs de microphones et de diffusions sonores) — <i>(for multiple percussions players with microphones and PA systems)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (5)<br><div style="text-indent: 30px;"> - olyovyover (moveyovering multaphoniaksically)</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour 4 (ou un ensemble de) percussions multiples et ondes sinusoïdales) — <i>(for multiple percussions players and sine waves)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (6)<br><div style="text-indent: 30px;"> - rowdinoisy rantinroarin</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour deux ou plusieurs performeurs avec percussions amplifiées) — <i>(for 2 or more players with amplified percussions)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (7)<br><div style="text-indent: 30px;"> - mandelays ondering</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour un ensemble de percussions et sons diffusés) — <i>(for percussion players and amplified sounds)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (8)<br><div style="text-indent: 30px;"> - circuitry zounds pantomomiom</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour percussions électriques et électroniques) — <i>(for electric and electronic percussions)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (9)<br><div style="text-indent: 30px;"> - pthwndxrclzp repeation</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour percussions multiples) — <i>(for multiple percussions players)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2014NOISENSE"><b>noisense (10)<br><div style="text-indent: 30px;"> - viceversounding polyfizzyboisterous</b></div></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — (pour percussions multiples) — <i>(for multiple percussions players)</i></small></div><br><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>pim 4tet pcp</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2014] — (pim series (16) - quartet, jenny pickett, dominique leroy, romain papion/cambia, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>macbeth</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2014] — (installation sonore outdoor, w/ dominique leroy) — <i>(realtime generated ambient sound, an outdoor sound installation, w/ dominique leroy)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b><i>onsemble</i></b> — <small><i>(go to affiliated projects)</i></small></span> </TD><TD VALIGN="top"> <small>[2014-present] — (ensemble instrumental électronique à géométrie variable ; composition, comprovisation, improvisation) — <i>(experimental electronic & variable-geometry ensemble - composition, comprovisation, improvisation)</i></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>living room music (cage) (1940)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — <i>(ONsemble)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>disseminate (niblock) (1998)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — <i>(ONsemble)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>to two tea roses (niblock) (2012)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — <i>(ONsemble)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>looking for north (wolff) (1968-71)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — <i>(ONsemble)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>edges (wolff) (1968)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — <i>(ONsemble, w/ christian wolff, john tilbury, keith rowe)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliMichael2014"><b>le récit de michael (nothing at all)</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[2013] — (récit de science-fiction, pour Nothing at All, avant-projet avec David Ryan pour le palais de tokyo, paris) — <i>(michael's story - Nothing at All. sci-fi story, for the project Nothing at All, conceived with david ryan, palais de tokyo, paris)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>pim stn</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2014] — (pim series (17) - trio, fabrice arnaud-crémon, toma gouband, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b><i>percussion quartet</i></b> — <small><i>(go to affiliated projects)</i></small></span> </TD><TD VALIGN="top"> <small>[2014-present] — (percussion quartet : bruno lemaître, jean-christophe feldhandler, jérôme joy, matéo guyon)</small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>three2 (cage) (1991)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2014] — <i></i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>fanfare - parade</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2014] — (déambulation pour plusieurs orchestres à vent en plein air) — <i>(for several marching bands with wind instruments)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2013 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=2013PIMtoupie"><b>pim toupie - <small>2pi4ever the molf - machine-toupie</small></b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2013] — (pim series (14) - triopie : emmanuelle gibello, jérôme joy, jenny pickett ; sur un projet d'emmanuelle gibello) — <i>(based on a project by emmanuelle gibello)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2003MONO"><b>mono2</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2013] — (pour sons électroniques et feedback de machines bouclées et en circuit) — <i>(recording for electronic sounds and feedbacked & looped machines)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2003MONO"><b>mono2+3</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2013] — (pour sons électroniques et feedback de machines bouclées et en circuit ; version pour concert au casque) — <i>(recording for electronic sounds and feedbacked & looped machines ; version for headphones concert)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated" onclick="window.open(this.href); return false;"><b><i>noensemble</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[2013] — (ensemble instrumental électronique à géométrie variable ; composition, comprovisation, improvisation) — <i>(experimental electronic & variable-geometry ensemble - composition, comprovisation, improvisation)</i></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>plane composition (ottavi) (2013)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=RAINFOREST"><b>rainforest IV (tudor) (1968-73)</b></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — <i>(NoEnsemble : Alexis Degrenier, Jonathan Gowthorpe, Jerome Joy, Soizic Lebrat, Carine Lequyer, Julien Ottavi, Romain Papion, Jenny Pickett, Keith Rowe)</i></small></div> </TD> </TR><TR> <!-- <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>radio music (cage)</b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — <i>(NoEnsemble)</i></small></div> </TD> </TR><TR> --> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=NOISEwolff">stones (wolff) (1968-71)</b></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — <i>(NoEnsemble)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=NOISEwolff">sticks (wolff) (1968-71)</b></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — <i>(NoEnsemble)</i></small></div><hr> </TD> <!-- </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=NOISEpoem">poem for chairs, etc. (la monte young)</b></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[in progress] — <i>(NoEnsemble)</i></small></div><hr> </TD> --> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=MXPRMNTL"><b>mxprmntl</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2013-present] — (collab : w/ christophe havard, anthony taillard) — <i>(drone music trio)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=VideosMXPRMNTL"><b>asap (as slow as possible)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — <i>(12-hour drone music)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2013ALAP"><b>alap</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2013-present] — (pour sons électroniques, sons de synthèse et feedback de machines bouclées et en circuit — sur une durée de 8h30) — <i>(for electronic sound and feedbacked and looped machines — 8-hour drone music)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (1)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — <i>(not included)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (2)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (3)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (4)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (5)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (6)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (7)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2013ALAP"><b>alap moment (8)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013]</small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pizmo"><b>pizMO btch</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2013] — (projet électronique harsh noise, trio d'improvisation ; christophe havard, jérôme joy, julien ottavi) — <i>(electronic harsh noise band, improvisation trio ; christophe havard, jérôme joy, julien ottavi)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pizmo"><b>pizMO ptmrc</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2013] — (projet électronique harsh noise, trio d'improvisation ; christophe havard, jérôme joy, julien ottavi) — <i>(electronic harsh noise band, improvisation trio ; christophe havard, jérôme joy, julien ottavi)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=NOISEhigh"><b>la musique à niveau sonore élevé - musique-environnement ; (études de la musique noise)</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[2013] — (phd audio art & experimental music, université Laval Québec) — <i>(sound level, intensity and loudness ; music at high volume ; loud sound & music structures into environment and space ; music as environment ; [studies on noise music])</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2013SHAMROCK"><b>reel sham rock</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2013] — (collab : w/ david ryan) — (improvisation avec des extraits de Alap et des Musiques Populaires Recomposées ; pour la performance Take Shelter de David Ryan) — <i>(improvisation w/ excerpts of alap & musiques populaires recomposées / set of re-composed folk tunes ; for the performance "take shelter" by david ryan)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2013PA"><b>pa</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[2013] — (pour dispositifs de sonorisation dans l'espace public) — <i>(for PA systems in public spaces)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=VideosAvatar"><b>le monde renversé - adynata & impossibilia</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2013] — (réalisation audio-visuelle pour vidéos et sons électroniques) — <i>(Title : "The World Upside Down - Adynata & Impossibilia" — audio-video work with electronic sound)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/SAET/"><b>saet (version 2013)</b> </A></small></span></div> </TD><TD VALIGN="top"> <small>[2004-2013] — (historique des expositions d'art sonore, 1964-2004) — <i>(soundart exhibitions timeline, 1964-2004) — (in collaboration with Thom Holmes)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2013KLAR"><b>klar</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2013] — (pour six clarinettes sib) — <i>(for six Bb clarinets)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliAnteBruit2013"><b>anté-bruit — composer le tout-audible ; (études de la musique noise)</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[2013] — (extrait d'un texte composé à 3 : pizMO - Christophe Havard, Jérôme Joy, Julien Ottavi) — <i>("music begins with acoustics" (Iannis Xenakis) ; [studies on noise music])</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2001PLUSMOINS"><b>plus / moins 2 (v. 2013)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2001, v. 2013] — (pour un ensemble instrumental amplifié et sons électroniques (po, clar, clar bs, fl bs, trmb, trmb bs, 3 perc, accordeon diat,)) — <i>(Title : "Plus / Minus 2 (v. 2013)" — for an amplified instrumental ensemble (po, clar, clar bs, fl bs, trmb, trmb bs, 3 perc, accordeon diat,) and electronic sounds)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2013PIM5tet"><b>pim 5tet</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2013] — (pim series (15) - quintet, fabrice arnaud-crémond, toma gouband, christophe havard, jérôme joy, ronan le gourierec)</small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2012 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=JOKTTJJEG"><b>JOKTTJJEG</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2012] — (projet noise électronique, quartet d'improvisation — julien ottavi, kasper t. toeplitz, jérôme joy, emmanuelle gibello) — <i>(noise music quartet)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://locusonus.org/w/?page=Symposium+internet+auditoriums" onclick="window.open(this.href); return false;"><b>symposium auditoriums internet</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[2012] — (phd audio art & experimental music, université Laval Québec, w/ locus sonus, ensa nantes, lu lieu unique, troy renssaeler, bournemouth university, drk deutscheradio kultur, saic chicago, university of oxford, crisap ual london, gersa ensa nantes, apo33)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=RyanJoy"><b>ryan & joy - archives [1982-1985]</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [2012] — (collab : w/ david ryan & patrick ferri) — (archives des projets 1982-1985) — <i>(archives of 1982-1985 projects)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <span style="background-color:#CCC;"><small><A HREF="index.php?page=RyanJoy"><b>ryan & joy - l'ultime 1984</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2012] — (collab : w/ david ryan & patrick ferri) — (publication-archives du projet l'ultime 1984) — <i>(publishing - archives of l'ultime 1984)</i> — <i>(unfinalised)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>canal</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (improvisation pour sons électroniques et enregistrés ; diffusion en plein air sur casques fermés pour un trajet en bateau) — <i>(improvisation for electronic and recorded sounds ; out-in-the-open sound diffusion on closed-back headphones for a boat ride)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Synema"><b>synema</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"><small> [2012-present] — (variation nocinema — application en ligne : système programmé de cinéma en direct à partir de streaming de webcams vidéo isolées et superposées et de mixages live de sons streamés provenant de microphones ouverts placés autour du monde (Locustream)) — <i>(nocinema variations with live streaming audio open microphones (locustream) and surimposed live streaming video webcams)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Synema"><b>synema (1) filmer le vent/ filming the wind</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2012] — (version pour une webcam et un microphone