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!!!!Objectives: My main objective is to distinguish the act of ‘distance listening’ as a new paradigm in sound practice relevant to networked music and sound art. The first objective is to elaborate a repertory consisting of characteristics and criteria defining ‘distance listening’, completed by detailed analyses and references. The second objective is to focus on the creative aspects of ‘distance listening’, by identifying the singularities and characteristics of : 1) Distance listening as a practice, 2) Types of networked listening systems based on local and remote spaces, 3) Networked auditoriums, 4) Audio networks considered as instruments 5) The conditions relevant to the part played by imagination contained in reception of sound at a distance. The third objective is to create an online graphical interface connected to the networked NMSAT database offering a navigation and documentation tool through the cross referencing of concepts, with historical and contemporary references. ----
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