DOCLMY - Jerome Joy website

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!! PUBLISHINGS Source : {small}http://www.melafoundation.org/mzpublic.htm {/small} {br}{br} * '''Anthology of Chance Operations''', by La Monte Young & Jackson McLow (1963){br}Source : {small}http://ubumexico.centro.org.mx/text/AnAnthologyOfChanceOperations.pdf {/small} {br}{br} * '''Two Propositions in Black''' from "S.M.S. No. 1", by La Monte Young & Marian Zazeela (1968){br}Source : {small}http://www.ozanne-rarebooks.com/pdf/cataloguesms2.pdf {/small} {br}Source : {small}http://www.davidsongalleries.com/subjects/sms/SMS-book1-young_zaleela.jpg {/small} {br}{br} * '''Selected Writings''', by La Monte Young & Marian Zazeela (1959-1969){br}Source : {small}http://www.ubu.com/historical/young/young_selected.pdf {/small} "Notes On The Continuous Periodic Composite Sound Waveform Environment Realizations Of "Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery" "Dream House" "Conversation With La Monte Young By Richard Kostelanetz" "The Soul Of The Word" "Lecture 1960" "Poem To Diane" {br}{br} * '''Notes on Continuous Periodic Composite Sound Waveform Environment Realizations''', by La Monte Young (1969){br}Source : {small}http://www.ubu.com/aspen/aspen8/waveform.html {/small} {br}{br} * '''Dream Music''', by La Monte Young (1971){br}Source : {small}http://www.ubu.com/aspen/aspen9/dreamMusic.html {/small} {br}{br} * '''Notes on the Well-Tuned Piano''', by La Monte Young (1981-1987){br}Source : {small}In "The Well-Tuned Piano" LP booklet ^[[continue reading\|DOCLMYwtp]^]{/small} {br}{br} * '''The Magenta Lights''', by Marian Zazeela (1987){br}Source : {small}In "The Well-Tuned Piano" LP booklet ^[[continue reading\|DOCLMYwtp]^]{/small} {br}{br} * '''Sound & Light Environment a time installation measured by a setting of continuous frequencies in sound and light : February 1989 - March 1990, Dia Art Foundation, New York City''', by La Monte Young & Marian Zazeela (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small} {br}{br} * '''Time Light Simmetry - Sculptures from "Still Light", Neon : Dream House Variation I", Stairwell Environment "Magenta Day/Magenta Night"''', by Marian Zazeela (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small} {br}{br} * '''The Romantic Simmetry (over a 60 cycle base) from The Symmetries in Prime TIme from 144 to 112 with 119 (89 I 30 NYC)''', by La Monte Young (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small} {br}{br} * '''Continuous Sound and Light Environments''', by La Monte Young & Marian Zazeela (1996){br}Source : {small}In "Sound & Light - La Monte Young & Marian Zazeela", Ed. William Duckworth & Richard Fleming, Lewisburg: Bucknell University Press, 1996. {/small} {br}{br} * '''Notes on The Theatre of Eternal Music and The Tortoise, His Dreams and Journeys''', by La Monte Young (2000){br}Source : {small}http://www.melafoundation.org/theatre.pdf {/small} {br}{br} {small}'''PUBLISHED WRITINGS''' : "Sound & Light Environment: a time installation measured by a setting of continuous frequencies in sound and light, Dia Art Foundation, 548 West 22nd Street, New York City, February 1989-March 1990," "The Romantic Symmetry (over a 60 cycle base) from The Symmetries in Prime Time from 144 to 112 with 119," "Continuous Sound and Light Environments" in SOUND AND LIGHT: La Monte Young and Marian Zazeela, Bucknell Review (Spring 1996, Vol. 40:1), Ed. William Duckworth and Richard Fleming (Lewisburg 1996); "Lecture 1960," Happenings and Other Acts, Ed. Mariellen R. Sandford. London & New York: Rutledge, 1995; "Lecture 1960," Excerpts from "Sound and Light Works" (Collected Notes Spring 1990), Catalog for 44th Venice Biennale exhibition, "Ubi Fluxus ibi motus 1990-1962," (Milan 1990); "The Romantic Symmetry (over a 60-cycle base) in Prime Time from 112 to 144 with 119," 1/1 5/4 (San Francisco, 1989): 6; "Music and Light Box," Catalog for "Klangräume," Rheinisches Musikfest 1988, Düsseldorf (Köln 1988); "Notes on The Well-Tuned Piano," 1/1 3/3 (San Francisco 1987); The Well-Tuned Piano 81 X 25, Record Program Booklet, (New