en direct) — <i>(version for two live distant locations in time / live streaming video webcams & selected sound by a live webmicrophone)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Synema"><b>synema (2) filmer le ciel/ filming the sky</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2012] — (version pour trois webcams juxtaposées et un microphone en direct) — <i>(version for three live distant locations in time / live streaming juxtaposed video webcams & selected sound by a live webmicrophone)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Synema"><b>synema (3) espaces superposés (1)</A></div><div style="text-indent: 90px;"><A HREF="index.php?page=Synema"> / surimposed locations (1)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2012] — (version pour deux webcams superposées et un microphone en direct) — <i>(version for three live distant locations in time / live streaming video webcams & selected sound by a live webmicrophone)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Synema"><b>synema (4) espaces superposés (2)</A></div><div style="text-indent: 90px;"><A HREF="index.php?page=Synema"> / surimposed locations (2)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2012] — (version pour deux webcams superposées et deux microphones en direct) — <i>(version for four live distant locations in time / live streaming video webcams & selected sound by live webmicrophones)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Synema"><b>synema (5) l'internet acoustique</A></div><div style="text-indent: 90px;"><A HREF="index.php?page=Synema"> / "acousticking" the Internet</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2012] — (version sans webcam : le même lieu écouté simultanément 12 fois à l'aide d'un microphone ouvert en direct et en streaming — <i>(version with no webcam : the same location listened in time - simultaneously 12 times - live sound by a webmicrophone)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Sobralasolas"><b>sobralasolas ! (ep.3) - mirrors</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (composition collective et improvisée avec des parties en streaming (avec à Marseille : Caroline Bouissou, Björn Eriksson, Nathalie Fougeras, Emmanuelle Gibello ; à Montréal : Jérôme Joy, Éric Létourneau)) <i>(live composition and improvisation with networked and streamed parts with in Marseilles (F) : Caroline Bouissou, Björn Eriksson, Nathalie Fougeras, Emmanuelle Gibello ; and in Montreal (Can) : Jérôme Joy, Éric Létourneau)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2012PIMckut"><b>pim ckut</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (pim series (13) - duo JJEL, éric létourneau, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliTerreMars2013"><b>auditoriums terre-mars (earth-mars)</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[2012-present] — (phd audio art & experimental music, université Laval Québec) — (étendre le concept d'auditorium planétaire à un registre interplanétaire face à l'hypothèse des auditoriums internet : architectures des circuits organologiques de l'écoute, field spatialisation, expérience sensorielle et expérience esthétique sonore de la télé-présence, futur de l'internet, musique étendue) — <i>(from planetary and global listening to interplanetary and intermundane listening - the conditions of acoustic & sound continuity and of seamless spatialisation of our sensorium into an extreme environment and between interconnected spaces)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliAuditorium2013"><b>(extended) auditorium étendu</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[2012-present] — (phd audio art & experimental music, université Laval Québec) — (les espaces d'écoute dans nos contextes électroniques et télématiques) — <i>(listening spaces into our electronic and networked contexts)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>hum</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (pour sons électroniques, sons de synthèse et feedback de machines bouclées et en circuit) — <i>(for electronic sound and feedbacked & looped machines)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>nantes is noise</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[2012] — (collab : w/ apo33) — (scène musicale noise, nantes) — <i>(noise music scene, nantes)</i></small></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>springlike (phonographie 8)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (montage et mixage de phonographies) — <i>(montage and mixong of phonographies - tribute to Rachel Carson)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pizmo"><b>pizMO freen</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (projet électronique harsh noise, trio d'improvisation ; christophe havard, jérôme joy, julien ottavi) — <i>(electronic harsh noise band, improvisation trio ; christophe havard, jérôme joy, julien ottavi)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pizmo"><b>pizMO blst</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (projet électronique harsh noise, trio d'improvisation ; christophe havard, jérôme joy, julien ottavi) — <i>(electronic harsh noise band, improvisation trio ; christophe havard, jérôme joy, julien ottavi)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>the end of the world</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2012] — (sons électroniques , drones ; collaboration au projet participatif de Emanuel di Melo Pimenta) — <i>(sound drone samples for the project by Emanuel di Melo Pimenta)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2011 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=2011MPR"><b>musiques populaires recomposées</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2011] — (série d'œuvres électroacoustiques composées à partir de musiques instrumentales live, existantes, empruntées et échantillonnées) — <i>(Title : "Set of Re-Composed Folk Tunes" — electroacoustic music works series composed from samples and boroowings of existing live instrumental music)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(1) nearer my god to thee</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] — <i>(tribute to Gavin Bryars)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(2) an raibh tú ag an gcarraig ?</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(3) tune-up</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(4) my name is (with bagpipes)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(5) brass (take 1)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(6) brass (take 2)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(7) singing bowls</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(8) field hollers</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2011MPR"><b>(9) hymn (niel gow's lament)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://www.cvia.net/index.php?/works/-asymphonie-monoton-silence/" onclick="window.open(this.href); return false;"><b><i>asymphonie monoton</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[2011] — (collab : w/ christian vialard & w/ instrumentalists : catriona shaw, fred bigo, mimosa pale, tim gane, eddie ladoire, emmanuel (noir prod), poil, jérôme joy, gauthier tassart, arnaud maguet, vincent epplay, richard prompt, philippe fernandez, year of no light (bertrand, jérôme, johan, mathieu, pierre)) — <i>(video installation — instrumentalist for this video work by Christian Vialard based on « Symphonie Monoton Silence » d'Yves Klein (1947-1949))</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Jukebox"><b>collective jukebox archive</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2011-present] — (archive du projet (depuis 2004))</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=PubliJoyDupuy2011"><b>paris-bordeaux (phonographie 7)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2011] — (collab : w/ jean dupuy) — (diffusion sonore à volume extrêmement élevé d'un enregistrement effectué dans un train par Jean Dupuy) — <i>(high-volume sound diffusion of a recording of a train at full speed made by Jean Dupuy)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=PubliJoyDupuy2011"><b>concert de secondes</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2011] — (collab : w/ jean dupuy) — (installation sonore — dispositif d'amplification sonore aléatoire et simultanée de systèmes d'horloges électriques pour une installation sonore de Jean Dupuy) — <i>(Title :" Secondes Concert" — sound installation — sound amplification system of an electric clocks series by Jean Dupuy, based on aleatoric principles)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=FLOODTIDE"><b>flood tide nantes</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[2011-2012] — (collab : w/ john eacott, natasha barrett) — (œuvre musicale générée par le flux de la marée) — <i>(sonification musical work based on flood tide live variations)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2010 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=Sobralasolas"><b>sobralasolas ! (ep.2) - mike-heads</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2010] — (composition en réseau d'improvisations live en streaming à partir d'une partition-texte de Kaffe Matthews ; participants : Caroline Bouissou, DinahBird, Björn Eriksson, Emmanuelle Gibello, Jérôme Joy, Kaffe Matthews) <i>(live networked music & mix based on a score by Kaffe Matthews ; players : Caroline Bouissou, DinahBird, Björn Eriksson, Emmanuelle Gibello, Jérôme Joy, Kaffe Matthews)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim tk</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2010] — (pim series (11) - trio christophe charles, akihiko taniguchi, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://www.dvdremix.org/remixes_F/ORIENT_EXPRESS_REMIX/orient_express_remix.htm" onclick="window.open(this.href); return false;"><b>orient express</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2010] — (pour sons enregistrés et sons électroniques) — <i>(for electronic and recorded sounds — drone music for a video work by stephan barron)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://nocinema.org/audiomix/" onclick="window.open(this.href); return false;"><b>nocinema audiomix</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2010-present] — (application interactive audio en ligne de mixages live à l'aveugle de fichiers sonores déposés sur le serveur nocinema.org) — <i>(nocinema version audio only with a online controllable & interactive mixtable of nocinema.org sounds)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=Auditoriums"><b>auditoriums internet</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2010-present] — — (phd audio art & experimental music, université Laval Québec)<br>(examiner les espaces d'écoute dans leurs dimensions électroniques et télématiques quant à leurs qualités d'homogénéité et de continuums de situations dont nous, auditeurs et créateurs, faisons varier et modulons continuellement les dimensions et les profondeurs.) — <i>(to consider the electronic and telematic conditions of the today listening spaces & places and to study their aspects of homogeneity and of continuum of situations that we as listeners and artists are continuously modulate and vary the dimensions and depths)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim mtl</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2010] — (pim series (12) - duo magali babin, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>world listening project</i></b> — <small><i>(go to affiliated projects)</i></small></A> </TD><TD VALIGN="top"> <small> [2010-present] — (collab : w/ eric leonardson, dan godston)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=nocinema+-+Interludes+2010"><b>movietone (soundie)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2010] — (variation nocinema — cinéma en direct avec webcams et microphones en direct et en streaming) — <i>(nocinema variations — live cinema w/ streaming webcams & microphones (locus sonus))</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://jeromejoy.org/files/proj/communiques/" onclick="window.open(this.href); return false;"><b>communiqués (chroniques alexandrines)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span><br><div style="text-indent: 10px;"><A HREF="http://jeromejoy.org/files/proj/communiques/" onclick="window.open(this.href); return false;"><b>(ou la production de l'espace politique)</b></A></div> </TD><TD VALIGN="top"> <small>[2010 [1997]] — (carte sonore temporalisée à partir des communiqués (1997), programmes radio) — <i>(Title : "Alexandrian Chronicles (or The Production of Political Space" — audio & geography, soundmap based on "communiqués" (1997), radio programmes)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2009 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>locked out on Michigan Ave.