Documentation - Jerome Joy website

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!Documentation ---- ---- {html} <!--<small><span style="background-color:grey;">Page actuellement en cours de rédaction</span></small><br> <small><i><span style="background-color:grey;">Underconstruction.</span></i></small>--> <DIV ALIGN="right"> <TABLE BORDER="0" width="20%"> <TR> <TD> <hr nosize> <small><b>Menu</b></small> <hr nosize> <small> • <A HREF="#facsimiles">Fac-Similes, Essays & Scores</A><br> • <A HREF="#ressources">Ressources Music, Art & Tech</A><br> • <A HREF="#biblio">Bibliography</A><br> • <A HREF="#archives">Archives</A><br> </small> </TD> </TR></TABLE> </DIV> {/html} {br}{br} {html} <DIV ALIGN="right"> <H5> <A name="facsimiles"><span style="background-color:yellow;">FAC SIMILES, ESSAYS & SCORES </span></A><hr nosize> <TABLE BORDER="0" width="100%"> <TR><TD bgcolor="grey" width="100%">    <br> </TD></TR></TABLE> <hr nosize>        • MARYANNE AMACHER <br>— <small><A HREF="http://jeromejoy.org/files/scores/amacher.pdf" target=_blank><i>Psychoacoustic Phenomena in Musical Composition (paper) (2008)</i></A></small> <hr nosize>        <span style="font-size:1.5em">&loz;</span> BOOK : <u>ART & TECHNOLOGY 1971</u> — <small><A HREF="https://archive.org/details/reportonarttechn00losa_" target=_blank>A Report on the Art and Technology Program of the Los Angeles County Museum, 1967-1971</A></small> <hr nosize>        • ROBERT ASHLEY <br>— <small><A HREF="index.php?page=NOISEhighashley"><i>The Wolfman (wiki page) (1964)</i></A> <br><A HREF="https://www2.ak.tu-berlin.de/~gastprof/collins/experimental-music/Ashley/Ashley-%20She%20Was%20A%20Visitor.pdf" target=_blank>She was a visitor (score) (1967)</A> — <small><A HREF="http://jeromejoy.org/files/scores/ashley_shewasavisitor.pdf" target="_blank">[local score]</A></small> — <A HREF="http://eveessex.com/wp-content/uploads/2013/07/She_Was_a_Visitor.jpg" target=_blank>She was a visitor (jpg score) (1967)</A> — <small><A HREF="http://jeromejoy.org/files/scores/ashley_shewasavisitor.jpg" target="_blank">[local score]</A></small> — <A HREF="https://www2.ak.tu-berlin.de/~gastprof/collins/experimental-music/Ashley/She%20was%20a%20visitor.mp3" target=_blank>She was a visitor (mp3) (1967)</A> — <small><A HREF="http://jeromejoy.org/files/scores/ashley_shewasavisitor.mp3" target="_blank">[local file]</A></small></small> <hr nosize>        • LUCIANO BERIO <br>— <small><A HREF="http://d97bcfa3.cm-3-4d.dynamic.ziggo.nl/scores/B/Berio,%20Luciano/Berio%20-%20Folksongs.pdf" target=_blank>Folk Songs (score) (1964)</A> — <small><A HREF="http://jeromejoy.org/files/scores/berio_folksongs_1.pdf" target="_blank">[local score]</A></small> — <A HREF="http://www.universaledition.com/tl_files/flip/berio-folk-songs/berio-folk-songs.pdf" target=_blank>Folk Songs (score) (UE) (1964)</A> — <small><A HREF="http://jeromejoy.org/files/scores/berio_folksongs_2.pdf" target="_blank">[local score]</A></small> <br><A HREF="http://d97bcfa3.cm-3-4d.dynamic.ziggo.nl/scores/B/Berio,%20Luciano/Berio%20-%20Sequenza%20IV.pdf" target=_blank>Sequenza IV for piano (score) (1966)</A> — <small><A HREF="http://jeromejoy.org/files/scores/berio_sequenzaIV.pdf" target="_blank">[local score]</A></small> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Berio/Berio-Scores/Berio-O'King.pdf" target=_blank>O King (score) (1968)</A> — <small><A HREF="http://jeromejoy.org/files/scores/berio_oking.pdf" target="_blank">[local score]</A></small> <br><strike><i><A HREF="http://d97bcfa3.cm-3-4d.dynamic.ziggo.nl/scores/index.php?path=B%2FBerio%2C+Luciano/" target=_blank>list of scores to download</A></i></strike> </small> <hr nosize>        • KONRAD BOEHMER — <small><A HREF="index.php?page=NOISEhigh#Intensit__s_sonores">Aspekt (1964-67)</A> — <A HREF="http://muzabaza.com/dll.php?cs=4848v4&u=71901830&n=4de4d83f3e47&a=Konrad-Boehmer&nn=Aspekt&k=-9512870" target="blank">Aspekt (1964-67) (mp3)</A> </small> <br><A HREF="http://www.kboehmer.nl/docs/Apocalipsis.pdf" target="blank">Apocalipsis cum figuris (1984)</A> </small> <hr nosize>        • EARLE BROWN — <small><A HREF="http://jeromejoy.org/files/articles/brown/FolioandFourSystemsPrefatoryNote.pdf" target=_blank>Folio and Four Systems Prefatory Notes</A> - <A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Brown-Scores/Brown-FOLIO:4Systems.pdf" target=_blank>Folio and Four Systems Prefatory Notes (score2)</A><br><A HREF="http://jeromejoy.org/files/articles/scores/brown_dec52_graphics.jpg" target=_blank>December 52 (1952)</A> — <A HREF="http://mumia.art.pte.hu/mami/tartalom/oktatasi_anyagok/partitura_2014/Brown_December1952/brown_Folio_intro_entire.JPG" target=_blank>December 52 - Prefatory Notes (1952)</A> <br><A HREF="http://volume.revues.org/docannexe/image/2048/img-1.jpg" target=_blank>Four Systems (1954)</A> <br><A HREF="http://earle-brown.org/works/view/32" target=_blank>Nine Rarebits (1965)</A> — <A HREF="http://earle-brown.org/images/work/full.32.jpg" target=_blank>Nine Rarebits (1965) (img)</A> <br><A HREF="http://en.scorser.com/Out/300588038.html" target=_blank>String Quartet (1965)</A> <br><A HREF="http://en.scorser.com/Out/300588037.html" target=_blank>Module III (1968-69)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/brown_SmallPiecesforLargeChorus1969.jpg" target=_blank>Small Pieces for Large Chorus (1969)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/brown_NewPiece1971.jpg" target=_blank>New Piece (1971)</A> <br><A HREF="http://en.scorser.com/Out/300588036.html" target=_blank>Cross Sections and Color Fields (1972-75)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/brown_Wikiup1979.pdf.zip" target=_blank>Wiki Up (1979)</A> <br><A HREF="http://mozejko.org/wp-content/uploads/2012/02/02_Grella-Mozejko-CMR-Brown.pdf" target=_blank>Form, Notation, Text - by Piotr Grella Mozejko (2007)</A> <br><A HREF="http://www.earle-brown.org/images/editing_report.pdf" target=_blank>Earle Brown's score - editing report (2013)</A></small><hr nosize>        • GAVIN BRYARS — <small><A HREF="http://www.kim-cohen.com/Assets/CourseAssets/Texts/Bryars_Far%20Away%20and%20Dimly%20Pealing%20%281970%29.PDF" target="_blank">Far Away and Dimly Pealing (via Seth Kim-Cohen) (1970)</A> <br><A HREF="http://www2.ak.tu-berlin.de/~gastprof/collins/experimental-music/Bryars/1234notes.pdf" target="_blank">1, 2, 1-2-3-4 (1971)</A> <br><A HREF="http://www.experimentalmusic.co.uk/emc/Jems_files/Bryarssatiebritish.pdf" target="_blank">Satie and the British, text (1982)</A> <br><A HREF="http://www.experimentalmusic.co.uk/emc/Jems_files/Bryarssatievexations.pdf" target="_blank">Vexations and its performers, text (1983)</A> <br><A HREF="http://minimalismsociety.org/wp-content/uploads/2010/07/Scott-Cook.pdf" target="_blank">Triadic transformation and harmonic coherence in the music of Gavin Bryars, study (Scott Alexander Cook) (2006)</A></small> <hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>MICHAEL BYRON / ANTHOLOGY OF PIECES (1976/1977)</u> — <small><A HREF="http://continuo-docs.tumblr.com/post/37957679928/michael-byron-ed-pieces-an" target="_blank">Pieces : An Anthology (1976) - A collection of process music pieces and graphic scores by Peter Garland, David Mahler, Tom Nixon, Michael Byron, Marion Brown, Harold Budd, Frederic Rzewski, Richard Teitelbaum, David Rosenboom, John Grayson, James Tenney and Stephan Von Huene</A> </small> <hr nosize>        • JOHN CAGE — <small><A HREF="http://www.arts.rpi.edu/~century/MMC11/JohnCage_Silence.pdf" target=_blank>The Future of Music : Credo (1937)</A><br><A HREF="https://www.academia.edu/8103072/John_Cage_String_Quartet_In_Four_Parts_Complete_Score" target=_blank>String Quartet in Four Parts (score) (1949-50)</A><br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Cage-Scores/Cage-Imag.%20L.S.