NOISEhigh - Jerome Joy website

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!!La libération du son intense — une expérience esthétique '''''(FREEING INTENSE SOUND — AN AESTHETIC EXPERIENCE)''''' {br}{br} \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|tl {small}''« 1. New Art must recognize the importance of restructuralizing the sensibility. — 2. The new art form that is required is one of "anti-art". ^[...^] » ''{/small}{br}{small} (BATTCOCK Gregory, "Anti-Art and Outlaw-Art", 1969){/small}\| \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|t \|tl {small}''« ^[...^] ‘political art’ is a monstrous concept, and art by itself could never achieve this transformation, but it could free the perception and sensibility needed for the transformation. And, once a social change has occurred, art, Form of the imagination, could guide the construction of the new society. ^[...^] The real, reality, is becoming the prospective domain of art, and art is becoming technique in a literal, ‘practical’ sense: making and remaking things rather than painting pictures; experimenting with the potential of words and sounds rather than writing poems or composing music.^[...^] » ''{/small}{br}{small} (MARCUSE Herbert, "Art in the One-Dimensional Society", In Arts Magazine 41:7, May 1967){/small}\| ''(à rédiger, un chapitre à partir et au-delà d'Herbert Marcuse)'' {br}{br}{br}{br} ---- '''[continue reading / lire la suite (video documents - XVIIIème-XXème)\|NOISEhigh2]''' — '''[continue reading / lire la suite (video documents - 1980-2013)\|NOISEhigh3]''' {br}{br}{br}{br}{br}{br}{br}{br} ---- {plugin:FOOT_NOTES} {br}{br}
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