</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2009] — (œuvre radiophonique) — <i>(radio work)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>rascali klepitoire</i></b> — <small><i>(go to affiliated projects)</i></small></A> </TD><TD VALIGN="top"> <small> [2009] — <i>(collaboration as arson philharmonic orchestra conductor : w/ john oswald )</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://fr.wikipedia.org/wiki/Musique_en_reseau" onclick="window.open(this.href); return false;"><b>wikipedia musique en réseau</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009] — (un essai et un historique de la musique en réseau) — <i>(networked music essay & history - wikipedia)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim ld</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2009] — (pim series (7) - duo julien ottavi, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim hk</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2009] — (pim series (8) - solo)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>locustreamMix</b></small></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2009] — (pour des sons enregistrés à distance à partir de microphones ouverts en streaming continu ; enregistrements faits entre le 30 août et le 2 octobre 2009 des microphones placés à Amsterdam, Boston, Buga Valle (Colombie), Chicago, Honk Kong, Lijiang (Chine), Montréal, Nice, Marseille, Sollefteå (Suède) et Paris) — <i>(recording of locustream tardis with open microphones captures between 2009 the 30th of august and the 2nd of october ; remote locations : Amsterdam, Boston, Buga Valle (Colombia), Chicago, Honk Kong, Lijiang (China), Montreal, Nice (F), Marseilles (F), Sollefteå (Sweden) et Paris(F))</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliCircuitsA2010"><b>circuits</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009] — (une époque circuitée - réflexion sur l'organologie des arts en réseau : le passage de l'internet à un état musical) — <i>(networked & electronic activities as circuitry situations — circuits as a new status for the Internet)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim ykhm</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2009] — (pim series (9) - solo)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>fuurin cinema</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2009] — (variation nocinema — application en ligne : système programmé de cinéma en direct à partir de streaming de webcams vidéo et de mixages live de sons streamés provenant de microphones ouverts placés aux alentours du lieu de présentation) — <i>(nocinema variations — online app for live cinema w/ video streaming webcams and audio server ; streamed sounds selected from open microphones located around the show venue)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliAround2010"><b>en plein air (out in the open)</b></A></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009] — (la musique étendue - en plein air - les écoutes fascinantes sur l'ile lamma) — <i>(extended music - out in the open -" lammasmerizing" listenings)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim bl</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2009] — (pim series (10) - networked duo emmanuelle gibello, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>chantal / luc ferrari</b> </span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[[1978]-2009] — (collab : w/ brunhild ferrari)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliShakkei2012"><b>shakkei</b></A></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009] — (auditoriums & audiences - "shakkei" et l'expérience de l'écoute en plein air) — <i>(auditoria & audiences - "shakkei" and the out in the open listening experience - listening as taskcape into environments)</i></small></div><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2008 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated" onclick="window.open(this.href); return false;"><b><i>netrooms</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"><hr> <small>[2008-2010] — (collab : w/ pedro rebelo & w/ instrumentalists : windfried ritsch, andrea szigetvári, georg hajdu, michael zbyszynski, alejo duque, alain renaud, chris chong, pauline oliveros, owen green, franziska schroeder, ken fields) — (performances de musique en réseau ; un projet de pedro rebelo d'une musique utilisant l'hybridation des espaces acoustiques et de l'acoustique de l'Internet) — <i>(networked music performances : a project of long feedback music through correlated & networked spaces conducted and initiated by pedro rebelo)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim mc</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2008] — (pim series (3) - duo kaffe matthews, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=PubliTelemusA2010"><b>histoire de la musique en réseau</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008-present] — <i>(networked music history)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=NMSAT"><b>nmsat</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008-present] — (historique de l'art sonore et de la musique en réseau des origines à 2008 — base de données locus sonus) — <i>(networked music & soundart timeline from ancient times to 2008 — locus sonus database on networked music & soundart references)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim pr</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2008] — (pim series (4) - duo emmanuelle gibello, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim r2r</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2008] — (pim series (5) - networked duo emmanuelle gibello, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim chi</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2008] — (pim series (6) - duo eric leonardson, jérôme joy)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://joy.nujus.net/w/index.php?page=The+Thing" onclick="window.open(this.href); return false;"><b>the thing history</b> </A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008] — (un bref historique de the thing 1991-2007 ; un serveur internet dédié aux projets artistiques et géré par une communauté art-iviste) — <i>(a brief history of the thing 1991-2007 ; art server and art-ivist collaborative project)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://bbs.thing.net/" onclick="window.open(this.href); return false;"><b>the thing archives & redux</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2012-present]</small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://nocinema.org/interludes/" onclick="window.open(this.href); return false;"><b>interludes</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2008] — (variations nocinema : application en ligne et système programmé de cinéma en direct à partir de streaming de webcams vidéo et de mixages live de sons) — <i>(nocinema variations : live internet networked cinema w/ webcams & audio server)</i></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>interludes sndtrck</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008] — (enregistrement momentané et documentaire des interludes) — <i>(short sound recordings of interludes)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>nocinema soundtrack</b></small></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008] — (enregistrement momentané et documentaire de nocinema.org) — <i>(short sound recordings of nocinema.org)</i></small></div><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2007 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>caroline boréale</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2007] — (série des caroline (2) ; œuvre radiophonique) — <i>(Title : "Boreal Caroline" — radio work : caroline series 2)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>caroline en silence</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2007] — (série des caroline (3) ; œuvre radiophonique) — <i>(Title : "Silenced Caroline" — radio work : caroline series 3)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>collective jukebox pam</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[2007] — (collab : artists meeting nyc) — <i>(audio system playable database)</i><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>promenade abécédaire (phonographie 6)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2007] — (petite série des voix / les écoutes ralenties (3) ; œuvre radiophonique) — <i>(Title : "Alphabetical Promenade" — radio work ; voices short series / the slowed listenings 3)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim qc</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2007] — (pim series (2) - solo)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://locusonus.org/tardis/" onclick="window.open(this.href); return false;"><b>locustream tardis</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2007-present] — (application interactive en ligne de lecture successives de flux streaming audio live de microphones ouverts en continu autour du globe) — <i>(online interactive app for audio streaming playback from worldwide open microphones (locus sonus))</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>locustreamMix</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009] — (pour des sons enregistrés à distance à partir de microphones ouverts en streaming continu ; enregistrements faits entre le 30 août et le 2 octobre 2009 des microphones placés à Amsterdam, Boston, Buga Valle (Colombie), Chicago, Honk Kong, Lijiang (Chine), Montréal, Nice, Marseille, Sollefteå (Suède) et Paris) — <i>(recording of locustream tardis with open microphones captures between 2009 the 30th of august and the 2nd of october ; remote locations : Amsterdam, Boston, Buga Valle (Colombia), Chicago, Honk Kong, Lijiang (China), Montreal, Nice (F), Marseilles (F), Sollefteå (Sweden) et Paris(F))</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Sobralasolas"><b>sobralasolas !</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"><small>[2007-2013] — (radiopéra pour des sons en direct, streamés et enregistrés ; série d'épisodes)<i>(radiopera for live, streamed and recorded sounds ; episodes series)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Sobralasolas"><b>sobralasolas ! (ep.1) - wigs</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2007-2009] — (composition électroacoustique pour sons électroniques et sons enregistrés, collectés en streaming et réalisés par : Caroline Bouissou, DinahBird, Björn Eriksson, Jérôme Joy, Kaffe Matthews, Gregory Whitehead) <i>(electroacoustic composition for electronic sound and recorded, collected via streaming, and realised by Caroline Bouissou, DinahBird, Björn Eriksson, Jérôme Joy, Kaffe Matthews, Gregory Whitehead)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Sobralasolas"><b>sobralasolas ! (ep.2) - mike-heads</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2010] — (composition en réseau d'improvisations live en streaming à partir d'une partition-texte de Kaffe Matthews ; participants : Caroline Bouissou, DinahBird, Björn Eriksson, Emmanuelle Gibello, Jérôme Joy, Kaffe Matthews) <i>(live networked music & mix based on a score by Kaffe Matthews ; players : Caroline Bouissou, DinahBird, Björn Eriksson, Emmanuelle Gibello, Jérôme Joy, Kaffe Matthews)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Sobralasolas"><b>sobralasolas ! (ep.3) - mirrors</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — (composition collective et improvisée avec des parties en streaming (avec à Marseille : Caroline Bouissou, Björn Eriksson, Nathalie Fougeras, Emmanuelle Gibello ; à Montréal : Jérôme Joy, Éric Létourneau)) <i>(live composition and improvisation with networked and streamed parts with in Marseilles (F) : Caroline Bouissou, Björn Eriksson, Nathalie Fougeras, Emmanuelle Gibello ; and in Montreal (Can) : Jérôme Joy, Éric Létourneau)</i></small></div><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2006 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>you phonio saxo ?</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2006] — (petite série des voix / les écoutes ralenties (2) ; œuvre radiophonique) — <i>(radio work ; voices short series / the slowed listenings 2)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://nocinema.org/radiomix/" onclick="window.open(this.href); return false;"><b>nocinema radiomix</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2006-present] — (variations nocinema — application interactive audio en ligne de mixages live à l'aveugle de fichiers sonores déposés sur un serveur pour une utilisation radiophonique (avec les sons nocinema.org de Magali Babin, DinahBird, Christophe Charles, Yannick Dauby, François Dumeaux, Emmanuelle Gibello, Jérôme Joy, Luc Kerléo, Alain Michon, Jocelyn Robert, Erin Sexton)) — <i>(nocinema version audio only with a online controllable & interactive mixtable for radio programmes ; nocinema.org sounds by Magali Babin, DinahBird, Christophe Charles, Yannick Dauby, François Dumeaux, Emmanuelle Gibello, Jérôme Joy, Luc Kerléo, Alain Michon, Jocelyn Robert, Erin Sexton)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://nocinema.org/audiomix/" onclick="window.open(this.href); return false;"><b>nocinema audiomix</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2010-present] — (application interactive audio en ligne de mixages live à l'aveugle de fichiers sonores déposés sur le serveur nocinema.org) — <i>(nocinema version audio only with a online controllable & interactive mixtable of nocinema.org sounds)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>solo (so-low)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2006] — (pour sons électroniques) — <i>(recording for electronic sound)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pim"><b>pim nc mrs</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2006] — (pim series (1) - duo dinahbird, jérôme joy)</small></TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2005 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=Joystinckler"><b>joystinckler</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2005] — (dispositif instrumental en réseau pour un trio de joueurs de fichiers MIDI (midifilers) de musique populaire (electro skiffle band – popular midi experience)) — <i>(networked midifilers skiffle band - popular midi experience)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>série des caroline</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2005] — (série d'œuvres radiophoniques) — <i>(radio series based on one voice)</i></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>(1) les essais de caroline</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2005] — <i>(Title : "Caroline Tries")</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>(2) caroline boréale</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2007] — <i>(Title : "Boreal Caroline")</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>(3) caroline en silence</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2007] — <i>(Title : "Silenced Caroline")</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>petite série des voix (les écoutes ralenties)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2005] — (série d'œuvres radiophoniques) — <i>(Title : "Voices Short Series (the Slowed Listenings) — radio series based on impromptu situations and including voices)</i></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>(1) PHPJSMBFDCJ</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2005] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>(2) you phonio saxo ?