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! M {html} <TABLE WIDTH="100%" BORDER="0"> <TR> <TD VALIGN="top"width="370"><br> • <span style="text-decoration: overline;"><b>macbeth</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"><hr> <small> [2014] — (installation sonore outdoor, w/ dominique leroy) — <i>(realtime generated ambient sound, an outdoor sound installation, w/ dominique leroy)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top" > • <span style="text-decoration: overline;"><b>mégaphonies</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1997] — (pour voix enregistrées) — <i>(Title : "Megaphonies" — tape for recorded voices)</i></small> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><b>mégaphonies (texte)</b> </small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997] — (retranscription d'interviews réalisés à Alexandrie) — <i>(transcription of interviews conducted in Alexandria)</i></div></small><hr> </TD> </TR><TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=Texts2007#metamus"><b>metamusique - hypermusique</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1996-1997] — (musiques pour internet) — <i>(meta- & hyper-music : internet music for servers and home computers)</i></small></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="http://joy.nujus.net/files/proj/vocales/index.html" onclick="window.open(this.href); return false;"><b>vocales</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1996-1998] — <i>(vocal synthesis, vocal music)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="http://joy.nujus.net/files/proj/midiphonics/index.html" onclick="window.open(this.href); return false;"><b>midiphonics</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1995-1997] — <i>(midi music & synthesis)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="http://joy.nujus.net/files/proj/midiphonics/index.html" onclick="window.open(this.href); return false;"><b>pianospirale</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1997] — <i>(midi music & synthesis ; midiphonics)</i></small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=Texts2007#invencao"><b>net audio projects</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1999] —<i>(International Conference - « Invenção : Thinking the Next Millenium » - Home-studio is an on-line musical platform for hyper- and meta-musical projects using vocal synthesis, midi formats, audio samples mixing, audiovisual processes, and for cooperative collective international projects about new investigations in sound and music languages. Maybe this definition here is very complex to explain it only in few words, but this can be a good introduction. The question today, asked to me many many times, is:. how and why a contemporary music composer want to investigate this new field, comparing that with "real music", all the fields of exploration (instrumental, electronic, and so on) are not totally used and can be, still today, used in the concerts?)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="http://jeromejoy.org/files/txt/1998_JOY_Hypermusique_fr.pdf" onclick="window.open(this.href); return false;"><b>metamusique, programmation, composition</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1998] — <i>(International Conference - « Imagina » - meta- & hyper-music, programming, composing)</i> — (Passer d'un réseau local (le studio d'informatique musicale) au réseau global semble naturel, si toutefois le compositeur met en jeu par cette opération, les conditions d'apparition de l'œuvre musicale.) — <i>(Using the Internet to develop musicworks, exploiting remote sound sources (soundfiles, uses of midi controls for synthesizing sound and vocals on hooked up and machines on networks), and using hypermedia functions, offers me to investigate and explore again both the status and the composition of a music work under new conditions, as for instance, it can therefore no longer be grasped as a complete entity, rather than as a linear event allied with the performance (concert).)</i></small></div><hr></TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=1984MICROPHONES"><b>micro-phones</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span></TD><TD VALIGN="top"><small> [1984 rev.1989] — (bande magnétique pour microphones manipulés et feedback (larsens) de microphones) — <i>(tape for manipulated microphones and microphones feedback)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="http://joy.nujus.net/files/proj/midiphonics/index.html" onclick="window.open(this.href); return false;"><b>midiphonics</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [1995-1997] — (musique Internet, méta- et hyper-musique : lecture en réseau (Internet) sur ordinateurs simultanée et superposée de fichiers MIDI) — <i>(Internet music for servers and home computers, meta- & hyper-music : networked playback (Internet) with computers of simultaneous and surimposed midifiles)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=VideosAvatar"><b>le monde renversé - adynata & impossibilia</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[2013] — (réalisation audio-visuelle pour vidéos et sons électroniques) — <i>(Title : "The World Upside Down - Adynata & Impossibilia" — audio-video work with electronic sound)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2003MONO"><b>mono</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small> [2003] — (pour sons électroniques et feedback de machines bouclées et en circuit) — <i>(recording for electronic sounds and feedbacked & looped machines)</i></small> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2003MONO#Exp__rimentations_ZET"><b>mono (zeta)</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2003-2004] — (ZET Apo33 : expérimentations de propagations sonores au travers d'espaces acoustiques, radio et télématiques) — <i>(ZET : experiencing sound transmission through various spaces ; acoustics, telematics, radio) </i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2003MONO"><b>mono2</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2013] — <i>(live version)</i></small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2003MONO"><b>mono2+3</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [2013] — (version pour concert au casque) — <i>(version for headphones concert)</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>montage</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[1998] — (pour sons échantillonnés) — <i>(for sampled sound)</i></small><hr> </TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>série des montages et des emprunts</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span><br><b><i>montages & borrowed sound & music series</i></b> </TD><TD VALIGN="top"><small> [1984-2011]</small> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=1984VINYLS"><b>stravinskymontage</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984] — (collab : w/ david ryan) — (avant-monde I & II) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Stravinskymontage" — tapes, vinyles manipulations & treatments)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=1984VINYLS"><b>oiseauxmontage</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984] — (collab : w/ david ryan) — (avant-monde I & II) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Birdsmontage" — tapes, vinyles manipulations & treatments)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=1984VINYLS"><b>les battements</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1984] — (collab : w/ david ryan) — (avant-monde I & II) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Beatings" — tapes, vinyles manipulations & treatments)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=1985AUDITORIUM1"><b>phonographies montées (eaux, vents, orages)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1985] — (auditorium 1 pour JMM) — (collab : w/ david ryan) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Auditorium for JMM" (Cut Phonographies) — tapes, vinyles manipulations & treatments)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=1985AUDITORIUM2"><b>phonographies montées (eaux, vents, orages, oiseaux)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1985] — (auditorium 2 pour JMM) — (collab : w/ david ryan) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Auditorium for JMM" (Cut Phonographies) — tapes, vinyles manipulations & treatments)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=1985VARIATIONS"><b>variations avant-monde (III)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1985] — (collab : w/ david ryan) — (bandes magnétiques, manipulations de disques) — <i>(Title : "Foreworld Variations" — tapes, vinyles manipulations & treatments)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><b>sadie music</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997] — (collab : w / claudia hart) — <i>(satie midifile music)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=Joystinckler"><b>joystinckler</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2005] — (collab : w / christophe acker, peter sinclair) — <i>(networked midifilers skiffle band)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 40px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>musiques populaires recomposées</b> </A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] — <i>(set of re-composed folk tunes)</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><b>motifs</b></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[1997] — (bande magnétique diffusée pour un vibraphone en direct (improvisation)) — <i>(Title : "Patterns" — tape for live vibraphone improvisation)</i> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=VideosMotifs"> <b>motifs / lust</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997-1998] — (w/ cirm festival manca nice ; concert en réseau) — <i>(networked music performance for tape and various live instrumentalists (improvisers) distributed and located in two venues in front of two audiences without video link))</i></small></div><hr></TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=nocinema+-+Interludes+2010"><b>movietone (soundie)</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[2010] — (variation nocinema — cinéma en direct avec webcams et microphones en direct et en streaming) — <i>(nocinema variations — live cinema w/ streaming webcams & microphones (locus sonus))</i></small><hr> </TD> </TR><TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>murs du sons</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1995] — (collab : villa arson nice — artists : john m. armleder, michel aubry, robert barry, lars fredrikson, liam gillick, jérôme joy, richard kongrosian, maurizio nannucci, max neuhaus, kristin oppenheim, erik samakh, nathalie talec — murmures : pascal broccolichi, ludovic lignon, josé antonio orts, isabelle sordage)</small><hr> </TD> </TR><TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=ProjectsAff#affiliated"><b><i>musiques en scène</i></b> — <small><i>(go to affiliated projects)</i></small></A></span> </TD><TD VALIGN="top"> <small>[1999] — <span style="text-transform : lowercase;">(collab : mac lyon — artists : janet cardiff, iann carr-harris, collective jukebox / jérôme joy, paul demarinis, raymond gervais, joe jones, alvin lucier, Christian Marclay, Charlotte Moorman, Charlemagne Palestine, Peter Sinclair & GH Hovagimyan, Michael Snow, The Thing / Wolfgang Staehle, Doug & Mike Starn, Stephen Vitiello, Bill Vorn, La Monte Young & Marian Zazeela. — films : Robert Ashley, Glenn Branca, John Cage, Philip Glass, Christian Marclay, Conlon Nancarrow, Nam June Paik, Harry Partch, Steve Reich, The Residents, Cluade Schryer & Raymond Murray Schafer, Michael Snow, Karlheinz Stockhausen & Charlotte Moorman, Stephen Vitiello. — Performances : Philip