%20No.4.pdf" target=_blank>Imaginary Landscape 4 (1952)</A> <br><A HREF="http://exhibitions.nypl.org/johncage/node/53" target=_blank>Imaginary Landscape 5 (1952)</A><br><A HREF="http://ada.evergreen.edu/~arunc/texts/music/cage3/cage3.pdf" target=_blank>Experimental Music : Doctrine (1955)</A> <br><A HREF="http://ada.evergreen.edu/~arunc/texts/music/cage1/cage1.pdf" target=_blank>Experimental Music (1957-1958)</A> <br><A HREF="index.php?page=NOISEhigh#Histoire_des_Intensit__s_sonores">Variations V (1965-66)</A> <br><A HREF="http://monoskop.org/images/4/43/Cage_John_M_Writings_67_72.pdf" target=_blank>M, writings (1967-72)</A> <br><A HREF="http://monoskop.org/images/0/03/Cage_John_Song_Books_Volume_1.pdf" target=_blank>Song Books, vol. 1 (score) (1970)</A> <br><A HREF="http://monoskop.org/images/d/d6/Cage_John_Song_Books_Volume_2.pdf" target=_blank>Song Books, vol. 2 (score) (1970)</A><br><A HREF="http://monoskop.org/images/f/fc/Cage_John_Empty_Words_Writings_73-78.pdf" target=_blank>Empty Words, writings (1973-78)</A> <br><A HREF="http://www.mediafire.com/?9bdr8mkkk4ebpp6" target=_blank>Etudes Australes Books 1 & 2 (score) (1974-75)</A><br><A HREF="http://goo.gl/stmrmD" target=_blank>One (for piano) (score) (1987)</A><br><A HREF="http://exhibitions.nypl.org/johncage/manuscripts" target=_blank>Manuscripts and Scores</A> </small><hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>JOHN CAGE / NOTATIONS (1969)</u> — <small><A HREF="http://monoskop.org/images/9/92/Cage_John_Notations.pdf" target=_blank>Collection of Music Manuscripts, published by John Cage (1969)</A> — <A HREF="http://mumia.art.pte.hu/mami/tartalom/oktatasi_anyagok/partitura_2014/_konyvek/Cage-John_Notations.pdf" target=_blank>Collection of Music Manuscripts, published by John Cage (pdf) (1969)</A></small> <hr nosize>        • CORNELIUS CARDEW and the SCRATCH ORCHESTRA — <small><A HREF="index.php?page=NOISEflynt">Scratch Orchestra & X for Henry Flynt (L.M. Young) (1963)</A> <br><A HREF="index.php?page=DOCCARDEW"><i>Documentation Images</i></A> <br><A HREF="http://www.kim-cohen.com/Assets/CourseAssets/Texts/Cardew_Scratch%20Constitution.pdf" target=_blank>A Scratch Orchestra : Draft Constitution (1969)</A> <br><A HREF="http://jeromejoy.org/files/articles/cardew/cardew_draft.jpg.zip" target=_blank>Draft Constitution (June 1969)</A><br> <A HREF="http://improarchive2.brinkster.net/sonsn.pdf" target=_blank>Nature Study Notes (score) (1969)</A><br> <A HREF="http://www.ubu.com/papers/cardew_ethics.html" target=_blank>Towards an Ethic of Improvisation (1971)</A><br><A HREF="http://www.ubu.com/historical/cardew/cardew_stockhausen.pdf" target=_blank>Stockhausen serves Imperialism & other texts (1974)</A> <br><A HREF="http://www.kim-cohen.com/artmusictheoryassets/artmusictheorytexts/Parsons_Scratch%20Orch.pdf" target=_blank>The Scratch Orchestra and visual arts, text (by Michael Parsons) (2001)</A></small><hr nosize>        • CORNELIUS CARDEW — <small><A HREF="http://en.scorser.com/Out/4798616.html" target=_blank>Piano Sonata 1 (score) (1955)</A> <br> <A HREF="http://en.scorser.com/Out/4753914.html" target=_blank>Piano Sonata 2 (score) (1956)</A> <br> <A HREF="http://en.scorser.com/Out/4760206.html" target=_blank>Thaelmann Variations (score) (1958)</A> <br> <A HREF="http://en.scorser.com/Out/4802365.html" target=_blank>Three Winter Potatoes (score) (1961-65)</A> <br><A HREF="http://en.scorser.com/Out/4767938.html" target=_blank>February Pieces and Octet'61 (score) (1961-62)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/cardew_theEastisRed_2.jpg" target=_blank>The East is Red (1964)</A> — <A HREF="http://jeromejoy.org/files/articles/scores/cardew_theEastisRed_1.jpg" target=_blank>The East is Red (draft) (1964)</A> <br><A HREF="http://www.cacbretigny.com/inhalt/pictures/FENETRE_Cardew/4_VoloSolo/2.%20Volo_Solo%20original%20uk.pdf" target=_blank>Volo Solo (score) (1965)</A> <br><A HREF="http://en.scorser.com/Out/4768832.html" target=_blank>Memories of You (score) (1966)</A> <br><A HREF="http://www.cacbretigny.com/inhalt/pictures/tigersmind/partitioncardUKTiger.pdf" target=_blank>Sextet - The Tiger's Mind (1967)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/cardew_schooltime.jpg" target=_blank>Schooltime Composition (1968)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/cardew_greatlearning6.pdf" target=_blank>Great Learning Paragraph 6 (1968-71)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/cardew_greatlearning7.pdf" target=_blank>Great Learning Paragraph 7 (1968-71)</A><br> <A HREF="http://mumia.art.pte.hu/mami/tartalom/oktatasi_anyagok/partitura_2014/Cardew_Treatise/Cardew%20-%20Treatise.pdf" target=_blank>Treatise - score (1971)</A><br> <A HREF="http://mumia.art.pte.hu/mami/tartalom/oktatasi_anyagok/partitura_2014/Cardew_Treatise/Cardew%20-%20Treatise%20Handbook.pdf" target=_blank>Treatise - handbook (1971)</A> <br><A HREF="http://en.scorser.com/Out/4756139.html" target=_blank>Unintended Piano Music (score) (1970-71)</A> <br><A HREF="http://en.scorser.com/Out/4768924.html" target=_blank>Piano Album - Charge! (1973)</A> - <A HREF="http://en.scorser.com/Out/4751654.html" target=_blank>Piano Album - Song and Dance (1973)</A> - <A HREF="http://en.scorser.com/Out/4744594.html" target=_blank>Piano Album - Bring the Land a New Life (1973)</A> - <A HREF="http://en.scorser.com/Out/4770014.html" target=_blank>Piano Album - Sailing the Seas (1973)</A> - <A HREF="http://en.scorser.com/Out/4762848.html" target=_blank>Piano Album - Red Flag Prelude (1973)</A> - <A HREF="http://en.scorser.com/Out/4744356.html" target=_blank>Piano Album - Soon (1973)</A> - <A HREF="http://en.scorser.com/Out/4801625.html" target=_blank>Piano Album - The Croppy Boy (1973)</A> - <A HREF="http://en.scorser.com/Out/4779997.html" target=_blank>Piano Album - Father Murphy (1973)</A> - <A HREF="http://en.scorser.com/Out/4787659.html" target=_blank>Piano Album - Four Principles on Ireland (1973)</A><br> <A HREF="http://en.scorser.com/Out/4754076.html" target=_blank>Piano Album - Bethanien Song (1974)</A> - <A HREF="http://en.scorser.com/Out/4760523.html" target=_blank>Piano Album - Red Aid Song (1974)</A> - <A HREF="http://en.scorser.com/Out/4745640.html" target=_blank>Piano Album - Revolution is the main trend (1974) - <A HREF="http://en.scorser.com/Out/4760622.html" target=_blank>Piano Album - East is Red (1974)</A><br><A HREF="http://en.scorser.com/Out/4801523.html" target=_blank>Vietnam Sonata (score) (1976)</A> <br><A HREF="http://en.scorser.com/Out/4743289.html" target=_blank>We Sing for the Future (score) (1980)</A><br> <A HREF="http://www.experimentalmusic.co.uk/emc/Jems_files/Tilburycardew.pdf" target=_blank>Cornelius Cardew (by John Tilbury) (1983)</A> </small><hr nosize>        • <span style="font-size:1.5em">&loz;</span> <u>AARON CASSIDY & AARON EINBOND</u> — <small><A HREF="http://eprints.hud.ac.uk/18189/1/FINAL_PROOF_100913_-_Noise_in_and_as_Music.pdf" target="_blank">Noise in and as Music (2013)</A> </small> <hr nosize>        • RHYS CHATHAM — <small><A HREF="http://joy.nujus.net/w/index.php?page=NOISEhigh#Immersion__Bruit__Intensit__s">Drastic Classicism (1981)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=NOISEpoem">Chairmaster, Poem (L.M. Young) (1989)</A> </small><hr nosize>        • NICOLAS COLLINS — <small><A HREF="http://www.nicolascollins.com/notebooks.htm" target="_blank">Introduction to Electronic Music (Alvin Lucier / Wesleyan Univ.) (1972-74)</A> <br><A HREF="http://www.nicolascollins.com/texts/Collins_BA_thesis.pdf" target="_blank">Text-scores (BA Honors Thesis) (1974-76)</A> <br><A HREF="http://www.nicolascollins.com/texts/Collins_MA_thesis.pdf" target="_blank">Niche, Ands (MA Thesis) (1979)</A> <br><A HREF="http://www.nicolascollins.com/texts/Collins_PhD_Thesis.pdf" target="_blank">Composing Inside Electronics (PhD Thesis) (2007)</A></small> <hr nosize>        • JEAN-CLAUDE ÉLOY — <small><A HREF="index.php?page=DOCELOY">Articles 1964-2005 / <i>Papers & articles 1964-2005</i></A></small><hr nosize>        • DROR FEILER — <small><A HREF="index.php?page=NOISEhigh#Intensit__s_sonores">Halat Hisar (2008)</A> <br><A