</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2006]</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>(3) promenade abécédaire (phonographie 6)</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2007] — <i>(Title : "Alphabetical Promenade")</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <b>écoute à distance (distance listening)</b></small></span></div> </TD><TD VALIGN="top"> <small>[2005-2007] — (un nouveau ? paradigme dans la typologie de l'écoute) — <i>(a new ? paradigm into listening typology)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2004 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>chip (phonographie 5)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></small> </TD><TD VALIGN="top"><hr> <small>[2004] — (enregistrement ; field recording, manipulations acoustiques et traitements électroniques) — <i>(field recording with acoustic effects and electronic treatments)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=SAET"><b>saet</b> </A></small></span></div> </TD><TD VALIGN="top"> <small>[2004] — (historique des expositions d'art sonore, 1964-2004) — <i>(soundart exhibitions timeline, 1964-2004)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Disklavier"><b>disklavier</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2004-2005] </small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://www.nujus.net/~locusonus/site/live/2004compatible/compatible.html" onclick="window.open(this.href); return false;"><b>disklavier (compatible / téléchargeable)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2004-2005] — (concert pour disklavier solo (sans instrumentiste) en collaboration avec richard kongrosian) — <i>(Title : "Compatible/Downloadable" — concert programme for disklavier solo)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://www.nujus.net/~locusonus/site/live/2004compatible/database.html" onclick="window.open(this.href); return false;"><b>disklavier (database)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2004-2005] — (liste œuvres pour disklavier) — <i>(database disklavier works)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated" onclick="window.open(this.href); return false;"><b><i>nujus.net nyc</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small> [2004-present] — (collab : w/ gh hovagimyan, peter sinclair & many artists) — (serveur dédié aux projets artistiques) — <i>(server dedicated to art projects, after the thing nyc)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locus sonus</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2004-present] — (collab : w/ peter sinclair, anne roquigny & esther salmona, nicolas bralet, lydwine van der hulst, nicolas maigret, sabrina issa, scott fitzgerald, julien clauss, alejo duque, anne laforet, stéphane cousot, grégoire lauvin) — (laboratoire de recherche-création en art audio, arts/sciences : espaces sonores en réseau) — <i>(art practice-based research lab, art & research, art & science : networked sonic spaces)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> </TD><TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locustream microphones network</b></A> [2005-present]</small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locustream tuner</b> </A>[2005-2007]</small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/soundmap/" onclick="window.open(this.href); return false;"><b>locustream soundmap</b> [2006-present]</small> </A></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locustream promenade</b> </A> [2007-present]</small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locustream streambox</b> </A> [2007-present] — (w/ locus sonus & guillaume stagnaro)</small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/tardis/" onclick="window.open(this.href); return false;"><b>locustream tardis</b> </A> [2008-present]</small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locustream imap</b> </A> [2010-present] — (w/ locus sonus & guillaume stagnaro)</small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locustream liveshout</b> </A> [2013-present] — (w/ locus sonus, sarc belfast, crisap london & grant smith)</small> </div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>ls in sl - ls in second life</b></A> [2007-2009] — (w/ locus sonus, saic chicago & brett i. balogh) </small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>new atlantis</b> </A> [2010-present] — (w/ locus sonus, saic chicago)</small></div><div style="text-indent: 80px;"> &lfloor; • <small><A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>wimicam</b> </A> [2007-2009] — (w/ locus sonus, steim amsterdam)</small></div> <hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2003 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=CDs"><b>pizMO i.p.</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2003] — (projet électronique, trio d'improvisation ; yannick dauby, jérôme joy, julien ottavi) — <i>(electronic noise band, improvisation trio ; yannick dauby, jérôme joy, julien ottavi)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/dsystem/index.html" onclick="window.open(this.href); return false;"><b>dsystem v.6.0 (pacjap)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2003] — (dispositif de musique en réseau) — <i>(live networked performance system)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=CDs"><b>pizMO nim</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2003] — (projet électronique, trio d'improvisation ; yannick dauby, jérôme joy, julien ottavi ; montages et mixages successifs par échanges de fichiers en ligne) — <i>(electronic noise band, improvisation trio ; yannick dauby, jérôme joy, julien ottavi ; remote successive montages and mixings on the Internet)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2003MONO"><b>mono</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2003] — (pour sons électroniques et feedback de machines bouclées et en circuit) — <i>(recording for electronic sounds and feedbacked & looped machines)</i><br> — (remplacé par mono2 et mono3 (2013)) — <i>(replaced by mono2 & mono3 (2013))</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=2003MONO#Exp__rimentations_ZET"><b>mono (zeta)</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2003-2004] — (ZET Apo33 : expérimentations de propagations sonores au travers d'espaces acoustiques, radio et télématiques) — <i>(ZET : experiencing sound transmission through various spaces — acoustics, radio, telematics) </i></small></div><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2002 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=Picnic"><b>picnic</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2003] — (projet électronique, trio d'improvisation ; yannick dauby, jérôme joy, julien ottavi) — <i>(electronic noise band, improvisation trio ; yannick dauby, jérôme joy, julien ottavi)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Picnic"><b>picnic face b</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2002] — <i>(real live performance played by formanex, picnic v.1.0)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=Lib"><b>lib_ LOGS</b> </A></small></span></div> </TD><TD VALIGN="top"> <small> [2002-2005] — (collab : w/ silvia argüello) — (Micro-fondements d’émancipation sociale et artistique) — <i>(micro-foundations of social and artistic emancipation)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/dsystem/index.html" onclick="window.open(this.href); return false;"><b>dsystem v.5.0 (pacjap)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2002] — (dispositif de musique en réseau) — <i>(live networked performance system)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Radiomatic"><b>streaps (radiomatic)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2002-2003-2006] — (application serveur et client de mutiplex audio streaming et de partage d'écoutes (logiciel Streaps (2002-2006)) — <i>(non-stop audio streaming & radio project ; streaps : radiomatic app receiving 8 simultaneous audio streams with sound levels configuration)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1997KILCROHANE#Pitcairn"><b>pitcairn</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[2002] — (collab : w/ françois magal) — (music & cinema)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://joy.nujus.net/files/txt/2002_JOY_LABO_Labotext.pdf" onclick="window.open(this.href); return false;"><b>labotext</b> </A></small></span></div> </TD><TD VALIGN="top"> <small> [2002] — (coefficient expérimental de la musique - résistance et subversion de la musique expérimentale dans les champs artistiques et économiques) — <i>(experimental scales of music - resistance and subversion of experimental music within economics & art fields)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="background-color:#CCC;">&lfloor; • <small><A HREF="http://jeromejoy.org/files/txt/2002_JOY_LABO_Labotext.pdf" onclick="window.open(this.href); return false;"><b>labotext - (compl)</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2002-2005] — ([version complète] - construction de situations collectives d'Invention – version intégrale inédite inachevée (2005), comprenant cinq chapitres : 1. L'Ère des Homestudios en Réseau, 2. Des Collines Verdoyantes (redux), 3. Pollens ou Virus ?, 4. Des Artels pas de Labels, 5. En Plein Air (ou pourquoi les découvreurs de planètes sont pour la plupart des amateurs ?). - L'activité artistique solitaire et "géniale" et l'œuvre "aut(h)orisée" sont en train de voler en éclats dans un contexte dans lequel se développent les configurations homestudio et laptop, les projets connectifs et collectifs dans la perspective des réseaux, les plate-formes d'auto-production et de diffusion libre, anonymisée et délibérée.) — <i>([full version] - setting of collective situations of invention — (1) Networked Homestudios Era — (2) Green Hills — (3) Pollen and Viruses — (4) Artels not Labels — (5) Out in the Open (or why planets' discoverers are mostly amateurs ?) - This text, as a manifesto, considers the experimental coefficient of the sonic, audio and musical practices. Its purpose explores alternate investigations in music in order to offer large possibilities against the constraints issued from music industry, art business and generalized consumption. One horizon to follow could be to move from concerts and performances to sound practices of (space and time) occupation, ie. local and translocal music operations that are embedded and immersed into public space, or, finally, that extend our listening environment and music perimeters. )</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="background-color:#CCC;">&lfloor; • <small><A HREF="http://jeromejoy.org/files/txt/2003_JOY_LABO_ConstrSituations_fr.pdf" onclick="window.open(this.href); return false;"><b>labotext - chap.1</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2002] — (construction de situations collectives d'Invention – homestudios et dispositifs audio - partie 1 du labotext : (1) l'ère des homestudios en réseau — En 1958 et à la suite de Guy Debord, Constant, membre de l’IS parle de manière visionnaire de la pratique artistique comme «construction des ambiances» et nous pourrions prolonger cette prospective par le développement de situations et de dispositifs d’expérimentations artistiques prenant comme hypothèses d’opérations et de productions des interfaces possèdant de multiples entrées et sorties. - revue volume ! autour des musiques actuelles) — <i>(setting of collective situations of invention — hometudios and audio systems - part 1 of the labotext : (1) networked homestudios era - After Debord and I.S. concerning art practice such as a practice of ambiences construction, the intention is to consider art production like an operation with multiple inputs and outputs. Digital and networked art is a prototype of such a production.)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="background-color:#CCC;">&lfloor; • <small><A HREF="http://jeromejoy.org/files/txt/2003_JOY_LABO_Archee_dispositifscoop.pdf" onclick="window.open(this.href); return false;"><b>labotext - chap.1</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2003] — (construction de situations collectives d'Invention – homestudios et dispositifs audio - partie 1 du labotext : (1) l'ère des homestudios en réseau - revue archee montréal) — <i>(setting of collective situations of invention — hometudios and audio systems - part 1 of the labotext : (1) networked homestudios era.)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=TÉLÉMUSIQUE+(2005)"><b>organologie musique en réseau</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[2002-2004] — (w/ PhD cursus EESI, univ. poitiers, univ. la rochelle) — <i>(first PhD research on networked music organology)</small></i><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://radiolabo.free.fr/" onclick="window.open(this.href); return false;"><b>radiolabo</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [2002] — (collab : w/ anne de sterk, yannick dauby, luc kerléo, julien ottavi, etc.) — (collectif radio) — <i>(radio collective)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2001 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pizmo"><b>pizMO</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2001-2003] — (projet électronique, trio d'improvisation ; yannick dauby, jérôme joy, julien ottavi) — <i>(electronic noise band, improvisation trio ; yannick dauby, jérôme joy, julien ottavi)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Pizmo"><b>pizMO manifesto</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2001]</small></div></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=CDs"><b>pizMO pefalm</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2001] </small></div></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=CDs"><b>pizMO i.p.</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2003]</small></div></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=CDs"><b>pizMO nim</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2003]</small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/dsystem/index.html" onclick="window.open(this.href); return false;"><b>dsystem v.2.0 (pacjap)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2001] — (dispositif de musique en ligne) — <i>(online system)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://www.agglo.info/" onclick="window.open(this.href); return false;"><b>agglo</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2001-2006] — (collab : w/ paul devautour) — (programme art et recherche) — <i>(practice-based research program with 11 labs : exploration of specific art forms and practices within of the present technological contexts)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated" onclick="window.open(this.href); return false;"><b><i>nomusic</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[2001-2006] — (collab : w/ laboiteblanche, carl y. and many worldwide artists) — — <i>(networked music online festivals)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1997KILCROHANE#La_Roumanie"><b>la roumanie</b> </A> </span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2001] — (partie de la bande-son d'un film de François Magal) — <i>(Title : "Romania" — part of the soundtrack of the movie by François Magal)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2001PLUSMOINS"><b>plus / moins</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2001] — (pour un ensemble instrumental amplifié et cd (sax, po, fl, perc)) — <i>(Title : "Plus / Minus" — for an amplified instrumental ensemble (sax, piano, flute, percussion) and cd playback)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small> <A HREF="index.php?page=2001PLUSMOINS"><b>plus / moins (v. 2013)</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013-present] — <i>(flexible ensemble : po, clar, clar bs, fl bs, trmb, trmb bs, 3 perc, accordeon diat., electronic snd)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Radiomatic"><b>radiomatic</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [2001-2003] — (application serveur et client de mutiplex audio streaming et de partage d'écoutes (logiciel Streaps (2002-2006)) — <i>(non-stop audio streaming & radio project ; streaps : radiomatic app receiving 8 simultaneous audio streams with sound levels configuration)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>tiramizu</i></b> — <small><i>(go to affiliated projects)</i></small></A></TD><TD VALIGN="top"><small> [2001-2004-present] — (collab : w/ christian vialard, yannick dauby) — (label et artel cd) — <i>(cd