DOCLMYworks - Jerome Joy website

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!!WORKS : List (1985-2005) * 1988, ''The Big Dream Symmetries, n° 1-6'', environnements sonores; * 1989, ''The Symmetries in Prime Time from 144 to 112 with 119'', comprenant : ''« The Close Position Symmetry, The Symmetry Modeled on BDS # 1» , « The Symmetry Modeled on BDS # 4 », « The Symmetry Modeled on BDS # 7 », « The Romantic Symmetry », « The Romantic Symmetry » (over la 60 cycle base), « The Great Romantic Symmetry »'', environnements sonores; * 1989-1990, ''The Lower Map of The Eleven's Division in The Romantic Symmetry (over e 60 cycle base) in Prime Time from 144 to 112 with 119 (1989-1990)'', instruments indéfinies et environnement sonore. * 1989-1990, ''The Prime Time Twins'', comprenant : «The Prime Time Twins in The Ranges 144 to 112; 72 to 56 et 38 to 28 » Including « ''The Special Primes 1 et 2'' » * 1990, ''The Prime Time Twins en The Ranges 576 to 448 ; 288 to 224 ; 144 to 112 ; 72 to 56 ; 36 to 28 ; with The Range Limits 576, 448, 288, 224, 144, 56 et 28'', environnements sonores * 1990, ''Chronos Kristalla'', pour quatuor à cordes * 1991, ''The Young Prime Time Twins'', comprenant : « The Young Prime Time Twins in The Ranges 2304 to 1792 ; 1152 to 896 ; 576 to 448 ; 288 to 224 ; 144 to 112 ; 72 to 56 ; 36 to 28 ; Including ou Excluding ''The Range Limits 2304, 1792, 1152, 576, 448, 288, 224, 56 et 28'' » * 1991, ''The Young Prime Time Twins in The Ranges 2304 to 1792 ; 1152 to 896 ; 576 to 448 ; 288 to 224 ; 144 to 112 ; 72 to 56; 36 to 28 ; 18 to 14'' ; Including ou Excluding ''The Range Limits 2304, 1792, 1152, 576, 448, 288, 224, 56, 28 et 18'' ; et Including ''The Special Young Prime Twins Straddling The Range Limits 1152, 72 et 18'' * 1991, ''The Young Prime Time Twins in The Ranges 1152 to 896 ; 576 to 448 ; 288 to 224 ; 144 to 112 ; 72 to 56 ; 36 to 28'' ; Including ou Excluding ''The Range Limits 1152, 576, 448, 288, 224, 56 et 28'' ; with ''One of The Inclusory Optional Bases : 7 ; 8 ; 14:8 ; 18:14:8 ; 18:16:14 ; 18:16:14:8 ; 9:7:4'' ; ou ''The Empty Base'', pour environnements sonores * 1991-..., ''The Symmetries in Prime Time from 288 to 224 with 279, 261 et 2 X 119'' with One of The Inclusory Optional Bases : 7 ; 8 ; 14:8 ; 18:14:8 ; 18:16:14 ; 18:16:14:8 ; 9:7:4 ; ou The Empty Base. Comprenant : The Symmetries in Prime Time When Centered above et below The Lowest Term Primes in The Range 288 to 224 with The Addition of 279 et 261 in Which The Half of The Symmetric Division Mapped above et Including 288 Consists of The Powers of 2 Multiplied by The Primes within The Ranges of 144 to 128, 72 to 64 et 36 to 32 Which Are Symmetrical to Those Primes in Lowest Terms en The Half of The Symmetric Division Mapped below et Including 224 within The Ranges 126 to 112, 63 to 56 et 31.5 to 28 with The Addition of 119 et with One of The Inclusory Optional Bases: 7; 8; 14:8; 18:14:8; 18:16:14; 18:16:14:8; 9:7:4; ou The Empty Base (1991), pour environnements sonores * 1953-1955 ; 1992, ''Annod, 92 X 19 Version'', for Zeitgeist (pour l'esprit du temps), pour saxophone alto, vibraphone, piano, basse, batterie, comprenant : « 92 XII 22 Two-Part Harmony » et « XII Annod Backup Riffs » (1992); * 2002-2003, ''Just Charles & cello in The Romantic Chord'', pour violoncelle, bourdonnements de violoncelle enregitré, et jeu de lumières * 2002-...., ''Raga Sundara, vilampit khayal set en Raga Yaman Kalyan'', voix, divers instruments, bourdonnement de tampura * 1984-2001-2005(1958), ''Trio'' pour cordes, version en intonation juste, pour 2 violoncelles, 2 violons, 2 altos {br}{br} \|t \|t [../files/articles/lamonteyoung/lmy10.jpg\|../files/articles/lamonteyoung/lmy10b.jpg]{br}{small}{cap}credits : Jung Hee Choi{/cap}{/small}\|t \|t [../files/articles/lamonteyoung/lmy15.jpg]\| {br}{br} {br}{br} ----
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