HREF="index.php?page=NOISEhigh#Intensit__s_sonores">Ousia (2008)</A> <br><A HREF="index.php?page=NOISEhigh#Intensit__s_sonores">Solo (2013)</A> <br><A HREF="http://www.revue-et-corrigee.net/?v=interviews&PHPSESSID=832aaae7a15f514799b9570c75a1815b" target="_blank">Le Bruit comme Forme (2011)</A></small> <hr nosize>        • MORTON FELDMAN — <small> <A HREF="http://www.cnvill.net/mfdeforce.pdf" target=_blank>Collected Writings</A> <br><A HREF="http://en.scorser.com/Out/4761115.html" target=_blank>Two Intermissions (score) (1950)</A><br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Projection%201.pdf" target=_blank>Projection 1 for cello solo (score) (1950)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Marginal%20Intersection.pdf" target=_blank>Marginal Intersection for orchestra & electronics (score) (1951)</A> <br><A HREF="http://en.scorser.com/Out/4781045.html" target=_blank>Nature Pieces for Piano (score) (1951)</A> <br><A HREF="http://en.scorser.com/Out/4760598.html" target=_blank>Variations (score) (1951)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Projection%204.pdf" target=_blank>Projection 4 for violin & piano (score) (1951)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Projection%205.pdf" target=_blank>Projection 5 for 3 flutes, trumpet, 2 pianos and 3 cellos (score) (1951)</A> <br><A HREF="http://en.scorser.com/Out/4784652.html" target=_blank>Intersection 2 (score) (1951)</A> <br><A HREF="http://en.scorser.com/Out/4752680.html" target=_blank>Intersection 3 (score) (1951)</A> <br><A HREF="http://en.scorser.com/Out/4750002.html" target=_blank>Extensions 3 (score) (1952)</A> <br><A HREF="http://en.scorser.com/Out/4756744.html" target=_blank>Intermission 3 (score) (1952)</A> - <A HREF="http://en.scorser.com/Out/4795327.html" target=_blank>Intermission 4 (score) (1952)</A> - <A HREF="http://en.scorser.com/Out/4757977.html" target=_blank>Intermission 5 (score) (1952)</A> - <A HREF="http://en.scorser.com/Out/4804757.html" target=_blank>Intermission 6 (score) (1952)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Intersection%203.pdf" target=_blank>Intersection 3 for piano (score) (1953)</A><br><A HREF="http://en.scorser.com/Out/4743766.html" target=_blank>Piano Piece (score) (1952)</A> <br><A HREF="http://en.scorser.com/Out/4796571.html" target=_blank>Piano Pieces (score) (1955-56)</A> <br><A HREF="http://en.scorser.com/Out/4798296.html" target=_blank>Last Pieces (score) (1959)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Straights%20of%20Magellan.pdf" target=_blank>The Straits of Magellan (1961)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Durations%201.pdf" target=_blank>Durations #1 (1961)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Durations%205.pdf" target=_blank>Durations #5 (1962)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Extensions%204.pdf" target=_blank>Extensions #4 (1962)</A><br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Intersection%201.pdf" target=_blank>Intersections #1 for Orchestra (1962)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Out%20of%20Last%20Pieces.pdf" target=_blank>Out of Last Pieces (1962)</A><br><A HREF="http://www.cnvill.net/mfdelio2.pdf" target=_blank>Morton Feldman's Last Pieces #3 (1963)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/feldman_intersections3.jpg" target=_blank>Intersections #3 (1963)</A> — <A HREF="http://jeromejoy.org/files/articles/scores/feldman_intersections3-1.jpg" target=_blank>Intersections #3 - note 1 (1963)</A> — <A HREF="http://jeromejoy.org/files/articles/scores/feldman_intersections3-2.jpg" target=_blank>Intersections #3 - note 2 (1963)</A> <br><A HREF="http://en.scorser.com/Out/4797503.html" target=_blank>Piano Piece (to Phillip Guston) (score) (1963)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Vertical%20Thoughts%202.pdf" target=_blank>Vertical Thoughts 2 (score) (1963)</A> <br><A HREF="http://en.scorser.com/Out/4771375.html" target=_blank>Vertical Thoughts 4 (score) (1963)</A> <br><A HREF="http://en.scorser.com/Out/4785880.html" target=_blank>The King of Denmark (score) (1964)</A> <br><A HREF="http://en.scorser.com/Out/4766075.html" target=_blank>Piano Piece (score) (1964)</A><br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-In%20Search%20of%20an%20Orch..pdf" target=_blank>In Search of an Orchestration (score) (1969)</A> <br><A HREF="http://en.scorser.com/Out/4760009.html" target=_blank>The Viola in my Life n°1 (score) (1970)</A> - <A HREF="http://en.scorser.com/Out/4775657.html" target=_blank>The Viola in my Life n°2 (score) (1970)</A> - <A HREF="http://en.scorser.com/Out/4783725.html" target=_blank>The Viola in my Life n°3 (score1) (1970)</A> - <A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-The%20Viola%20in%20my%20life%203.pdf" target=_blank>The Viola in my Life n°3 (score2) (1970)</A> <br><A HREF="http://en.scorser.com/Out/4774516.html" target=_blank>Rothko Chapel (score1) (1971)</A> - <A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Rothko%20Chapel.pdf" target=_blank>Rothko Chapel (score2) (1971)</A> <br><A HREF="http://en.scorser.com/Out/4774700.html" target=_blank>Routine Investigations (score) (1976)</A> <br><A HREF="http://en.scorser.com/Out/4759771.html" target=_blank>Neither - opera (score) (1977)</A> <br><A HREF="http://en.scorser.com/Out/4760765.html" target=_blank>Piano (score) (1977)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Why%20Patterns%3f.pdf" target=_blank>Why Patterns ? (score) (1978)</A> <br><A HREF="http://en.scorser.com/Out/4792583.html" target=_blank>Triadic Memories (score) (1981)</A> <br><A HREF="http://www.cnvill.net/mfmercer.htm" target=_blank>Toronto Lecture (1982)</A><br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-Crippled%20Symmetry.pdf" target=_blank>Crippled Simmetry (score) (1983)</A> <br><A HREF="http://en.scorser.com/Out/4786511.html" target=_blank>Piano and String Quartet (score) (1985)</A><br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Feldman-Scores/Feldman-For%20P.%20Guston.pdf" target=_blank>For Philip Guston (score) (1985)</A> <br><A HREF="http://en.scorser.com/Out/4778357.html" target=_blank>For Bunita Marcus (score) (1985)</A> <br><A HREF="http://en.scorser.com/Out/4787362.html" target=_blank>Palais de Mari (score) (1986)</A> <br> <A HREF="http://old.hfm-detmold.de/schlagzeughaus/prformance%20analysis,%20Feldman,%20The%20King%20lf%20Denmark.pdf" target=_blank>Performance Analysis : Morton Feldman's The King of Denmark (by Daryl Pratt) (1986)</A><br><A HREF="http://ada.evergreen.edu/~arunc/texts/music/xenakisFeldman.pdf" target=_blank>Iannis Xenakis and Morton Feldman in conversation (1986)</A> <br> <A HREF="http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1803&context=clcweb" target=_blank>Musical, Rhetorical, and Visual Material in the Work of Feldman (by Kurt Ozment) (2011)</A> <br> <A HREF="http://publications.lakeforest.edu/cgi/viewcontent.cgi?article=1007&context=seniortheses" target=_blank>Forgetting Music : Duration, Space, and Remembrance in the Late Music of Morton Feldman (by Garrett Pluhar-Schaeffer) (2014)</A> </small><hr nosize>        • LUC FERRARI — <small><A HREF="index.php?page=DOCFERRARI">Articles, textes & documents 1959-2011 / <i> Papers, articles & reviews 1959-2011</i></A></small><hr nosize>        • HENRY FLYNT — <small><A HREF="index.php?page=DOCLMYflynt">Concept Art (1961)</A> <br><A HREF="index.php?page=DOCLMYflynt">Art of Brend (1968)</A> <br><A HREF="http://jeromejoy.org/files/articles/lamonteyoung/Piekut_ExperimentalismOtherwise.pdf" target="blank">Flynt and the New York Scene / Experimentalism Otherwise: The New York Avant-Garde and Its Limits (by Benjamin Piekut)</A> </small> <hr nosize>        <span style="font-size:1.5em">☐</span> <u><i>GAGAKU</i></u> — <small><A HREF="https://ccrma.stanford.edu/groups/gagaku/" target=_blank>Orchestration in Gagaku music (by Jaroslaw Kapuscinski, François Rose / CCRMA) (2010)</A> <br><A