lab-art-el)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/2001_JOY_nancy.pdf" onclick="window.open(this.href); return false;"><b>les dispositifs coopératifs – prospective 21ème siècle</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [2001] — (Revue électronique Archée Montréal — Electroshop Nancy — Les territoires d'investigation artistique se sont déplacés, le plus souvent sans volonté péremptoire de légitimation et d'identification, sous la forme de "dispositif". Il serait intéressant de se pencher sur les développements des logiciels libres ou en d'autres termes de l'Open-Source, en tentant de dégager les pertinences et les similitudes avec les activités artistiques sur les questions de modalités de fonctionnement et de production, en sachant que ceci demande des recherches appropriées et une lucidité accrue afin d'éviter de faire des amalgames et des transpositions trop hâtives.) — <i>(Art Co-op Systems - Towards the 21st Century)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/2001_JOY_cirencoop.pdf" onclick="window.open(this.href); return false;"><b>les dispositifs coopératifs</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [2001] — (CIREN, Univ. Paris8 — L’ensemble de ces projets dessine un environnement constitué d’alternatives fondées sur les notions d’émergences, de réseau, de veille, de coopération, et d’atelier que l’on retrouve de manière récurrente dans les pratiques associées aux technologies numériques. Mes recherches depuis près de deux ans se sont donc concentrées sur l’implication “réelle” de ces alternatives et notamment à partir d’un générique “dispositif coopératif” dont j’essaie de définir peu à peu les particularités, les intentions et les motivations au sein des champs artistiques et que je vais essayer de développer avec vous à présent. ) — <i> (Art Co-op Systems)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 2000 {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>holo</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[2000] — (pour un saxophoniste et dispositif de traitements électroniques en temps réel, spatialisateur et gestion informatique contrôlée par l'instrumentiste) — <i>(for a saxophone player, realtime & live electronics, sound spatialisation and sound computing controlled by the instrumentalist)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/radio/index.html" onclick="window.open(this.href); return false;"><b>marconiland radiolab (collective radio)</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2000] — <i>(prg 10-14 : w/ gauthier tassart, petra klusmeyer, radioactivists, ned bouhalassa, lee ranaldo)</i> — (5 programmes radiophoniques avec des artistes et compositeurs invités) — <i>(experimental radio programmes w/ invited artists)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=Jukebox"><b>collective jukebox</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [2000] — (Le Projet JukeBox depuis 1996 a développé un dispositif autonome et évolutif en ouvrant un espace collaboratif expérimental autour de ces nouvelles investigations sonores et musicales. Ce dispositif contributif n’est pas un projet documentaire ou un catalogue discographique, mais propose bien un espace générateur et collectif soumis à aucune sélection que ce soit et investi par de nombreux artistes.) — <i>(Collective JukeBox proposes new investigations into sound in the domains of contemporary art, music etc. It is a project about "fixed sound" or "recorded sound". The starting proposition four years ago was to find new and unusual forms of presentation which would allow comparisons with other research into sound in contemporary art and music. How does sound invest contemporary languages nowadays? - and what artistic and musical activity is possible today ? )</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Pacjap"><b>pacjap</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[2000-2003] — (dispositif live MIDI et en réseau d'interactions musicales et médiatiques entre des performeurs (méta-instrument, dsystem) — ensemble franco-japonais) — <i>(electronic music networked band (france/japan) ; dsystem meta-instrument : audio & MIDI live networked system of music & media interactions between several players)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://joy.nujus.net/files/proj/dsystem/index.html" onclick="window.open(this.href); return false;"><b>dsystem v.2.0 (pacjap)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2001] — (dispositif de musique en ligne) — <i>(online system)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Pacjap"><b>dsystem v.5.0 (pacjap)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2002] — (dispositif de musique en réseau) — <i>(live networked performance system)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=Pacjap"><b>dsystem v.6.0 (pacjap)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2003] — (dispositif de musique en réseau) — <i>(live networked performance system)</i></small></div><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1999 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=Nocinema"><b>nocinema.org</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1999-present] — (application en ligne : système programmé et évolutif de cinéma en direct à partir de vidéo streaming de webcams et de mixages live de sons à partir d'un serveur audio alimenté en collaboration) — <i>(live internet networked cinema app : evolving programmed system of live cinema w/ video streaming of webcams & simultaneous live mixing of sounds on an collaboratively-fed audio server by invited artists)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Lascaux2"><b>lascaux2.org</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1999] — (e-exposition (nice-proxy & hypex99), dispositif de webcams en direct dans un centre d'art fermé au public et proposé à des projets évolutifs d'artistes) — <i>(e-exhibition nice-proxy & hypex99 : live webcams system for a closed art center and at disposal of evolving projects by artists)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/1999_JOY_overwrittensolos.pdf" onclick="window.open(this.href); return false;"><b>overwritten solos, un principe de réalité</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [1999] — (Nous pourrions parler sans doute de musique instrumentale critique, en crise, limite, pourtant elle nous semble cohérente, non-précipitée, et à la fois imprévisible. Il ne s'agit aucunement de déconstruire le matériau musical, même si l'idée de déconstruction semble présente dans la volonté de fragmenter la continuité musicale, de déformer les sons musicaux, mais il s'agit plutôt ici de construire un nouveau matériau, une nouvelle continuité musicale et provoquer ainsi une écoute active.) — <i>(about critical instrumental music)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/revue/index.html" onclick="window.open(this.href); return false;"><b>audiolab revue</b></A> </span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1999-2002] — (revue base de données articles musique et art sonore) — <i>(soundart & music articles database)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ForumHub"><b>forum hub</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1999-2002] — (forum internet ; discussions sur les nouvelles formes et pratiques de la création musicale.) — <i>(Internet mailing-list ; topic : new musical forms & practices)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small> <A HREF="index.php?page=ForumHub"><b>forum hub archives</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2007-2012-present] — (w/ nujus.net & bbs.thing.net)</small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>musiques en scène</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1999] — <span style="text-transform : lowercase;">(collab : mac lyon — artists : janet cardiff, iann carr-harris, collective jukebox / jérôme joy, paul demarinis, raymond gervais, joe jones, alvin lucier, Christian Marclay, Charlotte Moorman, Charlemagne Palestine, Peter Sinclair & GH Hovagimyan, Michael Snow, The Thing / Wolfgang Staehle, Doug & Mike Starn, Stephen Vitiello, Bill Vorn, La Monte Young & Marian Zazeela. — films : Robert Ashley, Glenn Branca, John Cage, Philip Glass, Christian Marclay, Conlon Nancarrow, Nam June Paik, Harry Partch, Steve Reich, The Residents, Cluade Schryer & Raymond Murray Schafer, Michael Snow, Karlheinz Stockhausen & Charlotte Moorman, Stephen Vitiello. — Performances : Philip Corner & Phoebe Neville, John Giorno, Bernard Heidsieck, Christian Marclay & ErikM, Charlemagne Palestine, Peter Sinclair & GH Hovagimyan, Stephen Vitiello. — Concerts : James Fulkerson, Alvin Lucier, Christian Wolff, James Tenney, Terry Riley, John Cage, Harry Partch, Frank Zappa, Michael Tippett, Gavin Bryars, Thad Wheeler, Chris Chafe, David Wessel, Conlon Nancarrow, George Crumb, Morton Feldman, Elliott Carter)</span></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/scan2003/" onclick="window.open(this.href); return false;"><b>scan</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1999-2003] — (collab : marc barani, villa arson nice w/ paul devautour, jo mailland) — (réalisation architecturale conçue pour la pédagogie et les projets artistiques liés aux pratiques électroniques, numériques, intermédia et collectives) — <i>(architecture conceived for art education and art projects involving collective, intermedia and electronic practices)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=Texts2007#invencao"><b>net audio projects</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[1999] — <i>(International Conference - « Invenção : Thinking the Next Millenium » - Home-studio is an on-line musical platform for hyper- and meta-musical projects using vocal synthesis, midi formats, audio samples mixing, audiovisual processes, and for cooperative collective international projects about new investigations in sound and music languages. The question today, asked to me many many times, is:. how and why a contemporary music composer want to investigate this new field, comparing that with "real music", all the fields of exploration (instrumental, electronic, and so on) are not totally used and can be, still today, used in the concerts?)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>earthsounds</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1999] — (collab : w/ michel redolfi)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/exil/index.html" onclick="window.open(this.href); return false;"><b>exil</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1999-2003] — (collab : w/ jean-françois guiton, jànos sugàr, jürgen waller) — (projet de collaboration artistique en voyageant) — <i>(art collaborations by traveling together — art journeys)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1998 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>duo vocal</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1998] — (pour voix échantillonnées) — <i>(Title : "Voices duo" — for sampled voices)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1998COMPACT"><b>compact</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1998] — (système web audio en réseau) — <i>(audio networked websystem)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/1998_JOY_Hypermusique_fr.pdf" onclick="window.open(this.href); return false;"><b>metamusique, programmation, composition</b></A></small></span></div> </TD><TD VALIGN="top"> <small>[1998] — <i>(International Conference - « Imagina » - meta- & hyper-music, programming, composing)</i> — (Passer d'un réseau local (le studio d'informatique musicale) au réseau global semble naturel, si toutefois le compositeur met en jeu par cette opération, les conditions d'apparition de l'œuvre musicale.) — <i>(Using the Internet to develop musicworks, exploiting remote sound sources (soundfiles, uses of midi controls for synthesizing sound and vocals on hooked up and machines on networks), and using hypermedia functions, offers me to investigate and explore again both the status and the composition of a music work under new conditions, as for instance, it can therefore no longer be grasped as a complete entity, rather than as a linear event allied with the performance (concert).)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=VideosOktogon"><b>pour JW</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1998] — (pour sons électroniques pour une installation vidéo « Oktogon » (Sonne) de Jürgen Waller) — <i>(Title : "For JW" — for electronic sound for a video installation by Jürgen Waller : « Oktogon » (Sonne))</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>montage</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1998] — (pour sons échantillonnés) — <i>(for sampled sound)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/francialex/1998_francialex/index.html" onclick="window.open(this.href); return false;"><b>francialex</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1998] — (collab : w/ université senghor alexandrie) — (projet panafricain en réseau) — <i>(panafrican networked project)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>avatar</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1998-present] — (collab : w/ jocelyn robert)</small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://cedar.samizdat.net/" onclick="window.open(this.href); return false;"><b>cedar</b></A> </span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1998-2007] — (collab : w/ paul devautour, nathalie magnan, etc.) — (coordination des écoles d'art en réseau) — <i>(teachers' board of networked schools for the arts)</small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1997 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>motifs</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1997] — (bande magnétique diffusée pour un vibraphone en direct (improvisation)) — <i>(Title : "Patterns" — tape for live vibraphone improvisation)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small> <A HREF="index.php?page=VideosMotifs"><b>motifs / lust</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997-1998] — (w/ cirm festival manca nice) — (concert en réseau — bande magnétique diffusée pour plusieurs instrumentistes en direct (improvisation) situés dans deux salles face à deux publics (sans relais vidéo)) — <i>(networked music performance for tape and various live instrumentalists (improvisers) distributed and located in two venues in front of two audiences without video link))</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1997KILCROHANE"><b>april in kilcrohane</b></A> </span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1997] — (bande-son comme musique pour un film de françois magal) — <i>(music & cinema soundtrack for a movie by françois magal)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1997KILCROHANE"><b>april in kilcrohane (radio edit)</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997] — (version radio) — <i>(radio version)</i></small></div><hr></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>piano instrument</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997] — (bande