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Last changed - French time: 2014/08/22 04:00
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Contents '''''{small}(Nota : for a full and updated NMSAT presentation, please '__[go to the French version|NMSAT.fr]__'){/small}''''' # '''NMSAT PRESENTATION — NETWORKED MUSIC & SOUNDART TIMELINE — A POOL OF INFORMATION'''{br}---- ## ----'''[Introduction|NMSAT CMR.en]''' ### '''[Research Context (Locus Sonus)|NMSAT CMR.en#1_1__Research_Context__Locus_Sonus_]''' ### '''[NMSAT Development Committee|NMSAT CMR.en#1_2__NMSAT_Development_Committee]''' ### '''[The current form of the NMSAT|NMSAT CMR.en#1_3__The_current_form_of_the_NMSAT]''' ## '''[Methodology|NMSAT CMR.en#2__METHODOLOGY]''' ### '''[Documentary Monitoring : Methodology|NMSAT CMR.en#2_1_Documentary_Monitoring___Methodology]''' ### '''[Fields and Structure of NMSAT (version 1.0)|NMSAT CMR.en#2_2__Fields_and_Structure_of_NMSAT__version_1_0_]''' ### '''[From Version 1.0 to Version 2.0|NMSAT CMR.en#2_3__From_Version_1_0_to_Version_2_0]''' ## '''[Objective|NMSAT CMR.en#3__OBJECTIVE]''' ## '''[Rationale and future work|NMSAT CMR.en#4__RATIONALE_AND_FUTURE_WORK]''' ## '''[Bibliography|NMSAT CMR.en#5__BIBLIOGRAPHY]'''{br}----{small}''[Footnotes|NMSAT CMR.en#Footnotes]''{/small}{br}----{br}{br}{br}{br}{br} # '''NMSAT ENTRY STRUCTURATION'''{br}---- ## '''[General structure of an entry (version 1.0 text) (2008)|NMSAT DESCR]''' ## '''[General structure of an entry (version 1.0 text) (2011)|NMSAT DESCR]''' ## '''[Upcoming structure of an entry (version 2.0 database PHP/mySQL)|NMSAT DESCR]''' ### '''[NMSAT database scheme|NMSAT DESCR]''' ### '''[NMSAT entry description|NMSAT DESCR]''' ### '''[mySQL description|NMSAT DESCR]'''----{br}{br}{br}{br}{br} # '''NMSAT SCIENTIFIC COMMITTEE'''{br}---- ## ----'''[List of NMSAT committee members — (71 members)|NMSAT SC]'''----{br}{br}{br}{br}{br} # '''PDF NMSAT VOLUMES PUBLISHINGS : DOWNLOADS'''{br}---- ## ----'''[NMSAT Vol. 1+2 — PART 1 : ∞ - 1964 — Ancient and Modern History, Anticipatory Literature and Technical Developments References — (version Apr. 2011 - 1600 pages)|NMSAT pdf]'''{br}----'''{small}(draft version - beta v.1.110410 - not corrected){br}Edited by Jérôme Joy & Locus Sonus, audio in art{/small}'''----{br}{br}{br}{br} ## ----'''[NMSAT Vol. 3+4+5 — PART 2 : 1950 - present (2008) — Networked Music and Sound Art Works & Tech Developments and Contemporary References — PART 3 : Reference papers & Bibliography — (version Apr. 2011 - 482 pages)|NMSAT pdf]'''{br}----'''{small}(draft version - alpha v.1.110410 - not formatted and not corrected){br}Edited by Jérôme Joy & Locus Sonus, audio in art{/small}'''----{br}{br}{br}{br}{br} # '''ARTICLES PUBLISHINGS'''{br}---- ## ----'''[Networked Music & Soundart Timeline (NMSAT): A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance Listening|NMSAT publi.en]'''----Jérôme Joy & Peter Sinclair{br}{small}'__(Version anglaise / English version)__'{/small}{br}{small}(In “Contemporary Music Review”, Vol. 28, Nos. 4 & 5 ”Network Performance”, August/October 2009, pp. 351-361, Edited by Peter Nelson, Issue editor Pedro Rebelo. Routledge, Taylor & Francis Group){/small}{br}{br}{br} ## ----'''''[NMSAT Historique de l'art audio et de la musique en réseau — Un Fonds Documentaire sur les pratiques et techniques liées aux transports de sons et aux actions sonores à distance|NMSAT publi.en]'''----Jérôme Joy & Peter Sinclair{br}{small}'__(Version française / French version)__'{/small}{br}{small}(Article publié dans sa version anglaise in “Contemporary Music Review”, Vol. 28, Nos. 4 & 5 ”Network Performance”, August/October 2009, pp. 351-361, Edited by Peter Nelson, Issue editor Pedro Rebelo. Routledge, Taylor & Francis Group){/small}''{br}{br}{br} ## ----'''[Networked Music & Soundart Timeline (NMSAT): Excerpts of Part One: Ancient and Modern History, Anticipatory Literature, and Technical Developments References|NMSAT publi.en]'''----Jérôme Joy{br}{small}'__(Version anglaise / English version)__'{/small}{br}{small}(In “Contemporary Music Review”, Vol. 28, Nos. 4 & 5 ”Network Performance”, August/October 2009, pp. 449-490, Edited by Peter Nelson, Issue editor Pedro Rebelo. Routledge, Taylor & Francis Group){/small}{br}{br}{br} ## ----'''[What NMSAT says about sonification|NMSAT publi.en]'''----Jérôme Joy{br}{small}'__(Version anglaise / English version)__'{/small}{br}{small}(In “AI & Society : Knowledge, Culture and Communication”, Vol. 27:2, ”Proceedings of Locus Sonus Symposium : « Sonification (What, Where, How, Why) »”, May 2012, pp. 233-244, Edited by Karamjit S. Gill, Victoria Vesna, David Smith and Richard Ennals, Issue editor Peter Sinclair / Locus Sonus. London : Springer (Pub.)){/small}----{br}{br}{br}{br}{br} # '''DATABASE CONTENTS INDEX'''{br}---- ## Index of database content (Ancient times to 1964){br}'''[entries index of the NMSAT Vol.1 & 2 — PART 1 : ∞ - 1964 — Ancient and Modern History, Anticipatory Literature and Technical Developments References — (ca. 1220 entries and references)|NMSAT Index12]'''{br}---- ## Index of database content (1950 to 2008){br}'''[entries index of the NMSAT Vol.3 & 4 — PART 2 : 1950 - present (2008) — Networked Music and Sound Art Works & Tech Developments and Contemporary References — (ca. 1508 entries and references)|NMSAT Index34]'''{br}---- ## Index of bibliographical references{br}'''[read the index of the NMSAT Vol.5 — PART 3 : Reference papers & Bibliography — (ca. 500 references)|NMSAT Index5]'''----{br}{br}{br}{br}{br} ---- {br}{br} ---- {br}{br} !!! Partnerships (in progress) *'__Partnership__' : (Production, publishing) **Locus Sonus – Audio in Art **École Nationale Supérieure d’Art de Bourges (School of Arts of Bourges, France) **École Supérieure d’Art d’Aix en Provence (School of Arts of Aix en Provence, France) *'__Scientific Partnerships__' : (Research collaborations) ** SARC, Sonic Art Research Center, Queen's University, Belfast (Pedro Rebelo) ** AT&S, SAIC, School of the Art Institute of Chicago (Peter Gena) ** CRiSAP, Creative Research into Sound Art Practices, University of the Arts London (Angus Carlyle) ** SYNEME, University of Calgary (Ken Fields) ** Deep Listening Institute, RPI Troy University (Pauline Oliveros) ** EMERGE, Bournemouth University (Alain Renaud) ** CCRMA, Center for Computer Research in Music and Acoustics, Stanford University (Juan Pablo Carceres, Chris Chafe) ** School of Music, College of Architecture, Georgia Institute of Technology (Jason Freeman) ** ATEC, Arts & Technology, University of Texas, Dallas (Scot Gresham-Lancaster) ** CRESSON, UMR CNRS, Centre de recherche sur l'espace sonore et l'environnement urbain, École Nationale Supérieure d'Architecture de Grenoble (Jean-Paul Thibaud) ** NYU, New York University (Allen S. Weiss) ** MINT, Musique Informatique Nouvelles Technologies, Univ. Sorbonne Paris4 (Marc Battier) ** EARS, ElectroAcoustic Resource Site, De Montfort University’s Music, Technology and Innovation Research Group University of Leicester (Leigh Landy, Simon Atkinson) ** IMERA, Institut Méditerranéen de Recherches Avancées, Universités Aix-Marseille (Roger Malina) ** LESA, Laboratoire d'Études en Sciences des Arts, LACS, Département des Arts plastiques, Aix-Marseille Université (Sylvie Coellier) ** LSIS, Laboratoire Des Sciences de l'Information et des Systèmes, Aix-Marseille Université (Mohammed Quafafou) ** SATIS, Sciences, Arts et Techniques de l'Image et du Son, Faculté des Sciences, Aix-Marseille Université ** Laboratoire des Usages (Univ. Sophia-Antipolis, ENST, ParisTech) (Marc Relieu) *'__Scientific Collaborations__' :{br}The NMSAT Scientific Commmittee.
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