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{NO_COMMENTS} ---- {html} <TABLE BORDER="0" WIDTH="100%"> <TR> <TD ALIGN="right"> <small><b><i>Back to /</i>Retour : <br>— ∇ <A HREF="index.php?page=JV.fr">Jules Verne (Part 1)</A> </b></small> </TD> </TR> </TABLE> {/html} ---- {br}{br} {html} <TABLE width="100%"><TR><TD ALIGN="center"> <H3>Jules Verne and Music (part 2)</H3> <H3>Excerpts & Quotations</H3> </TD></TR></TABLE> {/html} ---- {html} <TABLE width="100%"><TR><TD ALIGN="center"> <IMG SRC="http://jeromejoy.org/files/articles/julesverne/journee4.jpg"><br><small><i>Conference-Call in "La journée d'un journaliste américain en 2889" (In the Year 2889)</i> </small> <br><br><br><br> </TD></TR></TABLE> {/html} {br}{br} ---- {TOC} \|t {small}[Access to part 1 : Audiences, les inventions musicales, la « noise » et les aventures acoustiques\|JV.fr]{/small}---- {br}{br}{br}'__'''INTRODUCTION'''__'{br}{br}''In this study, the author is trying to do a "survey" by probing quotes through the Jules Verne's books series, in order to explore and identify the relevant perimeters, schemes and elements that will further help to develop a detailed analysis on specific historical references concerning "Télémusique "(or" NetMusic" or "Networked Music"). This study is an attempt to draw diagrams that might be useful to discern the components, both imaginary (or dreamed) and technical heritage, concerning modifications of the sound (and music) related to distance.''\| {br}{br} {br}{br} ---- {br}{br} ---- !!1862 - « The Count of Chanteleine » '__Keywords__' : '''telegraph''' '__''[Read the specific excerpt (in French)\|JV1862Chanteleine]''__' ---- {br}{br} ---- !!1862 - « Five Weeks in a Balloon » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1862CinqSemaines]''__' ---- {br}{br} ---- !!1863 - « Paris in the Twentieth Century ». '__Keywords__' : '''musique of the future''', '''audition''', '''audiences''', '''electric concert'''{br}'__Cited personalities and music works__' : '''Wagner, Verdi''' '__''[Read the specific excerpt (in French)\|JV1863Paris]''__' ---- {br}{br} ---- !!1863 - « Journey to the Center of the Earth ». '__Keywords__' : '''acoustics''', '''remote listening''', '''imaginary audience''' '__''[Read the specific excerpt (in French)\|JV1863Terre]''__' ---- {br}{br} ---- !!1863 - « The Adventures of Captain Hatteras » '__Keywords__' : '''telegraph''' '__''[Read the specific excerpt (in French)\|JV1863Hatteras]''__' ---- {br}{br} ---- !!1864/65 - « From the Earth to the Moon » '__Keywords__' : '''acoustics''', '''audiences''', '''telegraph''' '__''[Read the specific excerpt (in French)\|JV1864Lune]''__' ---- {br}{br} ---- !!1865/67 - « In Search of the Castaways (Les Enfants du Capitaine Grant) ». '__Keywords__' : '''symphony of Nature''', '''composer''', '''piano''', '''distant sound'''{br}'__Cited personalities and music works__' : '''Mozart, Don Giovanni, Charles Gounod, Victor Massé, Félicien David, Wagner''' '__''[Read the specific excerpt (in French)\|JV1865Grant]''__' ---- {br}{br} ---- !!1865 - « Dr. Ox's Experiment ». '__Keywords__' : '''aerial piano''', '''musical interpretation''', '''audiences'''{br}'__Cited personalities and music works__' : '''Meyerbeer, Robert le Diable, les Huguenots, Gioachino Rossini, Guillaume Tell (William Tell), Le Barbier de Séville (The Barber of Seville), Mozart, Les Noces de Figaro (The Marriage of Figaro)''' '__''[Read the specific excerpt (in French)\|JV1865Ox]''__' ---- {br}{br} ---- !!1866-69 - « Twenty Thousand Leagues Under the Sea » '__Keywords__' : '''musicians''', '''piano-organ''', '''truncated harmony'''{br}'__Cited personalities and music works__' : '''Weber, Rossini, Mozart, Beethoven, Haydn, Meyerbeer, Herold, Wagner, Auber, Gounod''' '__''[Read the specific excerpt (in French)\|JV1866Lieues]''__' ---- {br}{br} ---- !!1871 - « The Fur Country » '__Keywords__' : '''song''' '__''[Read the specific excerpt (in French)\|JV1871Fourrures]''__' ---- {br}{br} ---- !!1871 - « A Floating City » '__Keywords__' : '''noise''', '''fuss''', '''truncated harmony''', '''piano''', '''concert''', '''audiences'''{br}'__Cited