magnétique ; programmation MIDI pour sons de piano échantillonnés) — <i>(tape ; MIDI sequencing and programming of piano samples)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/midiphonics/index.html" onclick="window.open(this.href); return false;"><b>pianospirale</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997] — (musique Internet, méta- et hyper-musique : lecture en réseau (Internet) sur ordinateurs simultanée et superposée de fichiers MIDI ; midiphonics) — <i>(Internet music for servers and home computers, meta- & hyper-music : networked playback (Internet) with computers of simultaneous and surimposed piano midifiles ; midiphonics)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/radio/index.html" onclick="window.open(this.href); return false;"><b>collective radio</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1997-2000] — (14 programmes radiophoniques avec des artistes et compositeurs invités) — <i>(experimental radio programmes w/ invited artists)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://joy.nujus.net/files/proj/radio/index.html" onclick="window.open(this.href); return false;"><b>résistances (collective radio)</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997] — <i>(prd 1-9 : w/ steve bradley, dominique angel, paul demarinis, nigel helyer, thomas gerwin, rainer ganahl, warren burt, kristie drew, françoise valery, bruno guiganti, gregory whitehead, jérôme joy, john oswald, dominique petitgand, dan lander, robert barry)</i></small></div></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://joy.nujus.net/files/proj/radio/index.html" onclick="window.open(this.href); return false;"><b>marconiland radiolab (collective radio)</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2000] — <i>(prd 10-14 : w/ gauthier tassart, petra klusmeyer, radioactivists, ned bouhalassa, lee ranaldo)</i></small></div><hr></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>gestes</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997] — (pour vibraphone préparé, KAT percussion MIDI, échantillonneur numérique et dispositif informatique) — <i>(Title : "Gestures" — for prepared vibraphone, KAT MIDI percussion, sampler and live computer)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/collecticiel/index.html" onclick="window.open(this.href); return false;"><b>collecticiel</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997] — (système en réseau collaboratif de documentation et d'archivage médiatiques pour une exposition) — <i>(Title : "Groupware" — collaborative networked system of documentation and archiving for an exhibition)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>mégaphonies</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997] — (pour voix enregistrées) — <i>(Title : "Megaphonies" — tape for recorded voices)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="text-decoration: overline;background-color:#CCC;">&lfloor; • <small><b>mégaphonies (texte)</b> </small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997] —(retranscription d'interviews réalisés à Alexandrie) — <i>(transcription of interviews conducted in Alexandria)</i></div></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>tracés</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997] — (pour sons électroniques) — <i>(Title : "Tracing" — tape for electronic sound)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>sadie music</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997] — (pour midifile et échantillonneur MIDI (à partir des Trois Gymnopédies d'Érik Satie) ; collab. w/ Claudia Hart) — <i>(for midifile and MIDI sampler (issued from Three Gymnopedies by Erik Satie) ; collab. w/ Claudia Hart)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>communiqués</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1997-2005] — (10 émissions radio de 20mn chacune, à propos d'alexandrie egypte) — <i>(a program of ten 20mn-radio features)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>communiqués 1-9</b> </small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997] — (reportages et interviews auprès d'habitants et de femmes d'alexandrie égypte) — <i>(interviews with inhabitants and women of Alexandria Egypt)</i></div></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>communiqués 10 (phonographie 4)</b> </small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997 rev. 2005] — (field recording : traversée du marché sur la rue El Khedeiwi El Auwal) — <i>(field recording : crossing the market on El Khedeiwi El Auwal street)</i></div></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="text-decoration: overline;background-color:#CCC;">&lfloor; • <small><b>mégaphonies (texte)</b> </small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997] —(retranscription d'interviews réalisés à Alexandrie) — <i>(transcription of interviews conducted in Alexandria)</i></div></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>bibliothèque portable des langues parlées</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1997] — (site web internet pour la bibliotheca alexandrina / unesco (égypte) — <i>(Title : "Portable Library of Spoken Languages" — internet website for bibliotheca alexandrina / unesco (egypt))</i></small> — <small><i>(unfinalised)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>491.org</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1997-2000] — (collab : w/ paul devautour, éric maillet, gilles grand) — (serveur web artistique) — <i>(webserver art workstudio)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <b>conversation malcolm goldstein / jerome joy</b> </small></span></div> </TD><TD VALIGN="top"> <small>[1997] — (« Ainsi, dans mes propositions ou bien dans ta musique ici, le flux de la musique, moment après moment, rendu possible par les structures, pré-composé pour toi ou découvert dans une improvisation, est un phénomène physique qui va jusqu'à l'aspect vivant du musicien dans la performance. » ) — <i></i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>acoustic world atlas (zkm)</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1997-present] — (collab : w/ thomas gerwin)</small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1996 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/vocales/index.html" onclick="window.open(this.href); return false;"><b>vocales</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1996-98] — (musique Internet, méta- et hyper-musique : 3 pièces pour synthèse vocale sur internet) — <i>(Title : "Vocal" — Internet music for servers and home computers, meta- & hyper-music : vocal synthesis, vocal music)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>les ateliers</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1996-1998] — (ensemble instrumental et électronique ; programmation de concerts) — <i>(instrumental & electronic music ensemble ; concerts programmes)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/interludes/index.html" onclick="window.open(this.href); return false;"><b>interludes (audiovision)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1996-1999] — (pré-nocinema : cinéma programmé en direct en réseau avec webcams et serveur audio) — <i>(pre-nocinema : live internet networked cinema w/ webcams & audio server)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/artel/artel_r1.html" onclick="window.open(this.href); return false;"><b>artel</b></A> </span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1996-1997] — (collab : w/ paul devautour) — (site web étudiants en art) — <i>(art website w/ students)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Jukebox"><b>collective jukebox</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1996-2004] — (projet évolutif et collaboratif sur une machine jukebox 100 cds : 557 artistes, 1487 œuvres sonores et musicales) — <i>(collaborative jukebox project - 557 artists - 1487 audio works)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <A HREF="http://joy.nujus.net/files/proj/collage/1997_collage/default.html" onclick="window.open(this.href); return false;"><small><b>collage website</b> </small></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1996-1997] — <i>(pre-collective jukebox project : listening installation, audio library, tv programmes)</i></div></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <A HREF="http://joy.nujus.net/files/proj/jukebox/index.html" onclick="window.open(this.href); return false;"><small><b>collective jukebox website</b> </small></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1998-2004] — <i>(collectivejukebox.org : project, co-op system, versions, shows, machines, etc.)</i> </small></div></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=Jukebox"><b>collective jukebox (text)</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [2000] — (Le Projet JukeBox depuis 1996 a développé un dispositif autonome et évolutif en ouvrant un espace collaboratif expérimental autour de ces nouvelles investigations sonores et musicales.) — <i>(Collective JukeBox is proposing new investigations into sound in the domains of contemporary art, music etc. It is a project about "fixed sound" or "recorded sound". )</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <A HREF="index.php?page=Jukebox"><small><b>collective jukebox archive</b></small></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011-present]</small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=Texts2007"><b>dispositifs coopératifs (co-op systems)</b></A></small></span></div></TD><TD VALIGN="top"><small>[1996-2005] — (après la gestion des objets et des œuvres : hypothèses d’opérations et de productions nécessairement à plusieurs dont les interfaces possèdent de multiples entrées et sorties) —<i>(art co-op systems — after managing and dealing with objects and works : assumptions of collective operations and productions including interfaces with multiple inputs and outputs)</i></small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/2001_JOY_cirencoop.pdf" onclick="window.open(this.href); return false;"><b>les dispositifs coopératifs</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [2001] — (CIREN, Univ. Paris8) — <i>(Art Co-op Systems)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/2001_JOY_nancy.pdf" onclick="window.open(this.href); return false;"><b>les dispositifs coopératifs</b></A></small></span></div> <div style="text-indent: 80px;"> <span style="background-color:#CCC;"><small><A HREF="http://jeromejoy.org/files/txt/2001_JOY_nancy.pdf" onclick="window.open(this.href); return false;"><b>– prospective 21ème siècle</b></A></small></span></div> </TD><TD VALIGN="top"> <small> [2001] — (Revue électronique Archée Montréal — Electroshop Nancy ) — <i>(Art Co-op Systems - Towards the 21st Century)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1995 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>pièce stéréophonique</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1995] — (pour clarinettes enregistrées sur support cd) — <i>(Title : "Stereophonic Piece" — for recorded clarinets)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>murs du sons</i></b> — <i>(go to affiliated projects)</i></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"> <small>[1995] — (collab : villa arson nice — artists : john m. armleder, michel aubry, robert barry, lars fredrikson, liam gillick, jérôme joy, richard kongrosian, maurizio nannucci, max neuhaus, kristin oppenheim, erik samakh, nathalie talec — murmures : pascal broccolichi, ludovic lignon, josé antonio orts, isabelle sordage)</small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>pièce stéréophonique, version live</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1995] — (pour clarinettes enregistrées et une clarinette en direct) — <i>(live version for recorded clarinets and a live clarinet)</i></small> — <small><i>(unfinalised)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/midiphonics/index.html" onclick="window.open(this.href); return false;"><b>midiphonics</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1995-1997] — (musique Internet, méta- et hyper-musique : lecture en réseau (Internet) sur ordinateurs simultanée et superposée de fichiers MIDI) — <i>(Internet music for servers and home computers, meta- & hyper-music : networked playback (Internet) with computers of simultaneous and surimposed midifiles)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="http://joy.nujus.net/files/proj/midiphonics/index.html" onclick="window.open(this.href); return false;"><b>pianospirale</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1997] — <i>(Internet music for servers and home computers, meta- & hyper-music : simultaneous and surimposed piano midifiles)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Habitation"><b>habitation</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1995-1997] — (site web collectif musical) — <i>(Internet musical website and evolving collaboration platform with composers and sound artists)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://web.archive.org/web/*/http://homestudio.thing.net/" onclick="window.open(this.href); return false;"><b>homestudio.thing.net</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1995-2007] — (plateforme site web internet) — <i>(Internet musical website and platform : projects, research, publishings)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> </TD><TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <A HREF="http://joy.nujus.net/files/webs/1996_homestudio/default.html" onclick="window.open(this.href); return false;"><small>homestudio.thing.net [version 1996]</small> </A></div><div style="text-indent: 80px;"> &lfloor; • <A HREF="http://joy.nujus.net/files/webs/1997_07_homestudio/default.html" onclick="window.open(this.href); return false;"><small>homestudio.thing.net [version 1997/07]</small></A></div> <div style="text-indent: 80px;">&lfloor; • <A HREF="http://joy.nujus.net/files/webs/1997_11_homestudio/" onclick="window.open(this.href); return false;"><small>homestudio.thing.net [version 1997/11]</small></A> </div><div style="text-indent: 80px;"> &lfloor; • <A HREF="http://joy.nujus.net/files/webs/1998_homestudio/" onclick="window.open(this.href); return false;"><small>homestudio.thing.net [version 1998]</small></A></div> <div style="text-indent: 80px;">&lfloor; • <A HREF="http://joy.nujus.net/files/webs/1998_12_homestudio/" onclick="window.open(this.href); return false;"><small>homestudio.thing.net [version 1998/12]</small></A></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=NEWS"><b>jeromejoy.org</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2007-present] — <i>(Internet musical website and platform : projects, research, publishings — habitation, meta- & hyper-music, collective jukebox, forumhub, etc.)