York 1986); Entries on Pandit Pran Nath and Terry Jennings, The New Grove Dictionary of American Music, (New York/London 1986); "Der Eröffnungs-Akkord aus The Well-Tuned Piano," Catalog for "Raum Zeit Stille," Kölnischer Kunstverein (Köln 1985); "Musique: Pandit Pran Nath et le Style Kirana," L'Autre-Monde 69 (Paris 1983): 62; "Notes on the Continuous Periodic Composite Sound Waveform Environment Realizations of Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery," "Dream Music," "Le Chant de Pran Nath: Le Son Est Dieu," VH 101 4 (Paris 1970-71); "Singing of Pran Nath: The Sound is God," The Village Voice (New York 1970); "Untitled (Notes on Dream Music)," Aspen 9 (New York 1970); Selected Writings. Munich: Friedrich, 1969; "Two Propositions in Black," S.M.S. 1, The Letter Edged in Black Press (New York 1968; "Lecture 1960," Tulane Drama Review, (New Orleans 1965); "Dream," Dream Sheet, Ed. Diane Wakoski, Hardware Poets Playhouse (New York 1965); Excerpts from "Lecture 1960," Kulchur 10 (New York 1963). {/small}{br}Source : {small}http://melafoundation.org/lmyresum.htm {/small} {br}{br} {small}'''SELECTED BIBLIOGRAPHY''' : Cardew, Cornelius. "One Sound: La Monte Young," Musical Times 107/11 (1966): 959; Caux, Daniel. "John Cage, La Monte Young et la dissidence musicale d'aujourd'hui," art press 150 (1990): 48; Fricke, David. "Record Reviews: Just Stompin' / Live at The Kitchen, La Monte Young and The Forever Bad Blues Band," Rolling Stone 669 (November 11, 1993); Gann, Kyle. "La Monte Young's The Well-Tuned Piano," Perspectives of New Music 31/1 (Winter 1993): 134; Gann, Kyle. "Maximal Spirit," Village Voice (9 June 1987): 70; Gena, Peter. "Freedom in Experimental Music: The New York Revolution," Tri-Quarterly 52 (1981): 223; Griffiths, Paul. Modern Music: The Avant-garde Since 1945. New York: G. Braziller, 1981; Heisinger, Brent. "American Minimalism in the 1980s," American Music 7/4 (1989): 430; Hitchcock, H. Wiley. "Current Chronicle," Musical Quarterly 51 (1965): 538; Leedy, Douglas. "Record Reviews: La Monte Young. 90 XII 9 c. 9:35-1052 PM NYC The Melodic Version (1984) of The Second Dream of The High-Tension Line Stepdown Transformer from The Four Dreams of China (1962)," American Music 11/1 (Spring 1993) 126; Licht, Alan. "The History of La Monte Young's Theatre of Eternal Music," Forced Exposure 16 (1990): 60; McCardell, Charles. "Sound Instincts: La Monte Young & His Breakthrough Music," Washington Post (15 October 1985): E7; Mertens, Wim. American Minimal Music. London: Kahn & Averill, 1983; Morgan, Robert P. Twentieth-Century Music. New York and London: W.W. Norton, 1991; Neilson, John. "Getting Down to Fundamentals: The Essence of La Monte Young," Option (Sep/Oct 1987); Nyman, Michael. "Against Intellectual Complexity in Music," October 13 (1980): 82; .......-. Experimental Music: Cage and Beyond. New York: Schirmer, 1974; Palmer, Robert. "A Father Figure for the Avant-garde," The Atlantic 247/5 (May 1981): 48; ........ "La Monte Young: Lost in the Drone Zone," Rolling Stone, issue #180 (13 February 1975): 24; ....... "Get Ready for the Music of Harmonics," New York Times (17 July 1983): C17; Rich, Alan. "La Monte Young's Minimalist Marathon," Newsweek (27 July 1987): 58; Rockwell, John. "Boulez and Young: Enormous Gulf or Unwitting Allies?" Los Angeles Times (13 February 1972): 38; Rosenbaum, Ron. "Eternal Music in a Dreamhouse Barn," Village Voice (12 February 1970): 5; Schaefer, John. New Sounds. New York: Harper & Row, 1987; Smith, David. "Following a Straight Line: La Monte Young," Contact 18 (1977-78): 4; Strickland, Edward. Minimalism:Origins, Bloomington and Indianapolis: Indiana University Press, 1993; Terry, Ken. "La Monte Young: Avant-garde Visionary: Composer and Pianist," Contemporary Keyboard 6/8 (1980): 12; Wolf, Daniel J. "Living and Listening in Real Time," Interval (1982-83): Winter, 14; (1983): Autumn, 27. {/small}{br}Source : {small}http://melafoundation.org/lmyresum.htm {/small} {br}{br} {br}{br} [../files/articles/lamonteyoung/lmy11.jpg] ----
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