HREF="http://jaroslawkapuscinski.com/pdf/japanese-traditional-orchestral-music.pdf" target=_blank>Correlation between time and timbre in Gagaku music (by Jaroslaw Kapuscinski, François Rose / CCRMA) (2010)</A></small> <hr nosize>        <span style="font-size:1.5em">☐</span> <u><i>GAMELAN</i></u> — <small><A HREF="http://www.citedelamusique.fr/gamelan/" target=_blank>Une Architecture Sonore (par Catherine Basset / Cité de la Musique) (1995-2003)</A></small> <hr nosize>        • MALCOLM GOLDSTEIN — <small><A HREF="http://www.artype.de/Sammlung/pdf/goldstein_fullcircle.pdf" target="_blank">Sounding and the Full Circle (Music Improvisation) (1987)</A> — <A HREF="http://www.frogpeak.org/unbound/goldstein/goldstein_fullcircle.pdf?lbisphpreq=1" target="_blank">Sounding and the Full Circle (Music Improvisation) (1987) (pdf2)</A> </small> <hr nosize>        • GLENN GOULD — <small><A HREF="http://jeromejoy.org/files/articles/gould/Gould-Prospects_of_Recording.pdf.zip" target=_blank>The Prospects of Recording (1966)</A> </small> <hr nosize>        • GÉRARD GRISEY — <small><A HREF="http://www.mediafire.com/?12c3gfcivu4nlsh" target=_blank>Talea (score) (1985-86)</A> - <A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Grisey%20scores/Grisey-Talea.pdf" target=_blank>Talea (score2) (1985-86)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Grisey%20scores/Grisey-Vortex%20Temporum%20I,II,III.pdf" target=_blank>Vortex Temporum I, II, III, pour piano et cinq instruments (score) (1994-96)</A> </small> <hr nosize>        • RICHARD HAYMAN — <small><A HREF="index.php?page=DRONEdreamsound">Dreamsound (1973)</A> <br><A HREF="index.php?page=DRONEdreamsound">On The Way (1989)</A> </small> <hr nosize>        • DICK HIGGINS — <small><A HREF="http://joy.nujus.net/w/index.php?page=NOISEhigh#Histoire_des_Intensit__s_sonores"><i>Loud Symphony (1958)</i></A></small> <hr nosize>        • CHRISTOPHER HOBBS — <small><A HREF="http://www.experimentalmusic.co.uk/emc/Freebies_files/Hobbs%20Word%20Pieces.pdf" target=_blank>Word Pieces (1966-1970)</A> <br><A HREF="http://www.experimentalmusic.co.uk/emc/Freebies_files/Why%20Not%20.pdf" target=_blank>Why Not ? (for bass clar) (1994)</A> <br><A HREF="https://www.dora.dmu.ac.uk/bitstream/handle/2086/4165/393495.pdf?sequence=1" target=_blank>On Musical Compositions (Thesis) (2001)</A></small> <hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>CHRISTOPHER HOBBS / JOHN WHITE</u> — <small><A HREF="https://independent.academia.edu/VirginiaAnderson" target=_blank>Systems Music (by Virginia Anderson) (2007)</A> <br><i><small>Et aussi / And also :</small></i><br><A HREF="http://neo-nondualism.pbworks.com/f/Systems+in+Art+and+Music.pdf" target=_blank>Systems in Art and Music (by Michael Parsons) (1976)</A> <br><A HREF="http://orca.cf.ac.uk/54427/1/U584528.pdf" target=_blank>The Minimal Kaleidoscope : Exploring Minimal Music Through the Lens of Modernity (by Alexis Paterson) (2010)</A> <br><A HREF="http://www.newsound.org.rs/sr/pdfs/ns38/New_Sound_38.40-50.pdf" target=_blank>John White and the Alternative British Experimental Aesthetic (by Virginia Anderson) (2011)</A> <br><A HREF="https://digital.lib.washington.edu/dspace/bitstream/handle/1773/24092/Shelley_washington_0250E_12317.pdf?sequence=1" target=_blank>Rethinking Minimalism (by Peter Shelley) (2013)</A></small> <hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>HANS JENNY</u> — <small><A HREF="http://blog.lewissykes.info/wp-content/uploads/Jenny_Cymatics.pdf" target=_blank>Cymatics (Kymatic), A Study of Wave Phenomena and Vibration, Volumes 1 & 2, 1967-1972</A> <br><A HREF="http://d-scholarship.pitt.edu/7448/1/StephenLewisBPhil2010.pdf" target=_blank>Seeing Sound : Hans Jenny and the Cymatic Atlas (by Stephen D. Lewis) (2010)</A></small> <hr nosize>        • TOM JOHNSON — <small><A HREF="http://www.editions75.com/English/booksenglish.html" target=_blank>Imaginary Music (1974)</A></small> </small> <hr nosize>        • TOM JOHNSON / THE VOICE OF NEW MUSIC 1972-1982 — <small><A HREF="http://www.editions75.com/Books/TheVoiceOfNewMusic.PDF" target=_blank>A Collection of Articles (The Village Voice) by Tom Johnson, New York City 1972-1982</A></small> <hr nosize>        • MAURICIO KAGEL — <small><A HREF="http://goo.gl/SDrJEZ" target=_blank>Metapiece Mimetics (score) (1961)</A> <br><A HREF="http://www.mediafire.com/?ozt6mpb47tejtar" target=_blank>Heterophonie for orchestra (score) (1961)</A> <br><A HREF="http://www.mediafire.com/?1vj5w0d4ety1fp2" target=_blank>Rrrrrrr…: 11 Stücke für Bläser, Kontrabässe und Schlagzeug (score) (1981-82)</A><br><A HREF="http://goo.gl/0LAF19" target=_blank>Passé Composé KlavieRhapsodie, piano (score) (1992-93)</A></small> <hr nosize>        • ALAN KAPROW — <small><A HREF="index.php?page=DOCLMYyam">Yam Festival / Tree (1963)</A> <br><A HREF="index.php?page=DOCLMYflynt">Originale, Stockhausen (dir. Alan Kaprow) (1964)</A> <br><A HREF="index.php?page=DOCLMYyam">How to Make a Happening (1964)</A> — <A HREF="http://primaryinformation.org/files/allan-kaprow-how-to-make-a-happening.pdf" target="_blank">How to Make a Happening (1964)</A> <br><A HREF="index.php?page=DOCLMYyam">Assemblages</A> <br><A HREF="http://fr.scribd.com/doc/54887403/3/Allan-Kaprow-Notes-on-the-Elimination-of-the-Audience-1966" target="_blank">Notes on the Elimination of the Audience (1966)</A> <br><A HREF="http://theater.ua.ac.be/bih/pdf/1966-00-00_kaprow_assemblages.pdf" target="_blank">Some Recent Happenings (1966)</A></small><hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>RICHARD KOSTELANETZ / DICTIONARY OF THE AVANT-GARDES (1993)</u> — <small><A HREF="http://monoskop.org/images/b/bd/Kostelanetz_Richard_Dictionary_of_the_Avant-Gardes.pdf" target=_blank>Dictionary (1993)</A></small> <hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>HELMUT LACHENMANN</u> — <small><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Lachenmann%20Scores/Lachenmann-Ein%20Kinderspiel.pdf" target=_blank>Ein Kinderspiel, piano (1980)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Lachenmann%20Scores/Lachenmann-Gran%20Torso.pdf" target=_blank>Gran Torso, string quartet (1971-72/1978/1988)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Lachenmann%20Scores/Lachenmann-Kontrakadenz.pdf" target=_blank>Kontrakadenz, orchestra (1970-71)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Lachenmann%20Scores/Lachenmann-Pression.pdf" target=_blank>Pression, cello (1969)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Lachenmann%20Scores/Lachenmann-temA.pdf" target=_blank>temA, flute, voice, cello (1968)</A></small> <hr nosize>        • GYORGY LIGETI — <small><A HREF="http://ahsmusictechnology.pbworks.com/w/file/fetch/51626699/Ligeti%20-%20Artikulation%20%5BScore%5D.pdf" target=_blank>Artikulation (1958)</A> <br><A HREF="http://fr.scribd.com/doc/55570841/Ligeti-Lux-Aeterna-Full-Score" target=_blank>Lux Aeterna (1966)</A> <br><A HREF="http://goo.gl/TUcmbq" target=_blank>Lontano (score) (1967)</A><br><A HREF="http://www.ucdc.edu/sites/default/files/uploads/documents/Academic/Courses/V12202/Ligeti%20-%20String%20Quartet%20No.