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!!!!Abstract In 2008, Jérôme Joy initiated the “Networked Music & SoundArt Timeline” (NMSAT) — a monitor on the history of networked music and sound, and Telemusic (Joy, 2003-2005). The Timeline is maintained by the NMSAT Development Committee, consisting primarily of researchers and artists from partner institutions{footnote}see below Paragraph 3.{/footnote}. The team is complemented by a pool of contributors and editors contributing to Locus Sonus’s projects (such as, for instance, members of the Locustream project{footnote}A worldwide network of live streams from open microphones, initiated by Locus Sonus. http://locusonus.org/soundmap/{/footnote}) and individuals who are part of other collaborative projects. This Committee has two major objectives : (1) to amend and expand the existing database comprised currently of more than 2,000 entries and approximately 550 reference articles{footnote}NMSAT v.1.090319 (March 2009){/footnote}; (2) to support the online technical and editorial developments of the project. This article describes the current state of the timeline and the way in which it has been structured, as well as its evolution towards an open resource database accessible through a variety of specialized interfaces. NMSAT is part of the Locus Sonus research program and provides an essential historical backbone to practice based artistic research and the exploration of developing technologies. {small}Keywords : networks, audio art, networked music, timeline, database{/small} ---- {small}''(First published in “Contemporary Music Review”, Vol. 28, Nos. 4 & 5 ‘Network Performance”, August/October 2009, pp. 351-361, Edited by Peter Nelson, Issue editor Pedro Rebelo. Routledge, Taylor & Francis Group)''{/small} ---- {br}{br}
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