NMSAT CMR.en - Jerome Joy website

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!! 3. OBJECTIVE With this original and versatile documentation system, collaborators and partners in the project will be able to rely on a continuously updated and expanding resource. Our interest lies in the development of new research and the exploration of correlations, classifications and concepts as related to networked audio practices and highlighted in the analysis of documents in NMSAT (such as, for instance, with the notion of “distance listening - Internet auditoriums”, a research project by Jérôme Joy, and “using real-time data flux in art - sonification” by Peter Sinclair, and other research objects developed by artists and researchers within Locus Sonus). This resource proposes a continuous update on networked audio art, sonic art and music, while offering a time effective means to search for information in current events and in ancient or recent history. Simultaneously, it offers the possibility to follow the progress of current projects in art and research and the impact of technologies used in audio-artistic practices. NMSAT offers the opportunity to analyse interactions, modifications and correlations within the often fragile and controversial context that networked audio art represents. Through the observation of praxis and fiction, the objective of NMSAT is to unravel and discover links and connections between disciplines often seemingly unrelated or even hostile one another. In addition, NMSAT allows for different interpretations of its content based on “thematic threads” running through the collection and highlighting recurrent issues, such as environmental experiences and sonic landscapes, sense of place and field spatialization{footnote}Field Spatialization, Cf Supra 5.{/footnote}, the question of audiences and their place, distributed acoustic and telepresence, live composition and sound interaction, reinstantiation{footnote}"Reinstantiation” should be read here as the reconfiguration (or substitution) of instances, states and status that become updated and conditionned by contexts and objectives.{/footnote} of reception and emission (embodiments of receiver and transmitter), etc. A future objective of NMSAT is to progressively build an editorial platform, such as a toolbox{footnote}The term « Toolbox » has been used in an interview between M. D’Eramo and Michel Foucault in 1974: « Je fabrique - j’allais dire des machines, mais ce serait trop à la Deleuze - des instruments, des ustensiles, des armes. Je voudrais que mes livres soient une sorte de tool-box dans lequel les autres puissent aller fouiller pour y trouver un outil avec lequel ils pourraient faire ce que bon leur semble, dans leur domaine. » ^[I build – I was about to say machines, but it would be too much Deleuze-inspired – instruments, utensils, weapons. I would like my books to be something like a tool-box in which people could find a tool to do whatever they wish in their own domain^]. Foucault M. (1974). Prisons et asiles dans le mécanisme du pouvoir. In Gallimard (Ed.), ''Dits et Écrits I'', 1954-1975 (pp. 1389-1393). Paris. First published in Avanti, n°53, 3 March 1974 (pp. 26-27).{/footnote} (Foucault, 1974), hosting works, critical analysis or other research projects, stemming from the use of the database as a resource. The development of this project by Locus Sonus will contribute and support our on-going collaborations : Eu-phonic (with SARC Belfast, CRiSAP LCC University of the Arts London, CultureLab University of Newcastle, LORNA Reykjavik, KIBLA Malibor, Le Hangar Barcelona, STEIM Amsterdam), Audio Ambiances (LAMES CNRS Université de Provence, CRESSON CNRS École d’Architecture de Grenoble, ENST / Telecom Paristech / Eurocom Sophia-Antipolis / EHESS), TransatLab puf - franco-american academic partnership{footnote}Retrieved April 13, 2009, from http://transatlab.net/{/footnote} (School of the Art Institute of Chicago SAIC), Locustream (in collaboration with communities of field recordists and phonographers such as WLP - World Listening Project{footnote}Retrieved April 13, 2009, from http://www.worldlisteningproject.org/{/footnote}). {br}{br}
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