%202%20%281968%29.pdf" target=_blank>String Quartet n°2 (1968)</A> <br><A HREF="http://vkgfx.com/scores/ligeti/etude_2/LigetiEtudesBook1.pdf" target=_blank>Études pour piano (book 1) (1985)</A> — <A HREF="http://vkgfx.com/scores/ligeti/etude_2/LigetiEtudesBook2.pdf" target=_blank>Études pour piano (book 2) (1985)</A> — <A HREF="http://vkgfx.com/scores/ligeti/lig-et-14.pdf" target=_blank>Études pour piano (n°15) (1995) — <A HREF="http://vkgfx.com/scores/ligeti/lig-et-15.pdf" target=_blank>Études pour piano (n°16) (1996-97)</A> — <A HREF="http://vkgfx.com/scores/ligeti/lig-et-16.pdf" target=_blank>Études pour piano (n°17) (1997)</A> — <A HREF="http://vkgfx.com/scores/ligeti/lig-et-17.pdf" target=_blank>Études pour piano (n°18) (2001)</A></small> <hr nosize>        • ALVIN LUCIER — <small><A HREF="http://www.researchgate.net/publication/231880634__and_what_they_do_as_they're_going__sounding_space_in_the_work_of_Alvin_Lucier/file/3deec514c890874958.pdf" target=_blank>Sounding Space in the work of Alvin Lucier (by Randal Davis)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/lucier_Chambers_Score.pdf.zip" target=_blank>Chambers (1968)</A> <br><A HREF="http://ubumexico.centro.org.mx/text/emr/articles/luciermumma.pdf" target=_blank>Discussion Gordon Mumma / ALvin Lucier (1970)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/lucier_Still and Moving Lines_1974a.pdf.zip" target=_blank>Still and Moving Lines of Silence in Familiers of Hyperbolas (1973-1974)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/lucier_LongThinWire_Score.JPG" target=_blank>Music on a Long Thin Wire (1980)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/lucier_BassDrums-Score.pdf.zip" target=_blank>Music for Pure Waves, Bass Drums, and Acoustic Pendulums (1981)</A> — <A HREF="http://jeromejoy.org/files/articles/scores/lucier_BassDrums-Score-2.JPG" target=_blank>image</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/lucier_jon_higgins_clarinet_score.pdf" target=_blank>In Memoriam John Higgins - for clarinet (1987)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/lucier_OperaWithObjects1997.JPG" target=_blank>Opera with Objects (1997)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/lucier_wave_song_score.pdf.zip" target=_blank>Wave Songs - for female voice with pure wave oscillators (1998)</A> <br><A HREF="http://arrow.uws.edu.au:8080/vital/access/manager/Repository/uws:3631" target=_blank>Sine waves and simple acoustic phenomena in experimental music (La Monte Young, Alvin Lucier) (by Peter Blamey) (2008)</A></small> <hr nosize>        • GEORGE MACIUNAS — <small><A HREF="index.php?page=DOCLMYmaciunas">Video works (1960-66)</A> <br><A HREF="index.php?page=DOCLMYmaciunas">Fluxus Year Boxes (1962)</A> <br><A HREF="index.php?page=DOCLMYmaciunas">Flux Manifesto on Flux Art Amusement (1965)</A> <br><A HREF="index.php?page=DOCLMYmaciunas">Expanded Arts Diagram (1966)</A> </small> <hr nosize>        • PHILIPPE MANOURY — <small><A HREF="http://www.philippemanoury.com/?p=4965" target="_blank">Considérations (toujours actuelles) sur l’état de la musique en temps réel (2007)</A> <br><A HREF="http://www.philippemanoury.com/?p=4965" target="_blank">Traité d'Inharmonie (2013)</A> <br><A HREF="http://www.philippemanoury.com/?p=5225" target="_blank">In Situ : Réflexions sur la grande forme (2013)</A> </small> <hr nosize>        • JEAN-ÉTIENNE MARIE — <small><A HREF="index.php?page=DOCMARIE">Works (1966-88)</A> <br><A HREF="index.php?page=DOCMARIE">L'Homme Musical (1976)</A> <br><A HREF="index.php?page=DOCMARIE">Articles, textes & documents 1967-1973 / <i> Papers, articles & reviews 1967-1973</i></A></small> <hr nosize>        • MARS (BIBLIOGRAPHIES, STUDIES) — <small><A HREF="index.php?page=DocMarsPlanetology"><i>Science book & articles on Mars Planetology</i></A> <br><A HREF="index.php?page=DocMarsSF"><i>SF books & articles about Mars</i></A> <br><A HREF="index.php?page=DocMarsImages"><i>Images / Paysages & Landscapes from Mars</i></A> <br><A HREF="http://nssdc.gsfc.nasa.gov/planetary/chronology_mars.html" target="_blank"><i>Mars Exploration Timeline</i></A> <br> <A HREF="https://archive.org/details/nasaaudiocollection" target="_blank"><i>NASA audio collection (historic audio record of the history of Human Spaceflight at NASA)</i></A></small><hr nosize>        • DARIUS MILHAUD — <small><A HREF="index.php?page=HGmilhaud"><i>Christophe Colomb (1936)</i></A> — <A HREF="index.php?page=HGmilhaud2"><i>Part 2 : Christophe Colomb (1936)</i></A> </small> <hr nosize>        • ROBERT MORRIS — <small><A HREF="index.php?page=DOCLMYmorris">War, performance w/ Robert Huot (1963)</A> <br><A HREF="index.php?page=NOISEflynt">War & X for Henry Flynt (L.M. Young) (1963)</A></small><hr nosize>        • GORDON MUMMA — <small><A HREF="http://jeromejoy.org/files/articles/scores/mumma_MediumSizeMograph_1.jpg" target=_blank>Medium Size Mograph (1962)</A> — <A HREF="http://jeromejoy.org/files/articles/scores/mumma_MediumSizeMograph_2.jpg" target=_blank>Medium Size Mograph - instructions (1962)</A> <br><A HREF="http://www.jaimeoliver.pe/courses/ci/pdf/mumma-1964.pdf" target=_blank>An Electronic Music Studio for the Independent Composer (print version) (1964)</A> <br><A HREF="http://www.erudit.org/revue/circuit/2009/v19/n3/038261ar.pdf" target=_blank>An Electronic Music Studio for the Independent Composer (1964)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/mumma_mesa_setup.png" target=_blank>Mesa - 2-source duo (1966)</A> <br> <A HREF="http://brainwashed.com/mumma/creative.htm" target=_blank>Creative Aspects of Live Electronic Music Technology (1967)</A> <br><A HREF="http://18.7.29.232/bitstream/handle/1721.1/6187/AIM-213.pdf?sequence=2" target=_blank>The Computer as a performing Instrument (1971)</A> <br><A HREF="http://ubumexico.centro.org.mx/text/emr/articles/mumma_liveelectronic.pdf" target=_blank>Live Electronic Music (1974)</A> <br><A HREF="http://ubumexico.centro.org.mx/text/emr/articles/mumma_witchcraft.pdf" target=_blank>Witchcraft, Cybersonics, and Folkloric Virtuosity (1974)</A><br><A HREF="http://www.otherminds.org/pdf/gordon_mumma_essay.pdf" target=_blank>Briefly about Nancarrow (1977)</A></small> <hr nosize>        • MAX NEUHAUS — <small><A HREF="http://www.max-neuhaus.info/" target=_blank>Works & Texts</A></small> <hr nosize>        • PHILL NIBLOCK — <small><A HREF="http://www.vasulka.org/archive/Artists4/Niblock,Phil/general.pdf" target=_blank>Who's Who in Filmmaking : Phill Niblock (by Abigail Nelson) (1974)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=NOISEhigh#Immersion__Bruit__Intensit__s">Hurdy Hurry (1979)</A> <br><A HREF="http://www.straebel.de/praxis/text/pdf-OrganisedSound_Niblock.pdf" target=_blank>Technological implications of Phill Niblock’s drone music, derived from analytical observations of selected works for cello and string quartet on tape (by Volker Straebel) (2008)</A> <br> <A HREF="http://www.idiosyncratics.net/blog/Flux53PhillNiblock-Entretien-YannickFranck.pdf" target=_blank>Interview (by Yannick Franck) (2010)</A> </small><hr nosize>        • PAULINE OLIVEROS — <small><A HREF="index.php?page=RAINFOREST">Applebox Double (1965)</A> <br><A HREF="http://monoskop.org/images/2/29/Oliveros_Pauline_Software_for_People_Collected_Writings_1963-80.pdf" target=_blank>Software for People : Collected Writings 1963-1980 (1983)</A> <br><A HREF="http://home.snafu.de/walterz/biblio/11_pauline_oliveros.pdf" target=_blank>Crow Two, a Ceremonial Opera (1974-1975)</A> <br><A HREF="index.php?page=PubliAnteBruit2013"><i>Echoes from the Moon (1987)</i></A> <br> <A HREF="http://www.newmusicbox.org/assets/20/pdf/oliveros_interview.pdf" target=_blank>Creating, Performing and Listening - Interview (by Frank Oteri) (2000)</A> </small><hr nosize>        • JOHN OSWALD — <small><A HREF="http://www.6q.com/downloads/oswald/b9/b9-EMscore.pdf" target=_blank>Rascali Klepitoire - b9 (2011)</A> </small> <hr nosize>        • MICHAEL PARSONS — <small><A HREF="index.php?page=NOISEflynt">Mindfulness of Breathing (1969)</A> <br><A HREF="http://neo-nondualism.pbworks.com/f/Systems+in+Art+and+Music.pdf" target=_blank>Systems in Art and Music (1976)</A> <br><A HREF="http://www.experimentalmusic.co.uk/emc/Freebies_files/Parsons%20Pentachordal%20Melody.pdf" target=_blank>Pentachordal Melody (1998)</A> <br><A HREF="http://www.experimentalmusic.co.uk/emc/Freebies_files/Parsons%20Rhythmic%20Canons.pdf" target=_blank>Rhythmic Canons (1998)</A> </small> <hr nosize>        • HARRY PARTCH — <small><A HREF="http://monoskop.org/images/b/be/Partch_Harry_Genesis_of_a_Music_2nd_ed.pdf" target=_blank>Genesis of a Music (1947)</A></small> <hr nosize>        <span style="font-size:1.5em">☐</span> <u><i>POLYRYTHMIES</i></u> — <small> <A HREF="http://classiques.uqac.ca/contemporains/schaeffner_andre/origines_instruments_musique/schaeffner_origine_instruments_musique.pdf" target=_blank>Origine