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!!!Concerto Milieu Divin (1969) ---- pour 2 orchestres et 5 magnétophones stéréo et 16 haut-parleurs{br}orchestre : ensemble de bois (2233), ensemble de cuivres 4330), 4 percussions et ensemble de cordes{br}dur : 28mn30s{br}Création : 26/03/1970 – Orchestre national de l'ORTF, direction Lukas Foss et Boris de Vinogradov. France, Royan, Festival international d'art contemporain de Royan. {html} <TABLE BORDER=0" WIDTH="100%" style="background-color:#CCCCCC;"> <TR> <TD> <small>JEAN-ETIENNE MARIE<br>— Concerto Milieu Divin<br>(introduction, Présentation)</small><br> <object type="application/x-shockwave-flash" data="webs/dewplayer-vol.swf" width="350" height="20" id="dewplayer" name="dewplayer"> <param name="wmode" value="transparent" /> <param name="movie" value="webs/dewplayer-vol.swf" /> <param name="flashvars" value="mp3=https://jeromejoy.org/files/articles/marie/concerto1.mp3&bgcolor=FFFFFF&showtime=1&autoplay=0&autoreplay=0&volume=100" /> </object> <br><br> <small>JEAN-ETIENNE MARIE<br>— Concerto Milieu Divin<br>(concert, enregistrement live, 26/03/1970, dur : 27mn30s)</small><br> <object type="application/x-shockwave-flash" data="webs/dewplayer-vol.swf" width="350" height="20" id="dewplayer" name="dewplayer"> <param name="wmode" value="transparent" /> <param name="movie" value="webs/dewplayer-vol.swf" /> <param name="flashvars" value="mp3=https://jeromejoy.org/files/articles/marie/concerto2.mp3&bgcolor=FFFFFF&showtime=1&autoplay=0&autoreplay=0&volume=100" /> </object> </TD> </TR> </TABLE> <br><small><i>Source : Archives personnelles</i></small> {/html} {html} <TABLE BORDER=0" WIDTH="100%" style="background-color:#CCCCCC;"> <TR> <TD> <small>JEAN-ETIENNE MARIE<br>— Concerto Milieu Divin<br>(introduction, Présentation du concert de 1970, Description du dispositif électroacoustique)</small><br> <object type="application/x-shockwave-flash" data="webs/dewplayer-vol.swf" width="350" height="20" id="dewplayer" name="dewplayer"> <param name="wmode" value="transparent" /> <param name="movie" value="webs/dewplayer-vol.swf" /> <param name="flashvars" value="mp3=https://jeromejoy.org/files/articles/marie/concerto3.mp3&bgcolor=FFFFFF&showtime=1&autoplay=0&autoreplay=0&volume=100" /> </object> </TD> </TR> </TABLE> <br><small><i>Source : <A HREF="http://www.ina.fr/audio/PHF07009513/jean-etienne-marie-concerto-milieu-divin-creation-mondiale-audio.html" target="_blank">INA</A></i></small> {/html} {br} |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t ''"In Concerto milieu divin, first violins are in sixth tones centered around D above high C. Second violins are incorporating both third and fifth tones centered on A . Violas are fluctuating from third to fifth tones centered on E#. The cellos are fluctuating from quartertones to third tones on B, while the basses are vacillating from third to quartertones centered on pitch D below bass clef. Although microtones are present in other instruments as well, such as a quartertone in the soprano clarinet, the bulk of the polymicrotonal usage is focused on the strings."'' — ''(Polytempic Polymicrotonal Music, Peter Thoegersen, 2012)''{br}---- | |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t {cap}'''Présentation du Concerto Milieu Divin'''{/cap}{br}Fernand Vandenbogaerde, « Des musiques mixtes aux dispositifs électroacoustiques manipulés en direct », in Musique en Jeu, n°8, "Musiques Électro-acoustiques", Septembre 1972, pp.44-49.{br}{small}(''Cliquez les images pour les agrandir - Click to enlarge''){/small}| |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t |t [https://jeromejoy.org/files/articles/marie/marie22p.jpg|https://jeromejoy.org/files/articles/marie/marie22.jpg]|t |t |t [https://jeromejoy.org/files/articles/marie/marie23p.jpg|https://jeromejoy.org/files/articles/marie/marie23.jpg]{br}[https://jeromejoy.org/files/articles/marie/marie24p.jpg|https://jeromejoy.org/files/articles/marie/marie24.jpg]{br}[https://jeromejoy.org/files/articles/marie/marie25p.jpg|https://jeromejoy.org/files/articles/marie/marie25.jpg]|| {br}{br}{br} ---- ----
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