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!!!Abstract |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t ''The compositional approach of Jérôme Joy is “pluri- multiform” in that it combines in an undifferentiated whole musical acoustic or electronic instruments, computer applications and a diversity of plurial sound practices such as electroacoustic music (aka concrete music), improvisation, performance, computer modelings, networkings, etc.. This particular interbreeding generates perceptive unforeseeable objects in constant mobility.{br}{br}This article tries to highlight, by considering them under various angles, some of the formal, esthetic and esthesic resultants generated by these process. In fact, this kind of practice questions directly the idea involved by what is a “work of art” as it is designed traditionally and perhaps especially, the perception that is attached to it.''|
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