des Instruments de Musique (par André Schaeffner) (1968)</A> <br><A HREF="http://ethnomusicologie.revues.org/1182" target=_blank>Du repérage musical au travail de terrain ethnomusicologique en Indonésie (par Dana Rappoport) (1995)</A> <br><A HREF="http://www.persee.fr/web/revues/home/prescript/article/hom_0439-4216_1999_num_39_152_453666" target=_blank>Chanter sans Être Ensemble (Des musiques juxtaposées pour un public invisible) (par Dana Rappoport) (1999)</A> </small> <hr nosize>        • ÉLIANE RADIGUE — <small><A HREF="index.php?page=DOCRADIGUE">Articles 1970-1975 / <i> Papers 1970-1975</i></A></small><br><small><A HREF="index.php?page=DOCRADIGUE"> J.Y. Bosseur / D. Charles, in Musique en Jeu 1 (F) (1970)</A></small> <br> <small><A HREF="index.php?page=Doc Eliane Radigue">G. Haessig, in Musique en Jeu 8 (F) (1972)</A></small> <br> <small><A HREF="index.php?page=DOCRADIGUE"> Ripert Center (F) (1975)</A></small> <br> <small><A HREF="index.php?page=DOCRADIGUE">B. Schrader, Ripert Center (Eng) (1975)</A></small><hr nosize>        <span style="font-size:1.5em">☐</span> <u><i>RARA (HAITI)</i></u> — <small><A HREF="http://rara.wesleyan.edu/rara/" target=_blank>Rara! Vodou, Power and Performance (Elisabeth McAllister) (1991-95)</A> <br><A HREF="http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/ftp04/NQ38810.pdf" target=_blank>La musique dans le carnaval haitien (Voegeli Juste-Constant) (1994)</A></small> <hr nosize>        • STEVE REICH — <A HREF="http://joy.nujus.net/w/index.php?page=PENDULUM"><i>wiki article</i></A><hr nosize width="10%"><small><A HREF="http://jeromejoy.org/files/scores/reich_1967_slowmotion_score.jpg" target="_blank">Slow Motion Sound (score) (1967)</A><br><A HREF="http://jeromejoy.org/files/scores/reich_1967_pianophase_score.pdf.zip" target="_blank">Piano Phase (score) (1967)</A><br><A HREF="http://jeromejoy.org/files/scores/reich_1967_violinphase_score.pdf.zip" target="_blank">Violin Phase (score) (1967)</A> — <A HREF="http://jeromejoy.org/files/scores/reich_1968-73_pendulum_score.pdf.zip" target="_blank">Pendulum Music (score) (1967)</A><br><A HREF="http://joy.nujus.net/w/index.php?page=PENDULUM"><i>Penduluum Music (1968) (paper)</i></A><br><A HREF="http://jeromejoy.org/files/scores/reich_1972_clapping_music.jpg" target="_blank">Clapping Music (score) (1972)</A> <br><A HREF="http://www.ic.ucsc.edu/~dej/Ewha%20Materials/RHYTHM/Reich.Writings.pdf" target="_blank"><i>Writings about Music (1974)</i></A></small> <hr nosize>        • FREDERIC RZEWSKI — <small><A HREF="http://icking-music-archive.org/ByComposer1/Rzewski.php" target=_blank>catalog of scores 1953-2010</A> </small> <hr nosize>        • HORATIU RADULESCU — <small><A HREF="http://www.horatiuradulescu.com/HR_Musique_de_mes_univers.pdf" target=_blank>Musique de mes Univers (1985)</A> <br> <A HREF="http://www.academia.edu/2152971/_Wild_Ocean_an_interview_with_Horatiu_Radulescu" target=_blank>Wild Ocean - An Interview with Horatiu Radulescu (by Bob Gilmore) (2003)</A></small> <hr nosize>        • SALVATORE SCIARRINO — <small><A HREF="http://www.mediafire.com/download/6981t9u9dotrb37/Lo_Spazio_Inverso_%281985%29_%5BEns%5D.pdf" target=_blank>La Spazio Inverso (score) (1985)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Sciarrino%20scores/Sciarinno-flute%20works.pdf" target=_blank>Flute works (scores)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Sciarrino%20scores/Sciarrino-Let%20me%20die%20before%20I%20wake.pdf" target=_blank>Let me Die before I wake, clarinet (score)</A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Listening/507-Scores/Sciarrino%20scores/Sciarrino-Sei%20Quartetti%20Brevi.pdf" target=_blank>Sei Quartetti Brevi, strings (score) (1967-1992)</A> </small> <hr nosize>        • AGOSTINO DI SCIPIO — <small><A HREF="https://www.ak.tu-berlin.de/fileadmin/a0135/Unterrichtsmaterial/Di_Scipio/Sound_is_the_interface.PDF" target=_blank>Sound is the interface : from interactive to ecosystemic signal processing (2000)</A> <br><A HREF="http://www.tallersonoro.com/anterioresES/13/Audible_ecosystems_full_score.pdf" target=_blank>Audible Ecosystemics - Background Noise Study - n.3a - n.3b (score) (2004-05)</A></small> <hr nosize>        • HOWARD SKEMPTON — <small><A HREF="index.php?page=NOISEflynt">Drum No. 1 (1969)</A> </small> <hr nosize>        • MATHIAS SPAHLINGER — <small><A HREF="index.php?page=NOISEhigh">Musica Negativa</A> </small> <hr nosize>        • KARLHEINZ STOCKHAUSEN — <small><A HREF="http://en.scorser.com/Out/4773413.html" target="_blank">Kontakte (score) (1959-60)</A> — <A HREF="http://mumia.art.pte.hu/mami/tartalom/oktatasi_anyagok/partitura_2014/Stockhausen_Kontakte/kontakte_score.pdf" target="_blank">Kontakte (score) (pdf) (1959-60)</A> <br><A HREF="http://www.universaledition.com/tl_files/flip/stockhausen/carre-1/book.swf" target="_blank">Carré (score) (swf file) (1959-60)</A> <br><A HREF="http://en.scorser.com/Out/4789738.html" target="_blank">Plus-Minus (score) (1963-65)</A> — <A HREF="http://mumia.art.pte.hu/mami/tartalom/oktatasi_anyagok/partitura_2014/Stockhausen_Plus-Minus/Stockhausen-Plus-Minus.pdf" target="_blank">Plus-Minus (score) (pdf) (1963-65)</A> <br><A HREF="index.php?page=DOCLMYflynt">Originale (dir. Alan Kaprow) (1964)</A> <br><A HREF="http://en.scorser.com/Out/4782377.html" target="_blank">Solo (score) (1966)</A> <br><A HREF="http://en.scorser.com/Out/4757221.html" target="_blank">Aus den Sieben Tagen (score) (1968)</A> &mdahs; <A HREF="http://mumia.art.pte.hu/mami/tartalom/oktatasi_anyagok/partitura_2014/Stockhausen_Aus_den_7_Tagen/Stockhausen%20-%20Aus%20den%20sieben%20Tagen.pdf" target="_blank">Aus den Sieben Tagen (score pdf) (1968)</A><br><A HREF="http://en.scorser.com/Out/4789980.html" target="_blank">Spiral (score) (1968)</A> <br><A HREF="http://www.natascha-nikeprelevic.de/wp-content/uploads/2013/02/EXPO_Score.jpg" target="_blank">Expo für 3 (score) (1969-70)</A> <br><A HREF="http://en.scorser.com/Out/4775495.html" target="_blank">Für Kommende Zeit (score) (1970)</A> <br><A HREF="http://en.scorser.com/Out/4768884.html" target="_blank">Intuitive Music (ca 1970)</A><br><A HREF="http://wiki.dxarts.washington.edu/sandbox/groups/general/wiki/9e11b/attachments/b183c/Karlheinz%20Stockhausen%20-%20on%20Mikrophonie.pdf?sessionID=b42b85eae0c6ebf4202624d4b2a4216881d516cb" target=_blank>Lecture on Mikrophonie (1971)</A> <br> <A HREF="http://asbjornflo.net/index.php?view=article&catid=4%3Atext&id=44%3Amikrophonie-i-introduction&format=pdf&option=com_content&Itemid=53&lang=en" target=_blank>On Mikrophonie I (by Absjorn Blokkum Flo)</A> <br> <A HREF="http://www.jimstonebraker.com/maconie_heavy_metal.pdf" target=_blank>Sounds of Heavy Metal : Revisiting Mikrophonie I (by Robin Maconie)</A> <br> <A HREF="http://home.earthlink.net/~almoritz/mikrophonie1.htm" target=_blank>On Mikrophonie I (by Albrecht Moritz)</A><br> <A HREF="http://www.searchnewmusic.org/powell_stockhausen.pdf" target=_blank>On Mikrophonie II (by Larson Powell)</A><br> <A HREF="http://www.festival-automne.com/uploads/Publish/archive_pdf/FAP_1988_MU_PRG.pdf" target=_blank>Montag aus Licht (Festival d'Automne) (1988)</A></small> <hr nosize>        • JAMES TENNEY — <small> <A HREF="http://www.frogpeak.org/unbound/tenney/improvisationforcello.pdf" target=_blank>Improvisation for cello (1956)</A> <br> <A HREF="http://www.plainsound.org/pdfs/ComputerMusic.pdf" target=_blank>Computer Music Experiences, 1961-1964</A> <br> <A HREF="http://monoskop.org/images/1/13/Tenney_James_Meta-Hodos_and_Meta_Meta-Hodos.pdf" target=_blank>META⌿HODOS and META Meta⌿Hodos: A Phenomenology of 20th Century Musical Materials and an Approach to the Study of Form (1964)</A> <br> <A HREF="http://eamusic.dartmouth.edu/~larry/published_articles/tenney_monograph_soundings/10_Postal_Pieces.pdf" target=_blank>Postal Pieces (1965-1971)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/tenney_HeyWhenISingThese4Songs1971.png" target=_blank>Hey When I Sing These 4 Songs (1971)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/tenney_IntheAeolianMode1973.png" target=_blank>In the Aeolian Mode (1973)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/tenney_ChromaticCanon.png" target=_blank>Chromatic Canon for two pianos (1980-1983)</A> <br><A HREF="http://www.tecnosuono.org/private/files/riviste/Perspectives%20of%20New%20Music/vol.