</i></small> — <small><i>(unfinalised)</i></small></div><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1994 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>chemins pour flûte basse (pour LP)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1994] — (solo pour flûte basse ; partition non linéaire à choix de parcours et d'arborescences de lectures) — <i>(Title : "Paths for bass flute (for LP)" — for bass flute solo ; open & tree-structured score to choose paths and multiple flows)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>chemins pour n flûtes</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1994-1995] — (version pour concert en réseau) — <i>(version for multiple flutes for a networked music performance)</i></small> — <small><i>(unfinalised)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=VideosOverwrittenNFA"><b>overwritten solos, version mb</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1994] — (solos pour un saxophoniste) — <i>(solo for a saxophone player)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>no sé qué, version pour clarinette basse</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1994] — <i>(version for bass clarinet)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=VideosOverwritten"><b>overwritten solos, version fl</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1994-1999] — (solos pour un saxophoniste en direct et pré-enregistré, bande magnétique et dispositif vidéo) — <i>(solo for a live and pre-recorded saxophone player, tapes and video playback system)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="http://jeromejoy.org/files/txt/1999_JOY_overwrittensolos.pdf" onclick="window.open(this.href); return false;"><b>overwritten solos, un principe de réalité</b></A></small></span></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1999] — (Nous pourrions parler sans doute de musique instrumentale critique, en crise, limite, pourtant elle nous semble cohérente, non-précipitée, et à la fois imprévisible. Il ne s'agit aucunement de déconstruire le matériau musical, même si l'idée de déconstruction semble présente dans la volonté de fragmenter la continuité musicale, de déformer les sons musicaux, mais il s'agit plutôt ici de construire un nouveau matériau, une nouvelle continuité musicale et provoquer ainsi une écoute active.) — <i>(about critical instrumental music)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2013KLAR"><b>petite étude pour clarinette</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1994] — (solo pour clarinette sib) — <i>(Title : "Short Study for Bb clarinet solo" — for Bb clarinet)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>partial objects with missing parts</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1994] — (activités pour clarinette sib solo amplifiée) — <i>(actions for amplified Bb clarinet solo)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>activités</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1994] — (pour voix solo, dispositif de microphones et objets entretenus) — <i>(Title : "Actions" — solo for voice, microphones and various played objects)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>solo doble</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1994] — (pour saxophone alto et traitements électroniques) — <i>(Title : "Double Solo" — for alto saxophone and live sound treatments)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1993 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>phonographie (3)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1993] — (bandes magnétiques pour des diffusions superposées ; field recordings) — (quatre versions : a, b, c, d) — <i>(tapes for surimposed sound diffusions in a space ; field recordings) — (four versions : a, b, c, d)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>pièce discutable</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1993] — (performance pour microphones (insérés dans les vêtements), bande magnétique, amplification et action) — <i>(Title : "A Moot Piece" — performance for microphones (inserted in clothes), tape, sound amplification and actions)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>polyptique</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1993] — (pour sons électroniques, sons enregistrés et projections sonore et visuelle) — <i>(Title : "Polytych" — for electronic and recorded sounds, sound diffusion and video (slow scan))</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1992 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>aeiou</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small> [1992] — (bande magnétique pour enregistrements manipulés de voix (trois études pour voix seule)) — <i>(tape with treated recordings of voice (three studies for solo voice))</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>incertitude</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour clarinette Bb ou basse, transformations du son en direct et ondes sinus) — <i>(Title : "Uncertainty" — for bass or Bb clarinet, live sound treatments and sine waves)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=VideosAuditoriumCB"><b>auditorium pour CB</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1992] — (dispositif temps réel de génération sonore pour microphones, haut-parleurs, résonateurs et traitements électroniques) — <i>(Title : "Auditorium for CB" — realtime system of sound generation with microphones, loudspeakers, resonators and sound treatments)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>uillean</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour bandes magnétiques, saxophone, sons électroniques, traitements du son en direct, microphones, tubes résonateurs et dispositif électroacoustique en direct de prise de son et de diffusion) — <i>(for tapes, saxophone, electronic sounds, live sound treatments, microphones, resonator tubes and live electroacoutic system with microphones and loudspeakers)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>bande magnétique pour un flûtiste</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1992] — (bande magnétique pour sons manipulés de flûte) — <i>(Title : "Tape for a flute player" — tape with manipulated and treated flute sounds)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>études aux petits éblouissements</b></span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour deux violons ou deux altos.) — <i>(Title : "Studies on Small Dazzles" — for two violins or two altos)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>ensemble2 (icone agli uccellini)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour hautbois et bande magnétique.) — <i>(Title : "Ensemble2 (Icon for the Birds)" — for oboe and tape)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>homogène</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1992] — (pour saxophone contrebasse et traitements du son en direct.) — <i>(Title : "Homogeneous" — for contrabass saxophone and live sound treatments)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Architecture"><b>un passage parisien</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1990] [1992-1994] — (collab w/ jean de giacinto, duncan lewis) — (dispositif permanent programmé pour une architecture pour supports audio-numériques, capteurs, système satellitaire de transmission sonore, gestion informatique, systèmes mobiles de diffusion sonore, avec sons streamés (phonographies live), enregistrés, traités et multi-diffusés en temps réel) — <i>(Title : "A Parisian Arcade & Passage" — permanent music for an architecture with sonification (sound programmings, sensors), audio streaming via satellite (live phonographies & field recordings), variable sound spatialisations, audio backup medias & computing, live sound treatments, etc.)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1992PRESTISSIMO"><b>prestissimo (too fast to be seen)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1992] — (solo pour clarinette sib) — <i>(for Bb clarinet)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>the playing ones</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1992] — (pour flûte, saxophone alto, traitements électroniques en temps réel et bande magnétique) — <i>(for flute, alto sax, live sound treatments and tape)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>étude loop</b> <small>(études play / replay)</small></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><small> [1992] — <i>(tape)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1991 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=1987AULOS"><b>aulos</b> (rev. 1991) </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small>[1987 rev.1991] — (collab : w/ LIEM Madrid) — (bande magnétique ; pour un instrument à vent et traitements électroniques numériques sur NeXT) — <i>(tape for a wind instrument and sound digital treatments on NeXT computer)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>étude sample</b> <small>(études play / replay)</small></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><small> [1991] — <i>(tape)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1990 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>études play / replay</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small> [1990-1992] — (3 pièces pour bande magnétique ; pour enregistrements manipulés de prises de son, de sons électroniques et de sons instrumentaux) — <i>(Title : "Play/Replay Studies" — three pieces for tape ; treated field recordings, recordings of electronic sound and of instrumental sounds)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>étude reverse</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1990] — <i>(tape)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>étude sample</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1991] — <i>(tape)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>étude loop</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1992] — <i>(tape)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>étude reverse</b> <small>(études play / replay)</small></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><small> [1990] — <i>(tape)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1990POLARITES"><b>polarités</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1990] — (pour piano, percussions et bande magnétique) — <i>(for piano, percussions, and tape)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 10px;"><span style="text-decoration: overline;background-color:#CCC;"> <small>→ <A HREF="index.php?page=1990FORMES"><b>formes</b></A></span></div></TD><TD VALIGN="top"><small>[1990] — (une première étude sur l'extension de la musique dans l'environnement et l'interaction avec lui. La musique occupe du temps et de l'espace, mais ceux-ci occupent-ils la musique ? La musique mêlée aux alentours et aux étendues, dans un présent élargi.) — <i>(a first statement on extension of music into environment. Music is time and space. But do they are investigated by music ? Music mixed with environment and spatial/time expanses into a expanded now. )</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated" onclick="window.open(this.href); return false;"><b><i>octandre</i></b> — <small><i>(go to affiliated projects)</i></small></A> </TD><TD VALIGN="top"> <small> [1990-1992] — (ensemble de musique électroacoustique, bordeaux ; programmation de concerts) — <i>(electroacoustic music ensemble, bordeaux ; concerts programmes)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>proxima centauri</i></b> — <small><i>(go to affiliated projects)</i></small></A> </TD><TD VALIGN="top"> <small> [1990-2001-present] — (ensemble de musique instrumentale et électroacoustique ; programmation de concerts) — <i>(instrumental & electroacoustic music ensemble ; concerts programmes)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1989 ---- ---- '''^[1988-1989^]''' ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><b>cd modifié</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small> [1988] — (bande magnétique ; manipulations de cds) — <i>(Title : "Altered Cd" — tape ; cd manipulations)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>ensemble</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1988-89] — (bande magnétique ; phonographies) — <i>(Title : "Together" — tape ; field recordings with sound treatments)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>quat</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1988-92] — (quatuor à cordes) — <i>(string quartet)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1989LOLSLCLL"><b>lolslcll</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1989] — (collab : galerie j.f. dumont) — (installation électroacoustique et électronique avec générateur sonores, traitements du son en direct, isolateurs et résonateurs avec amplifications partielles) — <i>(electroacoustic and electronic installation with sound oscillators, live sound treatments, resonators and insulators with partial sound diffusions)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1989FONDATION"><b>la fondation de suse</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1989] — (pour matériaux conducteurs et isolants, traitements en direct, bandes magnétiques) — <i>(Title : '''Susa's Foundation''' — for conducting and insulating materials, tapes and live sound treatments)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1989CROIXDM"><b>croixdm</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1985-1989] — (improvisation pour piano traité, amplifié et utilisé comme résonateur) — <i>(Title : '''Crossvm''' [Cross various materials] — improvisation for prepared piano with sound treatments and amplification, used as a resonator)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=RyanJoy"><b>ryan & joy</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"> <small> [1982-1985-1989] — (collab : w/ david ryan)</small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=RyanJoyScenarios#avantmonde4"><b>avant-monde IV</b></A></small> — <small><i>(unfinalised)</i></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1989] — <i>(Title : "Foreworld IV")</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>phonographie (2)</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1989] — (bande magnétique ; field recording et traitements électroniques) — <i>(tape ; field recording and sound treatments)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1989CUIRE"><b>cuire le monde</b></A> </span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1989] — (pour flûte basse, contrebasse, harmonium et percussions métalliques)<br><i>(Title : "To Cook the World" — for bass flute, double basse, harmonium and metal percussions)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1989HOMMAGE"><b>hommage à f.a.