personalities and music works__' : '''Pleyel, Franz Liszt, Mendelssohn''' '__''[Read the specific excerpt (in French)\|JV1871VilleFlottante]''__' ---- {br}{br} ---- !!1872 - « Around the World in Eighty Days » '__Keywords__' : '''eolian music''' '__''[Read the specific excerpt (in French)\|JV1872TourMonde]''__' ---- {br}{br} ---- !!1874/76 - « Off on a Comet (Hector Servadac) » '__Cited personalities and music works__' : '''Wagner, Rossini''' '__''[Read the specific excerpt (in French)\|JV1874Servadac]''__' ---- {br}{br} ---- !!1875 - « An Ideal Town ». '__Keywords__' : '''music of the future, audiences, ears, voltaic power, electric concert, networked music performance'''{br}'__Cited personalities and music works__' : '''Wagner''' '__''[Read the specific excerpt (in French)\|JV1875Ville]''__' ---- {br}{br} ---- !!1875 - « Michael Strogoff » '__Keywords__' : '''aerial orchestra''', '''eolian harp''' '__''[Read the specific excerpt (in French)\|JV1875Strogoff]''__' ---- {br}{br} ---- !!1876/77 - « The Child of the Cavern (Les Indes Noires) » '__Keywords__' : '''melody of Nature''' '__''[Read the specific excerpt (in French)\|JV1876Indes]''__' ---- {br}{br} ---- !!1877/78 - « Dick Sand, A Captain at Fifteen ». '__Keywords__' : '''animal symphony''' '__''[Read the specific excerpt (in French)\|JV1877Capitaine]''__' ---- {br}{br} ---- !!1878 - « The Begum's Millions » '__Keywords__' : '''speaking-tube''', '''ear trumpet''', '''telephone''', '''multicast conference''' '__''[Read the specific excerpt (in French)\|JV1878Millions]''__' ---- {br}{br} ---- !!1878/79 - « Tribulations of a Chinaman in China ». '__Keywords__' : '''pandemonium''', '''speaking-tube''', '''phonograph''', '''phonographic roll''', '''phonographic letter''' '__''[Read the specific excerpt (in French)\|JV1878Tribulations]''__' ---- {br}{br} ---- !!1881 - « Godfrey Morgan (L'École des Robinsons) » '__Keywords__' : '''piano''', '''intonation''' '__''[Read the specific excerpt (in French)\|JV1881Robinsons]''__' ---- {br}{br} ---- !!1882 - « The Green Ray ». '__Keywords__' : '''acoustics''', '''harmonious cave''', '''eolian harp''', '''surnatural music''', '''echo''' '__''[Read the specific excerpt (in French)\|JV1882Rayon]''__' ---- {br}{br} ---- !!1883/84 - « Mathias Sandorf » '__Keywords__' : '''acoustics''', '''remote listening''', '''whispering gallery''' '__''[Read the specific excerpt (in French)\|JV1884Sandorf]''__' ---- {br}{br} ---- !!1885 - « Robur the Conqueror » '__Keywords__' : '''distant sound''', '''aerial trumpet''', '''acoustics''', '''eolian harp''', '''musical oxygene''', '''aerial orchestra''', '''aerial concert''' '__''[Read the specific excerpt (in French)\|JV1885Robur]''__' ---- {br}{br} ---- !!1885/86 - « North Against South » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1885Nord]''__' ---- {br}{br} ---- !!1888 - « The Purchase of the North Pole (Sans Dessus Dessous) » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1888Dessus]''__' ---- {br}{br} ---- !!1889 - « In the Year 2889 (La journée d'un journaliste américain en 2889) » '__Keywords__' : '''telephone, telephote, radio news, phonograph room, phonotelephote'''{br}'__Cited personalities and music works__' : '''Morse, Hughes''' '__''[Read the specific excerpt (in French)\|JV1889Journaliste]''__' ---- {br}{br} ---- !!1884/89 - « Carpathian Castle ». '__Keywords__' : '''psychagogical evocation, spectrum, ghost, audiences, telephone, remote listening, telephote, eavesdropping (discrete listening), phonograph '''{br}'__Cited personalities and music works__' : '''Edison''' '__''[Read the specific excerpt (in French)\|JV1889Carpathes]''__' ---- {br}{br} ---- !!1889 - « César Cascabel » '__Keywords__' : '''orchestra, pandemonium, audiences''' '__''[Read the specific excerpt (in French)\|JV1889Cascabel]''__' ---- {br}{br} ---- !!1891/92 - « Foundling Mick (P'tit Bonhomme) » '__Keywords__' : '''serinette (bird organ), truncated harmony, musicomane (music lover) ''' '__''[Read the specific excerpt (in French)\|JV1891Bonhomme]''__' ---- {br}{br} ---- !!1893 - « Mr. Re Sharp and Miss Mi Flat ». '__Keywords__' : '''music