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Last changed - French time: 2011/04/25 04:00
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!!!!Contemporary context: Today, with the development of electronic networks permitting immediate audio transmission, the concept of ‘distance listening’, (beyond basic remote-presence and remote-action), has become an essential central vector in all sorts of art forms - from sound transmission from place to place, e.g. installations by B. Fontana, through the use of the network as an acoustic space in itself, in which distance is re-constructed (e.g. A. Tanaka), to the recent and increasing development of networked concerts involving players and audiences geographically distributed (e.g. The Hub, P. Oliveros) and internet projects based on representation of sound locations (e.g. soundmaps ; geo-localization). At the time of writing, certain artists have begin to develop networked listening systems implicating feedback between a distributed audience (e.g. A. Black). Development in sound and distance is currently very active and new developments are constantly appearing. ----
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