%2025:1-2/Risset,%20About%20james%20tenney,%20composer,%20performer,%20and%20theorist.pdf" target=_blank>About James Tenney (Risset) (1987)</A> <br><A HREF="http://www.plainsound.org/pdfs/HCD.pdf" target=_blank>A History of Consonance and Dissonance (1988)</A> — <A HREF="http://www.dmu.uem.br/aulas/composicao/Tenney_HistoryOfConsonanceAndDissonance.pdf" target=_blank>(link2)</A> <br><A HREF="http://n-collective.com/files/tenney_large_space.pdf" target=_blank>In a Large and Open Space (score) (1994)</A><br><A HREF="http://www.rhizomecowboy.com/Maher_Tenney_A_Different_view.pdf" target=_blank>On Intention, Harmony and Phenomenology (interview) (2000)</A><br><A HREF="http://sacredrealism.org/catlamb/tuninginformation/articles/On_Arbor_Vitae.pdf" target=_blank>On Arbor Vitae for String Quartet(Winter) (2008)</A><br><A HREF="http://robertwannamaker.com/writings/rwannamaker_north_american_spectralism.pdf" target=_blank>North-American Spectralism (Wannamaker) (2007)</A><br><A HREF="http://music.dartmouth.edu/~larry/published_articles/dc_nov_6.pdf" target=_blank>Dissonant Counterpoint and Statistical Feedback (Polansky, Barnett, Winter) (2010)</A></small> <hr nosize>        • BENJAMIN THIGPEN — <small><A HREF="http://thigpen.free.fr/pages/music/turn.html" target="_blank">Turn (2010)</A> <br><A HREF="http://www.revue-et-corrigee.net/?v=interviews&PHPSESSID=832aaae7a15f514799b9570c75a1815b" target="_blank">Écrire la Musique (2011)</A> </small> <hr nosize>        • DAVID TUDOR — <small><A HREF="http://jeromejoy.org/files/articles/scores/tudor_Bandoneon_1966.jpg" target=_blank>Bandoneon (1966)</A> — <A HREF="index.php?page=RAINFOREST2"><i>Bandoneon, presentation (1966)</i></A> — <A HREF="index.php?page=NOISEbandoneon"><i>Bandoneon, documentation (1966)</i></A> — <A HREF="index.php?page=NOISEhigh#Histoire_des_Intensit__s_sonores"><i>Bandoneon, documentation 2 (1966)</i></A><br> <A HREF="index.php?page=RAINFOREST"><i>Rainforest, part 1 (1968-1973)</i></A> — <A HREF="index.php?page=RAINFOREST2"><i>Rainforest, part 2 (1968-1973)</i></A> <br> <A HREF="http://jeromejoy.org/files/articles/scores/tudor_RainforestI_1968.jpg" target=_blank>Rainforest I (1968)</A> <br><A HREF="http://jeromejoy.org/files/articles/scores/tudor_RainforestIV_1973.jpg" target=_blank>Rainforest IV (1973)</A> <br> <A HREF="index.php?page=RAINFOREST"><i>Forest Speech (1976-1979)</i></A> <br><A HREF="http://jeromejoy.org/files/articles/scores/tudor_Dialects.jpg" target=_blank>Dialects (1991)</A> <br><A HREF="http://www.nicolascollins.com/texts/tudorgain.pdf" target=_blank>Gain : Reflections on David Tudor (by Nicolas Collins) (1997)</A> <br> <A HREF="http://www.sleazeart.com/SA_docs/SA_textes/Rainforest%20IV_%28fr%29.pdf" target=_blank>RainForest IV (by Kasper T. Toeplitz) (2009)</A> <br> <A HREF="http://macumbista.net/files/rainforest_overview.pdf" target=_blank>RainForest IV (by Derek Holzer) (2012)</A> <br><A HREF="http://www.getty.edu/research/exhibitions_events/events/david_tudor_symposium/pdf/kuivila.pdf" target=_blank>Open Sources : Words, Circuits and the Notation / Realization Relation in the Music of David Tudor (by Ron Kuivila) (2001)</A></small> <hr nosize>        • YOSHI WADA — <small><A HREF="index.php?page=DOCLMYwada">Off the Wall I, II (1984)</A> </small> <hr nosize>        • MICHEL WAISVISZ — <small><A HREF="index.php?page=NOISEhighmichel">Composing the Now (2003)</A> </small> <hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>MCKENZIE WARK / A HACKER MANIFESTO (2004)</u> — <small><A HREF="https://ia902609.us.archive.org/35/items/pdfy-RtCf3CYEbjKrXgFe/A%20Hacker%20Manifesto%20-%20McKenzie%20Wark.pdf" target=_blank>A Hacker Manifesto, published by Harvard University Press (2004)</A><br> <A HREF="http://cmsw.mit.edu/mit2/Abstracts/mckenziewark.pdf" target=_blank>A Hacker Manifesto [v.5.1]</A><br> <A HREF="https://repo.zenk-security.com/Others/Un%20Manifeste%20Hacker.pdf" target=_blank>Un Manifeste Hacker [v.4.0], trad. française Olivier Surel, published by U.C.H. Pour la Liberté (2002)</A><br> <A HREF="http://meetopia.net/virus/pdf-ps_db/Wark_A-Hacker-Manifesto.pdf" target=_blank>A Hacker Manifesto [v.4.0]</A></small> <hr nosize>        • JOHN WHITE — <small><A HREF="http://www.experimentalmusic.co.uk/emc/Freebies_files/John%20White%20drinking%20and%20hooting.pdf" target=_blank>Drinking and Hooting Machine (1968)</A> <br><A HREF="http://www.experimentalmusic.co.uk/emc/Jems_files/Smithwhite.pdf" target=_blank>The Piano Sonatas (by Dave Smith) (1980)</A> <br><i><small>Et aussi / And also :</small></i> <br><A HREF="http://neo-nondualism.pbworks.com/f/Systems+in+Art+and+Music.pdf" target=_blank>Systems in Art and Music (by Michael Parsons) (1976)</A><br><A HREF="https://independent.academia.edu/VirginiaAnderson" target=_blank>Systems Music (by Virginia Anderson) (2007)</A></small> <hr nosize>        • TREVOR WISHART — <small><A HREF="http://monoskop.org/images/2/21/Wishart_Trevor_On_Sonic_Art.pdf" target=_blank>On Sonic Art (1996)</A></small> <hr nosize>        • CHRISTIAN WOLFF — <small><A HREF="http://eamusic.dartmouth.edu/~wolff/Works.html" target=_blank>Works List</A> <br><A HREF="index.php?page=NOISEwolff#Interviews"><i>Interviews (1971-2010)</i></A> <br><A HREF="http://camil.music.illinois.edu/Classes/Lund/507-Cage-Feldman-Brown/Wolff-Scores/Wolff-For%201,2,3.pdf" target=_blank>For 1, 2, 3 People</A> <br><A HREF="http://www.blockmuseum.northwestern.edu/picturesofmusic/pages/wolf/edgesinst.html" target=_blank>Edges Instructions (1968)</A> <br><A HREF="http://www.frogpeak.org/unbound/wolff/wolff_prose_collection.pdf" target=_blank>Prose Collection (1969, 1971, 1985)</A> <br><A HREF="index.php?page=NOISEwolff"><i>Stones (1968-71)</i></A> <br><A HREF="index.php?page=NOISEwolff"><i>Sticks (1968-71)</i></A> <br><A HREF="http://www.wormsanderaare.com/Schplitzing/Changing%20the%20system.pdf" target=_blank>Changing the System (1972)</A> — <A HREF="index.php?page=NOISEwolff"><i>Changing the System (1972)</i></A> <br><A HREF="http://www.newmusicbox.org/assets/35/interview_wolff.pdf" target=_blank>Interview (2002)</A> </small> — <small><A HREF="http://www.newworldrecords.org/uploads/file9CQrs.pdf" target=_blank>Christian Wolff and the Politics of Music (by John Tilbury & Thomas Schultz) (2009)</A> </small><hr nosize>        • STEFAN WOLPE — <small><A HREF="http://ada.evergreen.edu/~arunc/texts/music/wolpeOnMusic.pdf" target=_blank>To Understand Music (1953)</A> </small> <hr nosize>        • IANNIS XENAKIS — <small><A HREF=" http://www.iannis-xenakis.org/fxe/ecrits/mus_form.html" target=_blank>Musiques Formelles (1963)</A> <br><A HREF=" http://monoskop.org/images/b/b6/Xenakis_Iannis_Musiques_formelles_Nouveaux_principes_formels_de_composition_musicale_French.pdf" target=_blank>Musiques Formelles - Nouveaux principes formels de composition musicale (1963)</A> <br><A HREF="index.php?page=NOISEhigh#Intensit__s_sonores">Polytope de Montréal (1967)</A> <br><A HREF="index.php?page=NOISEhighxenakis"><i>La Légende d'Eer / Diatope (1977-78)</i></A> <br><A HREF="index.php?page=NOISEhigh#Intensit__s_sonores">Jonchaies (1977)</A> <br><A HREF="http://www.urbain-trop-urbain.fr/wp-content/uploads/2012/03/Iannis-Xenakis_s-Polytopes.pdf" target="_blank">Towards a Space-Time Art: Iannis Xenakis's Polytopes (by Sven Sterken) (2001)</A><br><A HREF="http://lib.ugent.be/fulltxt/RUG01/000/840/651/RUG01-000840651_2010_0001_AC.pdf" target="_blank">Xenakis, ingénieur et architecte, les projets architecturaux et musicaux (by Sven Sterken) (2004)</A> <br><A HREF="http://www.iannis-xenakis.org/fxe/actus/Solom3.pdf" target="_blank">Le