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!!! 1964 ---- '''''{cap}Discographie{/cap}'''''{br} ---- \|3 \| \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp1_front.jpg\|../files/articles/eloy/1964_lp1_front_b.jpg\|1964 LP ADES 15.005] [../files/articles/eloy/1964_lp1_front2.jpg\|../files/articles/eloy/1964_lp1_front2_b.jpg\|1964 LP ADES 15.005] [../files/articles/eloy/1964_lp1_back.jpg\|../files/articles/eloy/1964_lp1_back_b.jpg\|1964 LP ADES 15.005]{br}---- Disque ADES 15.005 France 1964 - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {/small}\|tr {small}'''''- Fac-Similés''''' : {br}(cliquer les images pour les agrandir / ''click to enlarge'') {/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp2_front.jpg\|../files/articles/eloy/1964_lp2_front_b.jpg\|1967 LP EVEREST 3170 US] [../files/articles/eloy/1964_lp2_back.jpg\|../files/articles/eloy/1964_lp2_back_b.jpg\|1967 LP EVEREST 3170 US] [../files/articles/eloy/1964_lp2_labela.jpg\|../files/articles/eloy/1964_lp2_labela_b.jpg\|1967 LP EVEREST 3170 US] [../files/articles/eloy/1964_lp2_labelb.jpg\|../files/articles/eloy/1964_lp2_labelb_b.jpg\|1967 LP EVEREST 3170 US]{br}---- Disque EVEREST 3170 USA 1967 — Equivalences, for 18 instruments — Conductor – Pierre Boulez, The Domaine Musical Ensemble, Strasbourg Percussion Group.{br}---- Jean-Claude Eloy was born in Rouen in 1938. He studied composition in Paris with Darius Milhaud and from 1962 with Pierre Boulez at the Académie de Musique de Basle (sic; Basel). Currently he us on the staff of the University of Berkely in California.{br}The title Equivalences refers to numerous aspects of the piece and should be interpreted in the sense of an equilibrium between contrasting forces. In the simplest terms, there is the deployment of musical instruments : A triple symmetry in an arc formed by 6 percussionists, 3 groups of winds and piano-celesta with harp. On a higher plane, we may regard it as a depiction of the contrasting elements that make up the work : density, zero to maximum; registers : fixed to mobile; coordination : absolute to relative, etc. The whole form itself reflects these oppositions, this dialectic play, whence derives a contrasting sonority, an extension of the dynamic field.{br}Certain structures are variable from one performance to another, utilizing modifiable intensities that affect mainly the duration of the percussion instruments’ resonances. To illustrate : a contrast is created between wind instruments producing long held sounds on the one hand and on the opposite side are percussion instruments, piano, harp, etc. producing sounds of rapid growth and decay. Bit by bit, these sounds are drawn closer until they are confronted. The movement continues, until the sounds are at their initial state, but on opposite sides : the winds producing « pointed » sounds, while the percussion instruments trills, etc., produce long held sounds. Henri Pousseur described this development as an « arc of duration ».{br}Equivalences had its premiere performance at the Darmstadt Festival in July 1963 under the direction of Pierre Boulez. — (Jean-Claude Eloy, adapted from the French by Giveon Cornfield) {br}---- {/small}\|tr {small} {/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp3_front.jpg\|../files/articles/eloy/1964_lp3_front_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK] [../files/articles/eloy/1964_lp3_back.jpg\|../files/articles/eloy/1964_lp3_back_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK] [../files/articles/eloy/1964_lp3_labela.jpg\|../files/articles/eloy/1964_lp3_labela_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK] [../files/articles/eloy/1964_lp3_labelb.jpg\|../files/articles/eloy/1964_lp3_labelb_b.jpg\|1968 LP EVEREST TRANSATLANTIC REC 3170 UK]{br}---- Disque LP EVEREST TRANSATLANTIC REC 3170 UK 1968 — Equivalences, for 18 instruments — Conductor – Pierre Boulez, The Domaine Musical Ensemble, Strasbourg Percussion Group. {br}---- {/small}\|tr {small} {/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp4_front.jpg\|../files/articles/eloy/1964_lp4_front_b.jpg\|1964 LP ADES 16.001] [../files/articles/eloy/1964_lp4_back.jpg\|../files/articles/eloy/1964_lp4_back_b.jpg\|1964 LP ADES 16.001]{br}---- Disque ADES 16.001 France ? - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {/small}\|tr {small}{/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp5_front.jpg\|../files/articles/eloy/1964_lp5_front_b.jpg\|1964 LP ADES 17.004] [../files/articles/eloy/1964_lp5_front2.jpg\|../files/articles/eloy/1964_lp5_front2_b.jpg\|1964 LP ADES 17.004] {/small}\|tr {small}{/small}\| \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp5_front3.jpg\|../files/articles/eloy/1964_lp5_front3_b.jpg\|1964 LP ADES 17.004] [../files/articles/eloy/1964_lp5_back3.jpg\|../files/articles/eloy/1964_lp5_back3_b.jpg\|1964 LP ADES 17.004]{br}---- Disque ADES 17.004 France ? - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {/small}\|tr {small}{/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp7_front.jpg\|../files/articles/eloy/1964_lp7_front_b.jpg\|1964 LP Columbia Japan] [../files/articles/eloy/1964_lp7_front2.jpg\|../files/articles/eloy/1964_lp7_front2_b.jpg\|1964 LP Columbia Japan] [../files/articles/eloy/1964_lp7_back.jpg\|../files/articles/eloy/1964_lp7_back_b.jpg\|1964 LP Columbia Japan] {br}---- Disque Columbia / Everest OS-2372-EV Japan 1970, The Prospect of Contemporary Music nr4 - Conductor – Pierre Boulez, Domaine Musicale (sic), Strassbourg (sic) Percussion Ensemble, Yvonne Loriod piano. {br}---- {/small}\|tr {small}{/small}\| {br}{br} \|t {small}{/small}\|t {small}[../files/articles/eloy/1964_lp6_front.jpg\|../files/articles/eloy/1964_lp6_front_b.jpg\|1964 LP ADES 14.022] [../files/articles/eloy/1964_lp6_back.jpg\|../files/articles/eloy/1964_lp6_back_b.jpg\|1964 LP ADES 14.022]{br}---- Disque ADES 14.022 France 1983 - Direction – Pierre Boulez, Orchestre Du Domaine Musical, Les Percussions De Strasbourg. {br}---- {br}---- {br}— ^[[Documentation : Discographie (site du compositeur)\|http://www.eloyjeanclaude.net/AvaeraRecordsLPsFrench.html]^] {br}---- {/small}\|tr {small}{/small}\| {br}{br}---- {br}{br} {html} <hr nosize><hr style="height: 10px; margin: -0.5em 0; padding: 0; color: grey; background-color: grey; border: 0;"><br> {/html}
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