of the future, composer, children voices organ, micro-intonation, ears'''{br}'__Cited personalities and music works__' : '''Fabri, Kleng, Erhart Smid, André, Castendorter, Krebs, Müller, Agricola, Kranz, Antegnati, Costanzo, Graziadei, Serassi, Tronci, Nanchinini, Callido, Sébastien Erard, Abbey, Cavaillé-Coll''' '__''[Read the specific excerpt (in French)\|JV1893Bemol]''__' ---- {br}{br} ---- !!1894 - « The Mighty Orinoco » '__Keywords__' : '''sonic stones, harmonic ensemble, Memnon, acoustics''' '__''[Read the specific excerpt (in French)\|JV1894Orenoque]''__' ---- {br}{br} ---- !!1895 - « Propeller Island (L'Ile à Hélice) ». '__Keywords__' : '''quartet, cacophonous sonata, concert, Amphion, Orpheus, audiences, pandemonium, cacophony, improvised orchestra, telephone, telautograph, phonograph, phonographic clock, serinette (bird organ), echo, wagnerian epidemic, can music, networked music performance, simultaneous communication, theatrophone, concert venue, feedback of audiences, systems of musical energy, telephone transmission of sound waves at home, live music performance, deafness, ears, Cantata of Cantatas (Song of Songs), société orphéonique (choir company)'''{br}'__Cited personalities and music works__' : '''Meyerbeer, Halévy, Gounod, Berlioz, Wagner, Verdi, Massé, Saint-Saëns, Reyer, Massenet, Delibes, Mozart, Haydn, Beethoven, Onslow, Ambroise Thomas, Rossini, Mendelssohn, Weber''', '''Don Juan''', '''Edison''' '__''[Read the specific excerpt (in French)\|JV1895Helice]''__' ---- {br}{br} ---- !!1895 - « Clovis Dardentor » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1895Dardentor]''__' ---- {br}{br} ---- !!1895 - « The Kip Brothers » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1895Kip]''__' ---- {br}{br} ---- !!1895/96 - « An Antarctic Mystery (Le Sphinx des Glaces) » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1895Sphynx]''__' ---- {br}{br} ---- !!1896/97 - « The Will of an Eccentric » '__Keywords__' : '''audiences, auditorium, orchestra, choir, theatre'''{br}'__Cited personalities and music works__' : '''Lecocq, Varney, Audran, Offenbach, Beethoven, Strauss, Chopin, Haendel''' '__''[Read the specific excerpt (in French)\|JV1896Excentrique]''__' ---- {br}{br} ---- !!1898 - « The Secret of Wilhelm Storitz » '__Keywords__' : '''repertoire, audiences, audition, distant voice, ventriloquism, invisibility'''{br}'__Cited personalities and music works__' : '''Frédéric Margrade''' '__''[Read the specific excerpt (in French)\|JV1898Storitz]''__' ---- {br}{br} ---- !!1898/99 - « Travel Scholarships » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1898Bourses]''__' ---- {br}{br} ---- !!1899 - « The Village in the Treetops » '__Keywords__' : '''animal phonography, languages intonation, music conductor, musical box, piano roll, hurdy-gurdy, truncated harmony'''{br}'__Cited personalities and music works__' : '''Loïsa Puget (French composer woman), '''Hector Berlioz, Freyschütz (The Marksman or The Freeshooter)''' '__''[Read the specific excerpt (in French)\|JV1899Village]''__' ---- {br}{br} ---- !!1900 - « The Chase of the Golden Meteor » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1900Chasse]''__' ---- {br}{br} ---- !!1902 - « Invasion of the Sea » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1902Invasion]''__' ---- {br}{br} ---- !!1903 - « The Barsac Mission » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1903Barsac]''__' ---- {br}{br} ---- !!1908 - « The Danube Pilot » '__Keywords__' : '''audiences''' '__''[Read the specific excerpt (in French)\|JV1908Danube]''__' ---- {br}{br} ---- !!1909 - « The Survivors of the "Jonathan" » '__Keywords__' : '''concert, orchestra conductor, synphonic orchestra, composer, violin, virtuoso, maestro, free concert, audiences''' '__''[Read the specific excerpt (in French)\|JV1909Jonathan]''__' ---- {br}{br} ---- '__The Original Illustrations of the Voyages Extraordinaires, sources__' : * http://www.renepaul.net/collection_verne1/ * http://jv.gilead.org.il/rpaul/ ---- {br}{br}{br} ---- ---- {plugin:FOOT_NOTES}
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