Corner & Phoebe Neville, John Giorno, Bernard Heidsieck, Christian Marclay & ErikM, Charlemagne Palestine, Peter Sinclair & GH Hovagimyan, Stephen Vitiello. — Concerts : James Fulkerson, Alvin Lucier, Christian Wolff, James Tenney, Terry Riley, John Cage, Harry Partch, Frank Zappa, Michael Tippett, Gavin Bryars, Thad Wheeler, Chris Chafe, David Wessel, Conlon Nancarrow, George Crumb, Morton Feldman, Elliott Carter)</span></small><hr> </TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=PubliTelemusA2010"><b>musique en réseau (networked music)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span></TD><TD VALIGN="top"><small>[1990-present] — (investigations technologiques et propositions musicales et sonores qui modifient les natures de l’interprétation, de l’organologie, de la lutherie, des pratiques d’écoute et de la composition - instrumentale et électroacoustique/électronique) — <i>(technological and sound & music investigations that modify the status of music performances, organology, listening and music composition practices - instrumental, electronic, etc.)</i></small></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=Architecture"><b>un passage parisien</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1990] [1992-1994] — <i>(music & architecture - networked audio systems & sounds via satellite)</i> — <i>(unfinalised)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><b>chemins pour n flûtes</b></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1994-1995] — <i>(for multiple flutes for a networked music performance)</i></small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=Habitation"><b>habitation</b> </A> </small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1995-1997] — <i>(music website)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="http://jeromejoy.org/files/txt/1998_JOY_Hypermusique_fr.pdf" onclick="window.open(this.href); return false;"><b>meta- & hypermusique (hypermusic)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1995-1998] — <i>(International Conference - « Imagina » - music & audio programmings on networks)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=Texts2007"><b>dispositifs coopératifs (co-op systems)</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1996-2005] — <i>(co-op systems as new artistic organisations)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=VideosMotifs"><b>motifs / lust</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1997-1998] — (w/ cirm festival manca nice) — <i>(networked music performance for tape and various live instrumentalists (improvisers) distributed and located in two venues in front of two audiences without video link))</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=Texts2007#invencao"><b>net audio projects</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small> [1999] —<i>(International Conference - « Invenção : Thinking the Next Millenium » - Home-studio is an on-line musical platform for hyper- and meta-musical projects using vocal synthesis, midi formats, audio samples mixing, audiovisual processes, and for cooperative collective international projects.)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=Pacjap"><b>pacjap dsystem</b></A></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2000-2003] — <i>(electronic music networked band ; dsystem meta-instrument)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="http://nomusic.org/" onclick="window.open(this.href); return false;"><b><i>nomusic</i></b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2001-2004] — <i>(networked music online festivals)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="http://jeromejoy.org/files/txt/TÉLÉMUSIQUE+(2005)" onclick="window.open(this.href); return false;"><b>organologie musique en réseau</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2002-2004] — (w/ PhD cursus EESI, univ. poitiers, univ. la rochelle) — <i>(first PhD research on networked music organology)</small></i></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=Radiomatic"><b>radiomatic & streaps</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2001-2003] — <i>(non-stop audio streaming & radio project)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=Pim"><b>pim series</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2004-present] — <i>(some networked music performances)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="http://locusonus.org/" onclick="window.open(this.href); return false;"><b>locustream</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2005-present] — (w/ locus sonus) — <i>(worldwide open microphones network as sound resources for realisations)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=DL"><b>écoute à distance (distance listening)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2005-2007] — <i>(a new ? paradigm into listening typology)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=PubliTelemusA2010"><b>histoire de la musique en réseau</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008-present] — <i>(networked music history)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=NMSAT"><b>nmsat</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008-present] — <i>(networked music & soundart timeline from ancient times to 2008 — locus sonus database on networked music & soundart references)</small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="http://www.sarc.qub.ac.uk/~prebelo/netrooms" onclick="window.open(this.href); return false;"><b><i>netrooms</i></b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2008-2010] — (performances de musique en réseau ; un projet de pedro rebelo d'une musique utilisant l'hybridation des espaces acoustiques et de l'acoustique de l'Internet) — <i>(a project of long feedback music through correlated spaces conducted and initiated by pedro rebelo - networked music