</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1989] — (pour instruments, bandes magnétiques, traitements en direct)<br><i>(Title : "Hommage to F.A." — for instruments, tapes and live sound treatments)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>puzzles</b></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1989] — (3 pièces pour bande magnétique ; pour séquenceur, échantillonneur et traitements électroniques) — <i>(three-parts tape ; for MIDI sequencer, sampler and sound treatments)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>puzzle 1</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1989] — <i>(tape)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>puzzle 2</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1989] — <i>(tape)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b>puzzle 3</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1989] — <i>(tape)</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1989RNJTAFA"><b>rnjtafa (v. 1989) </b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span><small> — <i>(unfinalised)</i></small></TD><TD VALIGN="top"><small>[version 1989] — (pour guitare basse électrique saturée, bande magnétique, traitements du son en direct) — <i>(Title : "Nothing is ever quite accomplished - Incompletion" — for electric bass guitar, live sound treatments, and tape)</small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1989RITI"><b>riti</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small> [1989] —(pour clarinette (ou hautbois) avec traitements, bandes magnétiques et ondes courtes radio) — <i>(Title : "Rites" — for clarinet (or oboe) with live sound treatments, tapes and short waves radio)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1987 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=1987ENSEMBLE"><b>ensemble4</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"><hr> <small> [1987] — (pour sons enregistrés et sons électroniques) — <i>(for recorded and electronic sounds)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1987INSTRUMENTAL"><b>instrumentalvarie</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small> [1987] — (pour ensemble instrumental (harpe, cor, clarinette, 3 percussions) et deux voix) — <i>(for instrumental ensemble (harp, horn, clarinet, 3 percussions) and two voices)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1987AULOS"><b>aulos</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1987] — (collab : w/ LIEM Madrid) — (bande magnétique ; pour un instrument à vent et traitements électroniques numériques sur NeXT — rev. 1991) — <i>(tape for a wind instrument and sound digital treatments on NeXT computer)</i></small></i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1986 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=1986TRIO"><b>trio composiciò</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></small> </TD><TD VALIGN="top"><hr> <small>[1986] — (trio à cordes et bande magnétique) — <i>(Title : "Composition Trio" — seven parts for string trio and tape)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1986OPERA"><b>opera</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1986] — (musique et espace) — <i>(music & space)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1986OCCUPATIONS"><b>occupations (phonographies 1)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></small> </TD><TD VALIGN="top"> <small>[1986] — (dispositifs en continu de 12 bandes magnétiques (à combiner) ; field recordings) — <i>(Title : "Looking After" — Phonographies 1 — continuous playback of 12 separate tapes (to combine together) ; field recordings)</i></small> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 1 – journée champ</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 2 – cloches, eaux, marche, vent</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 3 – nuit</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 4 – marche nuit</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 5 – course</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 6 – micro, troncs, vents sifflants</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 7a – vent, voitures (v.1)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 7b – vent, voitures (v.2)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 8 – vent, tubes (1)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 9 – vent, tubes (2)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 10 – vent, tubes (3)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 11 – champs, pluie, route</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1986OCCUPATIONS"><b>phonographie 12 – campagne juillet</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1986] — <i>(tape, field recording)</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1986AHATA"><b>āhata vāyuh <small>(le battement de l'air)</small></b></A></span> — <small><i>(unfinalised)</i></small> </TD><TD VALIGN="top"> <small>[1986] — (pour instruments à cordes avec oscillateurs, excitateurs et résonateurs) — <i>(Title : "āhata vāyuh (air beatings)" — for strings with oscillators and resonators)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1985 ---- ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=RyanJoy"><b>ryan & joy</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"><hr> <small> [1982-1985] — (collab : w/ david ryan & patrick ferri)</small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1985CHORALE"><b>chorale</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985] — (4 mouvements pour chœur soutenu par un ensemble instrumental à cordes) — <i>(Title : "Choir" — four-parts music for a choir with string orchestra)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1985AUDITORIUM1"><b>auditorium 1 pour JMM</b></A></small></div><div style="text-indent: 100px;"><small><A HREF="index.php?page=1985AUDITORIUM1"><b>phonographies montées</b></A></small></div><div style="text-indent: 100px;"><small><A HREF="index.php?page=1985AUDITORIUM1"><b>(eaux, vents, orages)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985] — (dispositifs de bandes magnétiques lues en continu dans une architecture en plein air ; manipulations de disques) — <i>(Title : "Auditorium for JMM" (Cut Phonographies) — continuous tape playback systems for an out-in-the-open architecture [phonographies montage : water, wind, thunder] - vinyles manipulations & treatments)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1985AUDITORIUM2"><b>auditorium 2 pour JMM</b></A></small></div><div style="text-indent: 100px;"><small><A HREF="index.php?page=1985AUDITORIUM2"><b>phonographies montées</b></A></small></div><div style="text-indent: 100px;"><small><A HREF="index.php?page=1985AUDITORIUM2"><b>(eaux, vents, orages, oiseaux)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1985] — (dispositifs de bandes magnétiques lues en continu dans une architecture ; manipulations de disques) — <i>(Title : "Auditorium for JMM" (Cut Phonographies) — continuous tape playback systems for an indoor architecture [phonographies montage : water, wind, thunder, birds] - vinyles manipulations & treatments)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984AVANT MONDE"><b>l'avant-monde II (sur les rayons)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985] — (bande magnétique) — <i>(Title : "Foreworld II (on beams)" — tape)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1985VARIATIONS"><b>petits moments musicaux (avant-monde III)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985] — (4 mouvements pour quatuor à cordes et voix) — <i>(Title : "Short musical moments" — four-parts music for string quartet and voice)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1985VARIATIONS"><b>improvisation pour piano (amplifié)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985] — (tiré des "petits moments musicaux" - avant-monde III) — <i>(Title : "Improvisation for (amplified) piano" — issued from "petits moments musicaux")</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1985VARIATIONS"><b>variations avant-monde (III)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985] — (bande magnétique, manipulations de disques) — <i>(Title : "Foreworld Variations" — tape, vinyles manipulations & treatments)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=RyanJoyScenarios#etoile"><b>étoile</b></A></small> — <small><i>(unfinalised)</i></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985] — <i>(Title : "Star")</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=RyanJoyScenarios#nox"><b>avant-monde nox</b></A></small> — <small><i>(unfinalised)</i></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1985-86] — <i>(Title : "Foreworld Nox")</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1985NANTES"><b>à propos de nantes</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1985] — (quatuor à cordes) — <i>(Title : "About Nantes" — string quartet)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1984 ---- ---- '''^[1983-1984^]''' ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=RyanJoy"><b>ryan & joy</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"><hr> <small> [1982-1985] — (collab : w/ david ryan & patrick ferri)</small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1983PROMENADE"><b>promenade</b></A></small> — <small><i>(unfinalised)</i></small></div> </TD><TD VALIGN="top"> <div style="text-indent: 10px;"><small> [1983] — (pour un instrument (guitare basse électrique ?) et bandes magnétiques) — <i>(Title : "Stroll" — for an instrument (electric bass guitar ?) and tape)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=RyanJoyScenarios"><i>scénarios</i></A></b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1982-1985] — <i>(performances scenarios)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984SONGS"><b>7:2, 7 songs in 2 days</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1984] — (sept chansons - jérôme joy, synthétiseurs, guitare, boîtes à rythmes - david ryan, voix, percussions, textes) — <i>(seven songs : synthesizers, electric guitar, rhythmnbox, voice, percussions)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984ULTIME"><b>l'ultime</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1984] — (musique instrumentale enregistrée pour synthétiseurs) — <i>(Title : "An Ultimate Moment" — recorded instrumental music with synthesizers)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=1984AVANTMONDE"><i>série des avant-monde</i></A></b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984-1985] — <i>(avant-monde / foreworld series)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984FOREWORLD"><b>foreworld</b></A></small> — <small><i>(unfinalised)</i></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1984] </small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984AVANTMONDE"><b>avant-monde I & II</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1984] — (instruments, bandes magnétiques) — <i>(Title : "Foreworld I & II" — instruments, tapes)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984VINYLS"> <b>stravinskymontage</b></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984] — (avant-monde I & II) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Stravinskymontage" — tapes, vinyles manipulations & treatments)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984VINYLS"> <b>oiseauxmontage</b></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984] — (avant-monde I & II) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Birdsmontage" — tapes, vinyles manipulations & treatments)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984VINYLS"> <b>les battements</b></A></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984] — (avant-monde I & II) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Beatings" — tapes, vinyles manipulations & treatments)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984CROAGH"><b>croagh patrick (Cruach Phádraig)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984] — (dispositif audio en plein air ; bandes magnétiques et dispositifs acoustiques) — <i>(outdoor audio system for a cave on Croagh Patrick mountain in Ireland ; tapes and acoustic systems)</i> — <i>(unfinalised)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=1984SAUT"><b>le saut les figurants</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1984] — (bande-son musicale d'un film, deux versions) — <i>(Title : "Leap - Extras" — film soundtrack, two versions)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><A HREF="index.php?page=RyanJoyScenarios#rochers"><b>les rochers</b></A></small> — <small><i>(unfinalised)</i></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1984] — <i>(Title : "Rocks")</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1984MICROPHONES"><b>micro-phones</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"><small> [1984 rev.1989] — (bande magnétique pour microphones manipulés et feedback (larsens) de microphones) — <i>(tape for manipulated microphones and microphones feedback)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1983 ---- ---- '''^[1982-1983^]''' ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=RyanJoy"><b>ryan & joy</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span></TD><TD VALIGN="top"><hr> <small> [1982-1985] — (collab : w/ david ryan & patrick ferri)</small></TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=RyanJoy"><i>documentation</i></A></b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1982-1985] — <i>(index : performances, multiple paintings, scenarios, projects)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=RyanJoyPeintures"><i>peintures multiples</i></A></b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1982-1985] — <i>(multiple paintings)</i></small></div> </TD> </TR><TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> <div style="text-indent: 80px;">&lfloor; • <small><b><A HREF="index.php?page=1982RNJTAFA">rien n'est jamais tout à fait achevé</A></b></small></div> </TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1982-1983] — (improvisation pour guitare basse électrique saturée et bande magnétique) — <i>(Title : "Nothing is ever over" — improvisation for high-volume distorted electric bass guitar and tape)</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top" width="10"> </TD> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1982ESSAI"><b>un essai d'occupation</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"> <small>[1982-83] — (bande magnétique réalisée à partir d'enregistrements de performances directes : microphones, larsens, pédales d'effets, objets traînés, etc.) — <i>(Title : "An attempt to fill a space" — tape realised with recorded raw materials issued from live experimentations : microphones manipulations, feedback, effects pedals, resonators, dragged objects, etc.)</i></small><hr> </TD> </TR> </TABLE> {/html} {br} {small}'''[top\|ProjectsChrono#top]'''{/small} ---- ! 1982 ---- ---- '''^[ 1982-1979 ^]''' ---- {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top" width="10">↓</TD> <TD VALIGN="top" width="370"><br> • <span style="text-decoration: overline;"><A HREF="index.php?page=jug-jug"><b>jug-jug</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;">   </span> </TD><TD VALIGN="top"><hr> <small> [1979-1981] — (collab : w/ philippe michon & bruno roy) — <i>(post-punk instrumental band)</small></i><hr> </TD> </TR> </TABLE> {/html} {br}{br} {br}{br} ----
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