Diatope et La Légende d'Eer (by Makis Solomos) (2005)</A><br><A HREF="https://lirias.kuleuven.be/bitstream/123456789/340882/1/Sven+Sterken-+Proof+09+12+2006+FINAL.pdf" target="_blank">Music as an Art of Space: Interactions between Music and Architecture in the work of Iannis Xenakis (by Sven Sterken) (2007)</A> <br><A HREF="http://fr.scribd.com/doc/82945540/xviiiCimProceedings" target="_blank">Xenakis, Electroacoustic Music and Polytopes (by James Harley) (2010)</A><br><A HREF="http://monoskop.org/images/6/63/Turner_Charles_Xenakis_in_America.pdf" target="_blank">Xenakis in America (by Charles Turner) (2014)</A></small> <hr nosize>        • LA MONTE YOUNG — <small><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#WORKS___List__1953_1985_">Works List (1953-1985)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Five_Small_Pieces_for_String_Quartet__On_Remembering_a_Naiad___for_string_quartet__1956_">Five Small Pieces for String Quartet (1956)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Trio_for_Strings__1958_">Trio for Strings (1958)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Vision__1959_">Vision (1959)</A> <br><A HREF="http://www.ubu.com/historical/young/young_selected.pdf" target=_blank>Selected Writings (1959-1969)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=NOISEpoem">Poem for Chairs, Tables, Benches, etc. and Other Sources (1960)</A> — <A HREF="http://joy.nujus.net/w/index.php?page=NOISEhigh#Dur__es_et_Intensit__s_sonores">Poem for Chairs, Tables, Benches, etc., documentation (1960)</A> <br><A HREF="http://www.digitale-schule-bayern.de/dsdaten/235/331.pdf" target=_blank>Composition 1960 #7 (1960)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=NOISEpoem">Composition 1960 #10 to Bob Morris (1960)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Two_Sounds__1960_">Two Sounds (1960)</A> — <A HREF="http://joy.nujus.net/w/index.php?page=NOISEtwosounds"><i>Two Sounds, documentation (1960)</i></A> — <A HREF="http://joy.nujus.net/w/index.php?page=NOISEhigh#Dur__es_et_Intensit__s_sonores"><i>Two Sounds, documentation 2 (1960)</i></A><br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Forty_Two_for_Henry_Flynt__for_gong_solo__X_for_Henry_Flynt___1960_">X for Henry Flynt (1960)</A> — <A HREF="http://joy.nujus.net/w/index.php?page=NOISEflynt"><i>X for Henry Flynt, documentation (1960)</i></A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#The_Second_Dream_Of_The_High_Tension_Line_Stepdown_Transformer_From_the_Four_Dreams_of_China__1962_">The Second Dream of the High Tension Line Stepdown Transformer from the Four Dreams of China (1962)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Bb_Dorian_Blues__1963_">Bb Dorian Blues (1963)</A> — <A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYyam"><i>Bb Dorian Blues / Yam Festival / Tree (1963)</i></A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#The_Overday__1963_">The Overday (1963)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Studies_in_The_Bowed_Disc__1963_">Studies in the Bowed Disc (1963)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=NOISEhigh#Dur__es_et_Intensit__s_sonores">Theatre of Eternal Music (1964)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#The_Well_Tuned_Piano__1964_1973_1981_Present____">The Well-Tuned Piano (1964/1973/1981/present)</A> — <A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYwtp"><i>The Well-Tuned Piano, documentation (1964/1973/1981/present)</i></A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Bowed_Mortar_Relays__1966_">Bowed Mortal Relays (1966)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=NOISEhigh#Immersion__Bruit__Intensit__s">Theatre of Eternal Music - The Tortoise, His Dreams and Journeys (1966)</A> <br><A HREF="index.php?page=DOCLMY">Articles 1967-1988 / <i> Papers & reviews 1967-1988</i></A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Drift_Study_4_37_40___5_09_50___4_37_40_PM_____5_VIII_68_NYC__1968_">Drift Study 4:37:40 - 5:09:50 - 4:37:40 PM — 5 VIII 68 NYC (1968)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Drift_Study_31_I_69_12_17_30___12_49_58_PM_NYC__1969_">Drift Study 31 I 69 12:17:30 - 12:49:58 PM NYC (1969)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#31_VII_69_10_26___10_49_PM">31 VII 69 10:26 - 10:49 PM (1969)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Oceans__1969_">Oceans (1969)</A> <br><A HREF="index.php?page=DOCLMY">D. & J. Caux, In Chroniques de l'Art Vivant (F) (1972)</A><br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Dream_House__1973_">Dream House (1973)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#WORKS___List__1985_2005_">Works List (1985-2005)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYworks#Just_Charles__amp__cello_in_The_Romantic_Chord__2002_2003_">Just Charles & Cello in the Romantic Chord (2002-03)</A> <br><A HREF="http://joy.nujus.net/w/index.php?page=DOCLMYint2003">Interview (2003)</A> <br><A HREF="http://arrow.uws.edu.au:8080/vital/access/manager/Repository/uws:3631" target=_blank>Sine waves and simple acoustic phenomena in experimental music (La Monte Young, Alvin Lucier) (by Peter Blamey) (2008)</A></small><hr nosize>        <span style="font-size:1.5em">&loz;</span> <u>LA MONTE YOUNG / AN ANTHOLOGY OF CHANCE OPERATIONS (1963)</u> — <small><A HREF="http://ubumexico.centro.org.mx/text/AnAnthologyOfChanceOperations.pdf" target=_blank>An Anthology Of Chance Operations, published by La Monte Young & Jackson Mac Low (1963)</A></small> <hr nosize> <br><br> <br> <A name="ressources"><span style="background-color:yellow;">RESSOURCES</span></A><hr nosize> <TABLE BORDER="0" width="100%"> <TR><TD bgcolor="grey" width="100%">    <br> </TD></TR></TABLE> <hr nosize>        • <b>SOUND STUDIES</b> — <A HREF="index.php?page=Resources"><small>Articles, etc.</small></A>        • <b>WEBSITES (EXPERIMENTAL MUSIC)</b> — <ul> <li> <small><A HREF="http://www.soundexpanse.com/" target="blank">http://www.soundexpanse.com/</A> <br>(by Jennie Gottschalk) — Her dissertation and current work explore connections between American pragmatist thought and experimental music</small><br><br> <li> <small><A HREF="http://erstwords.blogspot.com/" target="blank">http://erstwords.blogspot.com/</A> <br>(by Jon Abbey and Bhob Rainey) — It’s more of an occasional magazine than a blog, really. The posts themselves are extraordinary gems of writing on experimental and improvised music. Contributors so far include Keith Rowe, Toshiya Tsunoda and Michael Pisaro (who has written a remarkably detailed history of the Wandelweiser group that is worth the server space alone).</small><br><br> <li> <small><A HREF="http://highponytail.blogspot.com/" target="blank">http://highponytail.blogspot.com/</A><br> — classical and contemporary vinyl recordings</small><br><br> <li> <small><A HREF="http://soundisgrammar.wordpress.com/" target="blank">http://soundisgrammar.wordpress.com/</A></small><br><br> </ul> <br><br> <br> <A name="biblio"><span style="background-color:yellow;">BIBLIOGRAPHIES</span></A><hr nosize> <TABLE BORDER="0" width="100%"> <TR><TD bgcolor="grey" width="100%">    <br> </TD></TR></TABLE> <hr nosize> <hr nosize> <br><br> <br> <A name="archives"><span style="background-color:yellow;">ARCHIVES</span></A><hr nosize> <TABLE BORDER="0" width="100%"> <TR><TD bgcolor="grey" width="100%">    <br> </TD></TR></TABLE> <hr nosize>        • <A HREF="index.php?page=PubliUltime2012">L'Ultime (1984)</A><hr nosize>        • <A HREF="index.php?page=Homestudio.thing.net">Websites (Artel, 491, audiolab, etc.) (1996-...)</A><hr nosize>        • <A HREF="index.php?page=Homestudio.thing.net">Homestudio (1997-1998)</A><hr nosize>        • <A HREF="index.php?page=Homestudio.thing.net">Homestudio.thing.net, Jukebox.thing.net (1999-2007)</A><hr nosize>        • <A HREF="index.php?page=Homestudio.thing.net">Forum Hub (The Thing) (1999-2003)</A><hr nosize> </H5> </DIV> {/html} {br}{br}
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