performances)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="http://fr.wikipedia.org/wiki/Musique_en_reseau" onclick="window.open(this.href); return false;"><b>wikipedia musique en réseau</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009] — <i>(networked music essay & history - wikipedia)</i></small></div><hr> </TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=PubliEtendues2012"><b>musique étendue (extended music)</b></A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span></TD><TD VALIGN="top"><small>[2003-present] — (phd audio art & experimental music, université Laval Québec)<br>(si la musique devient étendue, outre les propagations et les étendues singulières des sons dans le plein air et dans l’acoustique ouverte du dehors, c’est parce qu’elle s’ouvre indubitablement au mélange des ambiances, des lieux et des socialités) — <i>(the reason why music becomes a series of sound expanses - besides explanations related to the search for unusual acoustics and unexpected possibilities of sound transmissions that both arrive with the wider frame enabled by extended outdoor spaces - relates to the opportunity to open up a mix of ambience and place and, finally, socialities)</small></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=PubliAuditorium2013"><b>(extended) auditorium étendu</b></A></small></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2012-present] — (phd audio art & experimental music, université Laval Québec) — <i>(listening spaces into our electronic and networked contexts)</i></small></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=PubliShakkei2012"><b>shakkei</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009-present] — (w/ crisap ual london) — (auditoriums & audiences - "shakkei" et l'expérience de l'écoute en plein air) — <i>(auditoria & audiences - "shakkei" and the out in the open listening experience - listening as taskcape into environments)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=PubliAround2010"><b>en plein air (out in the open)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009-present] — (w/ soundpocket hong kong) — (la musique étendue - en plein air - les écoutes fascinantes sur l'ile lamma) — <i>(extended music - out in the open -" lammasmerizing" listenings)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=PubliCircuitsA2010"><b>circuits</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2009-present] — (w/ intermédialités montréal) — (une époque circuitée - réflexion sur l'organologie des arts en réseau : le passage de l'internet à un état musical) — <i>(networked & electronic activities as circuitry situations — circuits as a new status for the Internet)</i></small></div></TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="http://jeromejoy.org/files/txt/2002_JOY_LABO_Labotext.pdf" onclick="window.open(this.href); return false;"><b>labotext</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2002] — (coefficient expérimental de la musique - résistance et subversion de la musique expérimentale dans les champs artistiques et économiques) — <i>(experimental scales of music - resistance and subversion of experimental music within economics & art fields)</i></small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small> <A HREF="index.php?page=1990FORMES"><b>formes</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[1990] — (une première étude sur l'extension de la musique dans l'environnement et l'interaction avec lui. La musique occupe du temps et de l'espace, mais ceux-ci occupent-ils la musique ? La musique mêlée aux alentours et aux étendues, dans un présent élargi.) — <i>(a first statement on extension of music into environment. Music is time and space. But do they are investigated by music ? Music mixed with environment and spatial/time expanses into a expanded now. )</i></small></div><hr> </TD> </TR><TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=2011MPR"><b>musiques populaires recomposées</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[2011] — (série d'œuvres électroacoustiques composées à partir de musiques instrumentales live, existantes, empruntées et échantillonnées) — <i>(Title : "Set of Re-Composed Folk Tunes" — electroacoustic music works series composed from samples and boroowings of existing live instrumental music)</i></small> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(1) nearer my god to thee</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] — <i>(tribute to Gavin Bryars)</i></small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(2) an raibh tú ag an gcarraig ?</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(3) tune-up</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(4) my name is (with bagpipes)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(5) brass (take 1)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(6) brass (take 2)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(7) singing bowls</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(8) field hollers</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=2011MPR"><b>(9) hymn (niel gow's lament)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2011] </small></div><hr> </TD> </TR> <TR> <TD VALIGN="top"> • <span style="text-decoration: overline;"><A HREF="index.php?page=MXPRMNTL"><b>mxprmntl</b> </A></span><span style="letter-spacing: 10px;text-decoration: overline;"> </span> </TD><TD VALIGN="top"> <small>[2013-present] — (collab : w/ christophe havard, anthony taillard) — <i>(drone music trio)</i></small><hr> </TD> </TR><TR> <TD VALIGN="top"> <div style="text-indent: 80px;">⌊ • <small><A HREF="index.php?page=VideosMXPRMNTL"><b>asap (as slow as possible)</b></A></small></div></TD><TD VALIGN="top"><div style="text-indent: 10px;"><small>[2013] — <i>(12-hour drone music)</i></small></div> </TD> </TR> </TABLE> {/html} {br} {small}'''[top|ProjectsAlpha#top]'''{/small} ----
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